✍️ assessment2

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Preface

The entry of my graduation proposal will be a Buddha machine, a music box for meditation. It was sacred but cheap, industrial yet transcended.

There is a 24/7 sound in my house—ambiguous, genderless, looping "Amitabha" endlessly. This is my **mother's machine**. She once worked on the factory assembly lines; now, she uses this cheap plastic box to "accumulate merit."

Before the graduation proposal, I need to find the clue from my Xpub 1 practices, tracing the methodology and the tools in the past one year.

How the body is disciplined by systems
/// and how we react ///

I want to find the cracks, the glitches, the moments where we can insert our own meanings.

🪷 🪷 🪷 🪷 🪷 🪷

SI#25 SOUND_OF_MAKING

In SI25, sound was the tool to explore invisible discipline.

Broadcast#3: Underwater_Exploration

> Field recording as storytelling
Using water as a metaphor to explore systems. Collaging diverse audio samples to investigate the textures of aquatic environments, finding the materialization, fluity and resistence of the sound.

Key Connection✎: Sound collage, archival practice

Broadcast#5: Bad_Customer_Service

Scripts.exe

> Script-based Narrative
Sound, like call center scripts, is repetitive and systemic. This project constructed a fictional space transforming protocols into narrative scripts.

Key Connection✎: Script-based narrative, fictioning, storytelling


Radio Worm: The Guideline to Shadows' Mindscape

Poster.png

A radio drama about the Chinese art system. Exploring algorithmic intrusion and escape.


Key Connection✎: fiction writing, role play, broadcasting


SI#26 DECLARATION

[Key_Connection]: Interactive Interface

Face_Notation

Interface
Prototype_v1.jpg

It is a interactive website that transforms the bodily markers of Chinese physiognomy into a music system.


Users adjust browser windows (CSS Grid), turning the disciplined body into a musical instrument.

  

Key Connection✎: fiction writing, role play, broadcasting

SI#27 See you many times!

The Observer Clock

"Every blink counts.

The more you blink, the faster the clock runs."

The Observer Clock transforms our most unconscious body language—blinking—into a direct conversation with time itself. This interactive installation consists of a blinking-detection clock where visitors' blinks literally accelerate the passage of time,revealing how our attention speaks in ways we rarely notice.

I also used the weasy print to documentation the whole research process and the basis machnism.

Key Connection✎: installation, archiving

THE_BUDDHA_MACHINE

[0] CONTEXT: THE_INFINITE_LOOP

Why research the Buddha Machine?

It returns to my home in Shenzhen. There is a 24/7 sound in my house—ambiguous, genderless, looping "Amitabha" endlessly.

This is my **mother's machine**. She once worked on factory assembly lines; now, she uses this cheap music box to "deliver sentient beings" and "accumulate merit."

File:PLACEHOLDER IMAGE OF BUDDHA MACHINE.jpg
The interface of transcendence: Sacred but cheap, industrial but transcendent.

THE PARADOX: The machine embodies a contradiction of Displacement:

  • Soundscape: Repetition in the factory is hard labor; repetition in practice is healing.
  • Body: On the production line, the body is a batched industrial product; at home, it is a holy object.
  • Identity: Workers exchange labor for capital; listeners exchange listening for afterlife relief.

The Urgency: In Shenzhen, the "City of Design" masking "Endless Labor," factory work and spiritual work are converging. Exhausted bodies repurpose repetitive technology to reclaim subjectivity.

Key Question: Can this loosen the framework of reality and become a tool for constructing personal meaning?

/// SYSTEM QUERIES ///

1. Formation: What historical conditions made this construction possible?
2. Operation: Through what mechanisms does it function?
3. Transmission: What patterns are passed down between generations?

[1] ARCHIVE: PATHWAY_TO_PROPOSAL

Instant Faith Workshop

Participants designed their own "Faith Systems" to test belief mechanisms. We explored personal narratives within **exhausted bodies** and how to translate dependency into faith.
> Method: "Seriously Unserious" critical reflection.
[Key Connection]: How does dependency translate into faith? Legitimate interfaces for re-narration.

Bladder Runner (Field Diary)

A field diary using the **bladder as a metaphor**. It translates somatic experiences during Shenzhen fieldwork into images and text.
[Key Connection]: Creative non-fiction, metaphor as an analytical lens.

Mundane Spiritual Interface Mapping

An interactive questionnaire website collecting daily (spiritual) technologies people use while in states of exhaustion. Mapping personal/collective "spiritual geographies."
[Key Connection]: Interactive questionnaire design, data visualization.

THE_PHANTOM_CITY (化城)

/// WEB-BASED INSTALLATION + PUBLICATION + THESIS ///

Concept: A non-linear virtual space simulating a state of **"Spiritual Suspension"**. The user enters a loop—a "Phantom City" (Yicheng)—where time stagnates and goals remain forever unclear.

File:PLACEHOLDER SKETCH INSTALLATION.jpg
Concept Sketch: A non-linear liminal space with scattered industrial/religious objects.

STATE 1: THE LOOP
If input stops, system decays into noise. Mirrors the "survival mechanism" of factory labor.

STATE 2: PHANTOM CITY
Based on Buddhist "Hua Cheng". Clarity appears as a mirage (perfect image/sound), then dissolves.

STATE 3: SUSPENSION
No levels, no winning. Floating in a system that offers only endless continuation.

Scene Settings: 4-6 Abstract scenes (Faith Space, Workshop, Home) scattered with religious objects, folk symbols, and industrial equipment.
Tech Stack: Three.js / A-Frame, Blender, Spatial Audio.

[3] TIMELINE: 4 MONTHS

  • Month 1: Deep Reading (Cybernetics) + Visual Concept + Prototype "Infinite Scroll".
  • Month 2: Blender Content Gen + Sound Experiments (Factory Noise x Chanting).
  • Month 3: Integration + Workshop Testing (Testing "Suspension" atmosphere) + Thesis.
  • Month 4: Final UI Polish + Zine Publication.


░░░ Thank you ░░░