SI28-Radio-Worm/Week4: Difference between revisions
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[[File:Kiki !.jpg|thumb|Kiki & Sibyl !]] | [[File:Kiki !.jpg|thumb|Kiki & Sibyl !]] | ||
[[File:Robin ! .jpg|thumb|Robin ! ]] | [[File:Robin ! .jpg|thumb|Robin ! ]] | ||
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==Broadcast== | ==Broadcast== | ||
Listen to our broadcast [https://www.mixcloud.com/radiowormrotterdam/xpub-presents-protocols-feedback-writingmachines-... here] | Listen to our broadcast [https://www.mixcloud.com/radiowormrotterdam/xpub-presents-protocols-feedback-writingmachines-... here] | ||
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https://etherpad.wikimedia.org/p/radio_10.27<nowiki/>(our radio show script）[[File:Phillip !.jpg|thumb|Phillip !]] | https://etherpad.wikimedia.org/p/radio_10.27<nowiki/>(our radio show script）[[File:Phillip !.jpg|thumb|Phillip !]] | ||
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==Recap of the Show== | ==Recap of the Show== | ||
Revision as of 15:53, 1 December 2025
In this week's XPUBer Radio Show, Sibyl brings us her Live Coding Music, Soda brings us his interviews in Rotterdam over The past few weeks, and Phillp will introduce his novel The Dragon of Arnhem.
Hosts
Kiki, Sibyl, Phillip, Soda, Robin
Marco provided us with technical assistance
Recap of the Show
Music | Sibyl: Live Coding Music
🎵 playing The Prelude in C major by Johan Sebastian Bach The Well-Tempered Clavier
PROTOCOL:
- One chord per bar
- A fixed arpeggio pattern
- Continuous sixteenth-note texture
- Texture and pattern must remain consistent
Writing Machine SAMPLE ONE:
this is the music note of The Prelude in C major, I visualised this note to see the repeat pattern easily...
Writing Machine SAMPLE TWO:
PROTOCOL:
- Two given cycle lengths (90*0/20, 90*0/20 etc.)
- Defined subdivisions
- Defined temporal alignment
// "polyrhythms"
stack(
n("0").cpm(90*0/20),
n("1").cpm(90*1/20),
n("1.5").cpm(90*2/20),
n("2").cpm(90*3/20),
n("2.5").cpm(90*4/20),
n("3").cpm(90*5/20),
n("3.5").cpm(90*6/20),
n("4").cpm(90*7/20),
n("4.5").cpm(90*8/20),
n("5").cpm(90*9/20),
n("5.5").cpm(90*10/20),
n("6").cpm(90*11/20),
n("6.5").cpm(90*12/20),
n("7").cpm(90*13/20),
n("7.5").cpm(90*14/20),
n("8").cpm(90*15/20),
n("8.5").cpm(90*16/20),
n("9").cpm(90*17/20),
n("9.5").cpm(90*18/20),
n("10").cpm(90*19/20),
.sound("piano").scale("<C:major D:minor G:major>").slow("2")
*copy the coding pattern from Strudel's Bakery
Writing Machine SAMPLE THREE:I tried to incorporate the concept of CONTRAFACT and built a writing machine using strudel.
PROTOCOL:
- Fixed chord progression
- Fixed 32-bar AABA form
- Fixed harmonic rhythm
setcpm(81/4)
//$:n("1 -4 -4 -4 1 -4 -4 -4").chord("F#m").voicing().sound("gm_acoustic_bass").lpf(500).room(.6).gain("2 1 1 1 2 1 1 1")
$:sound("<bd - sd -,hh hh hh hh>*8").bank("RolandTR808")
$:n("<-4*8 -7*8 -9*8>").chord("F#m").voicing().sound("gm_acoustic_bass")
$:n("<-4 -4 1 5 7 5 3 1>*8").chord("A").voicing().sound("gm_xylophone")
//$:"<Am Fm F>"
.pick({
Am: "57,60,64",
Fm: "57,60,65",
F: "54,57,62"
})
.note()
City | Soda: The City of Rotterdam as a Writing Machine
Soda believes that Rotterdam itself is a huge writing machine. People living here constantly create stories. So he chose to interview those who are still active on the streets of this city at night, asking them for their views on the city and their stories.