User:Charlie/T6 Assessment: Difference between revisions
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==<span style="display:none;"> ① Special Issues</span> == | ==<span style="display:none;"> ① Special Issues</span> == | ||
[[File:0001 special issues.png|center|frameless|605x605px]][[File:SI 0003 25.png|left|frameless|211x211px]][[File:JamSeshPlaceholderImage.jpg|left|thumb|572x572px|<big>Special Issue 25: ♫ '''''[[SI25 Sounds Of Marmalade: Jam session with stuff|Sounds Of Marmalade:]]'''''</big> ''[[SI25 Sounds Of Marmalade: Jam session with stuff|Jam sesh w/ stuff]]'' ♫ | [[File:0001 special issues.png|center|frameless|605x605px]][[File:SI 0003 25.png|left|frameless|211x211px]][[File:JamSeshPlaceholderImage.jpg|left|thumb|572x572px|<big>Special Issue 25: ♫ '''''[[SI25 Sounds Of Marmalade: Jam session with stuff|Sounds Of Marmalade:]]'''''</big> ''[[SI25 Sounds Of Marmalade: Jam session with stuff|Jam sesh w/ stuff]]'' ♫ | ||
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We invited the public to join a cozy experimental jam session; With D.I.Y 'musical instruments' and sound-based constructs, no musical knowledge required! Synths, mics and recording equipment provided, as well as a little crafting station to guide you in making your own ♪♫ Stuff ♪♫ . | We invited the public to join a cozy experimental jam session; With D.I.Y 'musical instruments' and sound-based constructs, no musical knowledge required! Synths, mics and recording equipment provided, as well as a little crafting station to guide you in making your own ♪♫ Stuff ♪♫ . | ||
<br> | |||
<u>Contributions</u> | <u>Contributions</u><br> | ||
* Sourcing and documenting the instruments | * Sourcing and documenting the instruments<br> | ||
* Logistics | * Logistics<br> | ||
* Wiki Documentation | * Wiki Documentation<br> | ||
* Setting up the event space | * Setting up the event space<br> | ||
* Making Mixer manuals | * Making Mixer manuals<br> | ||
* Creating an online Soundboard[[File:MIXER Cookbook.jpg|center|thumb|459x459px|Mixer Manual]] | * Creating an online Soundboard<br> | ||
[[File:MIXER Cookbook.jpg|center|thumb|459x459px|Mixer Manual]] | |||
]][[File:Jamsesh picture2.png|thumb|517x517px|Jam Session at the SI25 event<br>[[File:Jamsesh picture3.png|center|frameless|513x513px]][[File:Jamsesh picture4.png|center|frameless|513x513px]]The jam sessions at the SI25 event were some of my favorite moments of XPUB. It made me realize how much I love putting together an audience experience and setting up event spaces. ]][[File:3dswc sticker.png|left|thumb|482x482px|<big>Special Issue 26: ☺ [[SI26 3DS-Zine|'''3DS - 𝔴𝔢𝔟𝔷𝔦𝔫𝔢''']] ☺</big> | ]][[File:Jamsesh picture2.png|thumb|517x517px|Jam Session at the SI25 event<br>[[File:Jamsesh picture3.png|center|frameless|513x513px]][[File:Jamsesh picture4.png|center|frameless|513x513px]]The jam sessions at the SI25 event were some of my favorite moments of XPUB. It made me realize how much I love putting together an audience experience and setting up event spaces. ]][[File:3dswc sticker.png|left|thumb|482x482px|<big>Special Issue 26: ☺ [[SI26 3DS-Zine|'''3DS - 𝔴𝔢𝔟𝔷𝔦𝔫𝔢''']] ☺</big> | ||
Revision as of 12:44, 21 June 2026
We invited the public to join a cozy experimental jam session; With D.I.Y 'musical instruments' and sound-based constructs, no musical knowledge required! Synths, mics and recording equipment provided, as well as a little crafting station to guide you in making your own ♪♫ Stuff ♪♫ .
Contributions
* Sourcing and documenting the instruments
* Logistics
* Wiki Documentation
* Setting up the event space
* Making Mixer manuals
* Creating an online Soundboard
As the result of looking into media archeology and alternative web-browsing devices within the Special Issue 26, we created a 3DS-only webzine. The project looked into the capabilities of the
We reverse-engineered its limitations to create a dungeon-crawler like browser game that could only be fully experienced through the 3DS, as opposed to the optimized capabilities of current web browsers and devices.
Contributions:
* Concept and visual development
* Asset design and CSS-styling
* Wiki documention
* 3DS customization
Word Stew✍
In what ways can alternative currents and subcultures form practices of resistance against increasingly fascist, neo-colonial and extractive ideologies within Western occultism?
— An art-based inquiry towards more sustainable, inclusive and ethically-grounded Magic practices.
— A working title that was never changed —
The way I would describe the project has changed over the past few months, and may change again in the future..
Protocols for Magic aims to create introductory frameworks for the development of idiosyncratic Magic practices through artistic and creative tools and exercises.
➯
Protocols for Magic is an art-based inquiry into the practice of Magic. It seeks to construct accessible frameworks and resources for the practice of Magic through creative expression and craft-based methodologies. Its primary aim is to facilitate constructive, yet critical, dialogue on our practice(s) and perception(s) in regards to modern Western Magic culture.
➯
Protocols for Magic (...)
Reading & Writing
(...)
Prototyping
A lot of my project ☆✎ documentation ✄⚘ lives on
theProtocols for Magic wiki page.
All work becomes occult knowledge,
All author becomes a witch in the shape of a bird,
All spectator a worm awaiting transformation.
★
Under the spell of this license,
All knowledge becomes revealed,
All revelation a bird song at dawn,
And every bird, once worm, a spell-casting witch.
★