User:XiaoXuan Soda/T2 Assessment

Before I came to XPUB and Why I choose here

Before coming to XPUB, I studied photography at a media university in China. Our teachers mainly focused on documentary photography, especially around social issues, and encouraged us to use photography as a way to promote social change.

One of our senior alumni, Wang Jiuliang, made two documentaries—Beijing Besieged by Waste and Plastic China—both of which had a significant impact on the development of environmental policies in China. This deeply affected me and made me realize that certain forms of effort can indeed lead to tangible results.

However, after four years of studying photography, I began to feel the limitations of the medium itself. As a result, I started shifting towards more interactive and installation-based practices to express my ideas.

When I read about the XPUB programme, I noticed that people were working across a wide range of media and approaches. It made me feel that I could also explore beyond a single medium—this is why I decided to come here.

Sum up！📸💡⚡️👷🏗️ About my work after come to the XPUB!!!

0.When everything just beginning，Our group photo! ! !

Meeting everyone for the first time was super exciting—it felt amazing! ! !

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The first interview in Rotterdam at night

1.About the worm radio project - Rotterdam night interview

I believe that Rotterdam itself is a huge writing machine. People living here constantly create stories. So I decided to interview those who are still active on the streets of this city at night, asking them for their views on the city and their stories.

During this process, I also noticed that there are many homeless people in this city, which sparked my interest in their situation. I began to wonder how they survive, why they have become homeless, and whether their condition is the result of structural issues, government policies, or personal circumstances.

These questions drew me into further investigation, which eventually led to the following development (see point 6).

Link：SI28-Radio-Worm/Week4

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Audiences on Public-Event

2.About that wood installation art work I made

This work becomes a way for me to reflect on and express my understanding of Rotterdam’s multicultural condition. This was my first time presenting an installation work in a group exhibition. The vibe here was great, and the audience engaged thoughtfully with each artist’s work.

I really value this kind of opportunity to share my work in a public setting. Being able to have my work seen and experienced by others made me feel genuinely happy.

Link：Projects SI 28/Water Vessel Dwelling in Temporality

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Screen shot of picture and Videos

2.1.Record picture & video of SI28 Public-Event

During the public event, I took on a documentary role, producing a visual record of each work through both photography and video.

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3.Things about the code (html css......)

python生成网页～ mytree

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6.About the continue of the homeless research project

Following Steve’s suggestion, I went to Pauluskerk, located just south of Rotterdam Centraal Station. The space functions as a support centre for people experiencing homelessness, offering food, clothing, social interaction, and guidance on accessing work.

Over time, I returned there repeatedly, gradually situating myself within this environment. At one point, I also had a meal distributed by volunteers, which became a moment of informal exchange and conversation. I spoke with people from a wide range of backgrounds—American, British, Bulgarian, Romanian, Latvian, Italian, Polish—whose trajectories had converged in this space.

Through these encounters, a recurring narrative emerged: a sense of systemic failure. Many articulated that their basic rights were not being adequately protected, and that they were subject to forms of unequal treatment. What complicates this further is that most of them are EU citizens, actively seeking employment, having come to the Netherlands with the expectation of earning a wage sufficient to sustain their families.

Rather than isolated personal misfortune, these stories point toward broader structural conditions—raising questions about mobility, labour, and the limits of social support systems within the EU context.