SI28-Radio-Worm/Week6: Difference between revisions

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= Radio Worm/Week6 =
= Radio-Show/Week6 =


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The plan: a chill morning radio set with music to wake up to. The outcome: listen for yourself by following the link on MixCloud!
The plan: a chill morning radio set with music to wake up to.  
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== Hosts ==
== Hosts ==


[[User:SHRED|Ema]], [[User:LEa|Lea]], [[User:Valentin97|Valentin]], [[User:Daanprincen|Daan]] and [[User:Youjung|Youjung]] (observer)
[[User:SHRED|Ema]], [[User:LEa|Lea]], [[User:Valentin97|Valentin]], [[User:Daanprincen|Daan]] and [[User:Youjung|Youjung]] (observer)
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Revision as of 15:32, 8 December 2025

Radio-Show/Week6

The plan: a chill morning radio set with music to wake up to.

Hosts

Ema, Lea, Valentin, Daan and Youjung (observer)

Broadcast

Listen to our broadcast here

Shownotes

Etherpad: Class notes during the broadcast

Recap of the Show

Radio Worm Broadcast 6 10th OCT 2025
Radio Worm Broadcast 6 10th OCT 2025

A spontaneous get-together of classmates. We were too caught up with all the work being done for the Special Issue so we had to come up late with a solution for this broadcast. We were obviously to exhausted to formulate heavy topics and discussion, so we proposed to do a easy morning session. We wanted to have fun and so we did. The starting point for gathering music is to look for ambient and 'plunderphonics' tunes. Luca and Daan had a conversation about the beauty of 'plunderphonics'. Plunderphonics is a term coined by John Oswald, in the essay Plunderphonics, or Audio Piracy as a Compositional Prerogative. A long line of plundered music resulted in the 2001 release plunderphonics 69/96 by Plunderphonics (John Oswald) which compiles 60 tracks of sampled popmusic layered with news speeches and whatnot. John Oswald was directly inspired by William S. Burroughs 'cut-up technique for his plunderphonics approach. [1]


Mixing music and samples live on the consolle
Live mixing music and samples on the console


During the show we played a lot of music and samples. Valentin found out a way to connect his songs collected in Traktor to also play on the Pioneer DJ-set, of which Daan thought it only supported files exported in Rekordbox.

Daan did some very basic moderation, explaining what we are doing and promoting the upcoming event at Worm Ubik.

At one point, Ema played with his Deathcore Writing Machine:

Deathcore Writing Machine

Is a Musical Writing Machine made by Ema with the precious help of Riccardo

The machine is built to highlight how "simple" it can be nowadays to start to play deathcore without the need to actually learn how to play an acoustic instrument, and how easy it can be to compose a deathcore song on the spot.

Tempo 180bpm

Deathcore Writing Machine Setup
Deathcore Writing Machine Setup

Extract of songs and sounds played

  • Bruce Haack - Epilogue
  • Dwig - Superunke
  • Gray - Cut It Up High Priest
  • Herbie Hancock - Chameleon
  • Monolake - Mobile
  • Pole - Fohlenfurz
  • Sun Ra - Rocket Number Nine Take Off For The Planet Venus
  • The Mothers Of Invention - Uncle Meat: Film Excerpt Part II (cut)
  • The Mothers Of Invention - Uncle Meat: The Voice Of Cheese
  • Madvillian - Shadows of Tomorrow (demo)
  • galen tipton - urskeks (with John Object)
  • Michel Banabila - Darker & Darker
  • The BBC Radiophonic Workshop - The Chem Lab Mystery
  • The BBC Radiophonic Workshop - Talk Out
  • The BBC Radiophonic Workshop - Time Beat
  • Sora - A Caminho Do Mar