User:Charlie/Protocols for Magic

Workshop by Charlie ~ coming soon ~

Description

• Part of my graduation project
• Protocols/Methods to engage with Magic through art/crafts
• Facilitate (others') individual connection to Magic

Material research

• Different forms of Magic via different mediums of art
• Protocols with versatile/reusable components
• Templates for personal "customization"

What I want to investigate through the workshop

• What are people's relationship to the concept of Magic coming in?
• How may the protocols affect people's perception of Magic?
• Can they gain something from it?

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✧ Prototyping Workshop ✧

Introduction

First, a question to the group:

What is Magic?

On existing definitions

Most general definitions describe Magic (noun) as a force, or the employing of a force outside of the bounds of Science or measurable natural laws, able to affect reality, attributes of reality or someone's perception there of. With the specific interpretation of the "force", in other words, the "source of magic" depending on cultural and historical contexts.

Other sources may frame Magic as a “mode-of-thinking”, the lens through which one may perceive and engage with the world. Through this view, Magic isn’t necessarily described as the conceptual manifestation of “invisible forces” but rather a observable psychological phenomena. Often as a means to distance Magic from supernatural implications. (Sorensen, 2006) (Dukes, 2002)

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✧ Part One - Correspondences ✧

Crafting/collecting components for Magic Spells (...)

Correspondences

In magic, the term correspondences is used to mean the symbolic associations we give to particular material, visual and/or textual elements of a magic ritual, spell or artefact (or things in general). For example, the symbolic meanings given to colours, shapes, animals, plants, stones, etc.

+origin of correspondences

Example: In many cultures throughout history, the colour yellow has been associated with the sun, sun light and or light in general. Therefore, magic that aims to target, speak or invoke aspects of the sun may use yellow as a correspondence via material and visual means to create a link to/access the magic associated with it. Naturally, other examples of correspondences/symbolic associations may be much more complex and or abstract. (I.e. the many varying correspondences and purposes ascribed to deities, gods or saints, the planetary correspondences in Astrology, +example)


It is important to note that correspondences/symbolism(s) are not universal, but are ever-evolving signifiers that reflect the cultural, religious, material and historical contexts in which they emerge and exist in.
Many belief systems and practices may incorporate and work with a defined set of symbolic associations. However, correspondences can also be personal and informed by an individuals, or group’s lived experience, believes and symbolic associations. Although the ways in which our environment and upbringing subconsciously influences and primes our symbolic associations may not always be apparent to us.

Prompt

• Create XPub2 collective correspondences

+++explain

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✧ Part Two - Protocols ✧

Protocols for Magic Circles

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Protocols for Talismans

“A talisman is any object ascribed with religious or magical powers intended to protect, heal, or harm individuals for whom they are made. Talismans are often portable objects carried on someone in a variety of ways, but can also be installed permanently in architecture. Talismans are closely linked with amulets, fulfilling many of the same roles, but a key difference is in their functions. An amulet protects a person or possession against evil forces while a talisman provides good fortune.” (Wikipedia.com

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Talismanic magic is a great example of tool-based magic that combines art and symbolism in a material form.
Talisman magic is one of the most ancient forms of tool-based magic and has existed in different forms all throughout human history, across earth.

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References

• L. O., Haute (2023), ' Talismans pour celles qui ne savent pas de quoi ils parlent'
• P. E. Moore (2019), "Art and Magick in the 21st Century; Reflections of a Neophyte", TULCA Festival Of Visual Arts, TULCA, Galway, IE.