User:Kiara/Research/draft thesis outline: Difference between revisions
No edit summary |
|||
| Line 8: | Line 8: | ||
[[../notes.md/Prototypes|——— Prototypes]] | [[../notes.md/Prototypes|——— Prototypes]] | ||
|- | |- | ||
| [[../draft_project_proposal| | | — Project Proposal | ||
[[../draft_project_proposal|——— Drafts]] | |||
<!-- [[../project_proposal|——— Final]] --> | |||
|- | |- | ||
| [[../thesis_outline| | | — Thesis Outline | ||
[[../draft_thesis_outline|——— Drafts]] | |||
<!-- [[../thesis_outline|——— Final]] --> | |||
|- | |- | ||
| [[../WebSpell|— Web Spell]] | | [[../WebSpell|— Web Spell]] | ||
| Line 215: | Line 219: | ||
: > Raphaël Bastide (chat scheduled for Tue. 28th october) | : > Raphaël Bastide (chat scheduled for Tue. 28th october) | ||
</div> | |||
</div> <!-- this is the end of the page --> | </div> <!-- this is the end of the page --> | ||
Revision as of 14:06, 26 October 2025
| Research Contents |
|---|
| General page |
| — Notes |
| — Project Proposal |
| — Thesis Outline |
| — Web Spell |
drafts
fourth draft [up to date]
- What will the text be about?
The magic, the web, the "feminine" (attributing a more fitting term to the notions it involves)
- How will that story be told? (form and mode of address)
The text should reflect the detective investigation and sort-of-sociological approach without falling in an academic "take my word for a fact" tone. One inspiration on the relationship form/content is Objet Papier's OP007 Print-it; it contains small essays and writings about the web, but also some games such as crosswords and a horoscope, all linked to the theme of the zine.
Magic and the web are inherently unbound by the laws of chronology or order, the thesis should also reflect that, either in the content, the form or a back and forth between both.
Some keywords would be: playful, instructive, pedagogical, hybrid
INTRO |
| [defining the feminine] Throughout history and social schemes, magic practice has been attributed and linked to wxmen. This attribution serves a purpose: labeling what we don't understand under a pejorative and punishable category. It becomes then much easier to relegate wxmen and minorities in a hidden, unaccounted for sphere of the society. This aspect of patriarchy, so deeply rooted that it is embraced unconsciously and passed on automatically, makes one draw a quick conclusion: the magic is tied to the feminine. But it is not that simple. Saying this is a shortcut to a much more complex situation. Saying this is leaving behind all other minorities that also often can be recognized for using (the) magic as a mean of resistance. Because in the end, what we are really talking about here is political: every bit of marginalized knowledge that hasn't been validated of certified™ by the ruling system (ultra-capitalism) is tagged as magic and thus seen as evil, banishable, wrong. And these knowledge and practices are created, cared for and used by resisting minorities. Here lays the circle. |
| [defining the magic] While searching for that term and in order to find it, it is crucial to define carefully what "the magic" refers to. Magic, as a whole, is a philosophy more than a selected practice. It thus involves the different approaches, different relationships towards objects, beings and astral elements that constitutes the various magic branches and practices. Here, I will mostly use "the magic" instead of simply "magic", as in the magic refers directly to the concept itself, gathering thought processes, faith, practices and entities themselves. The magic is precise and declarative, where magic fails to be. |
[defining the web] In this sense, we can observe that the web, both as a place and a craft (making websites) is both carrying the magic and embodying it.
(will eventually be completed after further readings) |
| Here the aim is drawn towards observing the connections between the magic, the web and what is for now referred to as the feminine. Eventually, this research will provide us with a better word to replace "feminine"; a term that would actually refer to all the notions mentioned so far: the marginalized practices, the magic as a thinking process, the web as a magical entity, sociopolitical resistance. |
KEY ISSUES |
Refs such as Tim Berners-Lee, Dasha Ilina, Olia Lialina, Lucile Haute, Doriane Timmermans, Miriam Suzanne, Raphaël Bastide, ...
Through indie web, cyberwitches practices, hybrid publication and online rituals and the obvious relation to in/visible + a special zoom on language: programming languages, narratives and poetry online
Related to resistance, minorities actions and hacking practices |
CONCLUSION |
| [ideas that lead to a conclusion] Everything is closely tied to connecting to our inner selves and emotions, as they nurture our souls and relationships. |
third draft [deprecated]
| Read it >>> |
| 1_ Want do you want to write? |
|
Magic is about caring, sharing, feeling, connecting. |
|
14-10-2025 The text should reflect the detective investigation and sort-of-sociological approach without falling in an academic "take my word for a fact" tone. One inspiration on the relationship form/content is Objet Papier's OP007 Print-it; it contains small essays and writings about the web, but also some games such as crosswords and a horoscope, all linked to the theme of the zine.Magic and the web are inherently unbound by the laws of chronology or order, the thesis should also reflect that, either in the content, the form or a back and forth between both. |
| 2_ Outline 3 key issues you want to explore/address |
Through an approach that crosses paths with sociology, detective investigation and playfulness, the aim is to observe the web for the magic it bears.
|
second draft [deprecated]
| Read it >>> |
| 1_ Want do you want to write? |
|
| The text will approach the web/internet with a sort of feminist view linked to magic. How those 3 entities are tied and intertwine, communicate. The web/internet as a protocol, a software, a network, but also a space with its materiality, its languages (code in all sorts of meanings). |
|
11-10-2025 There is a part of investigation/scientific approach -> maybe sociological?; something quite analytical, but I also don't want to fall into the academic/stating-facts-for-universal-truth jibber-jabber. The three main themes are serious, yes, but they also bear a certain lightness, almost vaporous and very subtil. This has to be transcribed somehow.Something about non-linearity makes sense as well, but it might reveal more adequate to the project than to the writing. |
| 2_ Outline 3 key issues you want to explore/address |
The very nature of magic, femininity and internet/www (definitions - red thread) |
first draft [deprecated]
| Read it >>> |
| 1_ Want do you want to write? |
|
| It is about the various forms and shapes of magic.
It is about wxmen and femininity (more magic). More specifically, the aim is to explore the inherent magic wxmen bear, the one that internet bears and how they resemble one another, communicate, build space for community and sharing. Then, approaching the figure of the woman online, maybe starting from macho clichés, to end in the true essence of the web's feminine presence. |
|
02-10-2025 THAT is a very good questionlooking from the prism of magic-related publications is out of the range of that subject. It is an interested form for experiments and prototypes, but not for the final way of addressing. |
| 2_ Outline 3 key issues you want to explore/address |
(((this is not making much sense in my head...))) |
selected bibliography
- Cyberwitches manifesto, Lucile Olympe Haute (2017)
- This is for everyone, Tim Berners-Lee (2025)
- SSOTBME Revised: An Essay on Magic, Ramsey Dukes (2000)
- being a script, Raphaël Bastide (2025)
extras
Random notes
cherish the hunch
emotion/feeling is the magic
forms of magic: practice | folklore
formulate better by precising the field of research: femininity is the glue, linking internet and magic together to become one (can a Venn diagram be made? like a meme?)
References to explore
- Sigil Séance from the Institute of Diagram Studies
- > Participate to one
- Magics
- People to chat with
- > Miriam Suzanne (email sent)
- > Lucile Haute (email sent)
- > Julie Moynat (to contact)
- > Doriane Timmermans (pad of our meeting)
- > Raphaël Bastide (chat scheduled for Tue. 28th october)