User:Charlie/Thesis Outline: Difference between revisions
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=== <u><big>Introduction</big></u> === | === <u><big>Introduction</big></u> === | ||
- If magic is<s>n't</s> real, how | - If magic is<s>n't</s> real, how ●▲◾️? - | ||
This thesis explores the concept(s) of Magic as a mode of thought within (ritual )Magic practices expressed through visual and narrative art. | This thesis explores the concept(s) of Magic as a mode of thought within (ritual )Magic practices expressed through visual and narrative art. | ||
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(..) | (..) | ||
Personal+Wider context | |||
====== Key issues ====== | ====== Key issues ====== | ||
Revision as of 15:29, 15 October 2025
Thesis Outline
✧ Draft # 1✧
✼ Outline content ✼
- Introduction
- Key Issue/chapter 1
- Key Issue/chapter 2
- Key Issue/chapter 3
- Conclusion
Introduction
- If magic isn't real, how ●▲◾️? -
This thesis explores the concept(s) of Magic as a mode of thought within (ritual )Magic practices expressed through visual and narrative art.
(..)
Personal+Wider context
Key issues
- Contextualize and define Magic as a mode of thinking applicable to an artistic practice
- Position Magic and art in a wider context through the framework of Magic Systems
- Investigate the potential of Magic systems to practice Magic through art
Chapter #1 ✧ What is Magic?
The introductory chapter will take the shape of a short literature review of relevant (re)sources and selected material to narrow down my research questions within a defined scope and context relevant to its application in my graduation project and my personal positioning. Which will shape the foundation of the following chapters.
It goes without saying that encapsulating the entirety of Magic, nor art, as a concept within a thesis is impossible. So to enter this thesis, it feels important to begin with a comprehensive outline of the many concepts and terms it will discuss. Both as a way to investigate various definitions, ideas and understandings of Magic, and other connected topics, to understand its wider context and the more systematized approach I will explore in chapter 2 and 3, as well as the graduation project.
To illustrate the more general and overarching terms and concepts, the second part of this first chapter will cover a range of examples of magic practices and rituals which contain significant aspects of artistic expression or have a notable link to artistic practices, movements or the like. (+examples)
Chapter #2 ✧ Magic (in) Systems
Chapter two is a more detailed continuation of the latter part of the first chapter, offering more in-depth reflections on previous examples and additional references.
Whereas the previous chapter centered around Magic in its more conceptual aspects and individual practices, the second chapter will mostly concern itself with placing and analyzing Magic within a social, political and historical context. Including ancient Magic practices, yet mostly focusing on relevant examples from recent history and contemporary practices.
~ Humans and Magic, in its many forms throughout history, have been in an ever-fluctuating relationship — Between public(-ly accepted) displays of affection or condemned to the margins of private devotion. ~
Chapter #3 ✧ Protocols for Magic
The third chapter effectively connects the previous section to the graduation project. Describing prototype magic system ideas, process, execution and reflection.
Conclusion
✼ Feedback & Reflections ✼
(...)
References ✼ Bibliography
- Dukes, R. (2000). 'SSOTBME Revised - an essay on magic.', The Mouse That Spins, England. (ISBN: 1-903548-00-4)
- Dk (2020). 'History of Magic, Witchcraft, and the Occult.' Dorling Kindersley Publishing, Incorporated. (ISBN: 978-0-2413-8611-8)
- Nataf, A. (1990). 'Les Maîtres de l’occultisme.' , France Loisirs, (ISBN: 978-2724250015)