User:Zuhui//T2 Assessment: Difference between revisions
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[[File:Screen !.png|thumb|250px|the screen]] | [[File:Screen !.png|thumb|250px|the screen]] | ||
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'''[https://pad.xpub.nl/p/Speech_to_project_description Programme statement - writteen together with Claudio]''' | |||
''"Weaving misinterpretations and distortions into the narrative is part of experiencing the language."'' | |||
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'''Structure''' | |||
: '''1. Live writing''' | |||
:: - the writers in the room observe and document what's happening and type it out in real time\ | |||
:: - the text is projected onto a screen so everyone can see the room through writers' words. | |||
: '''2. Narrators read-aloud''' | |||
:: - the spectators sit down in the chairs in front of the screen, become the narrators themselves, and read the live text aloud into the microphones. | |||
:: - narrators' voice is immedieately run through a soundscape that adds effects, outputs through speakers. | |||
: '''3. Back to text''' | |||
:: - after going through sound, the text read by the narrators comes back as thermal print. | |||
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'''Core ideas''' | |||
* Language never stays still. It changes a bit each time it moves through different mediums -- through the writer’s subjectivity, the narrator’s tone and intention, or the technologpes that carry it, like machines and software. | |||
** Every time the medium changes, it doesn’t only affects the language --it changes how we understand it. Each version creates a different reading. | |||
*** Distortions and mistakes aren’t failures, they’re part of the meaning. | |||
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[[File:Writersprotocol printed.jpg|thumb|250px|left|risoprinted, forgot to cut off the margines]] | [[File:Writersprotocol printed.jpg|thumb|250px|left|risoprinted, forgot to cut off the margines]] | ||
"Kijk of je gezien wordt" | |||
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Live scripting was the first step in the chain of the performance, and it also had to shape the tone for everything that followed in the whole process. The text created during the live scripting became the material that would be read, transformed and returned. | |||
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I created the ''Writers' Protocol'' to give that process a shape. the idea was to encourage a writing attitude that is fragmented, layered and sometimes even contradictory where multiple perspectives would coexist side by side on the screen. the writing would move between observation, speculation, and fiction rather than producing linear and consistent narrative of the event. | |||
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the design of the protocol was inspired by the non-linear narrative structures that I've seen in films. such as [[User:Zuhui//Personal Reader/Lola rennt, Stranger than fiction|''Stranger Than Fiction'', ''Lola Rennt'']] or ''Ruby Sparks''. these films don’t abide by the idea of a single, fixed narrative, which inspired me to treat narrative not as something we construct in advance, but something that slowly takes shape --through fragments, overlaps, misunderstandings, speculation, and even a bit of mischievf. | |||
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Revision as of 16:24, 30 March 2025
SI25
Radio Shows
SI25 Broadcast 5: Protocols For Bad Customer Service
Roles: Claudio(producer) / Charlie(interface) / Wyn, Fred + Zuhui & Eleni(host)
SI25 Broadcast 6: Protocol to Free Britney
Roles: Tessa(producer) / Feline(interface) / Charlie, Imre, Zuhui(host)
SI25 Broadcast 9: Event ReMix'd
Roles: Lexie(producer) / Zuhui(interface) / Kim, Wyn(host)
SI25 Broadcast 10: The Final Broadcast
Roles: Zuhui(producer) / Fred(interface) / Lexie, Sevgi, Tessa(host)
Public Moment
Sounds of Making, ‘Lost in Narration’
with Lexie, Claudio, Kiara, Chrissy, Eleni
SI25 Post-mortem / Reflection
Important Keywords
text here
SI26
Declaration
Generative Storybook
Others
Research Subject / Upcoming Projects