User:Zuhui//Leads: Difference between revisions
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= | <center><span style="font-size: 15px; font-family: monospace;">* rough framework for research directions *</span></center> | ||
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==<span style="font-size: 22px; font-family: monospace;">keywords</span>== | |||
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* execution/executability | |||
* protocols | |||
* infrastructures | |||
* interfaces | |||
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* performativity | |||
* rituals | |||
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* meme politics | |||
* counter records | |||
* hauntology | |||
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* gendered erasure | |||
* obsolete media | |||
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==<span style="font-size: 22px; font-family: monospace;">resources for groundwork</span>== | |||
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* [[User:Zuhui//Personal Reader/Excitable Speech: Politics of the Performative|Excitable Speech: Politics of the Performative, Judith Butler, 1997]] | |||
* [[User:Zuhui//Personal Reader/Bodies That Matter|Bodies that Matter, Judith Butler, 1993]] | |||
* Archive Fever, Jacques Derrida, 1995 | |||
* Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures, Mark Fisher, 2014 | |||
* Sorting Things Out: Classification and Its Consequences, Geoffrey C. Bowker, Susan Leigh Star, 1999 | |||
* Protocol: How Control Exists after Decentralization, Alexander R. Galloway, 2004 | |||
* Reassembling the Social: An Introduction to Actor-Network-Theory, Bruno Latour, 2005 | |||
* We Have Never Been Modern, Bruno Latour, 1991 | |||
* Science in Action, Bruno Latour, 1987 | |||
* [[User:Zuhui//Personal Reader/Political Ritual and Social Integration|Political Ritual and Social Integration, Steven Lukes, 1975]] | |||
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* [https://en.wikipedia.org/wiki/Computational_propaganda Computational Propaganda - wiki] | |||
* [[User:Zuhui//Personal Reader/The Impossibility of Interface | The Impossibility of Interface, Matthew Fuller, 2003]] | |||
* [[User:Zuhui//Personal Reader/Fact-Checking as Epistemic Infrastructure: From Journalistic Gatekeeping to Platform Governance|Fact-Checking as Epistemic Infrastructure: From Journalistic Gatekeeping to Platform Governance, 2025]] | |||
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==<span style="font-size: 22px; font-family: monospace;">case studies</span>== | |||
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==<span style="font-size: 22px; font-family: monospace;">references</span>== | |||
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<span style="font-family:monospace; font-size:17px; color:blue;">Don't Look Up, Adam McKay, 2021</span> | |||
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probably a typical post-truth film, where truth doesn’t have much effect on reality anymore. also a “fun” metaphor for global warming crisis/the ending of the holocene. | |||
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it’s also interesting to look at it from execution point of view: what is actually being executed in this scenario that guides the significant, administrative decision making towwards a world-ending reality? | |||
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quite parallel to our own reality outside the film, the executed version of reality in the film is not driven by the scientific truth, it’s driven by a slogan from political campaign, media staging for rating, corporate calculations of revenue and investment. Each of them pass through its own protocol, embedded in infrastructures of political communication, media formatting, capitalist markets and so on. they define what can and cannot be executed as reality. | |||
<br>as a result, they push the world-ending comet itself out of the central frame. The comet is still coming but it becomes irrelevant. what becomes real is the administrative manoeuvring, media spectacle, and the promises of capital investment. Only the scientific truth fails to pass the protocol, while memes, political agendas, and capital successfully generate the shared reality that drives the collective action (or inaction). | |||
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<span style="font-family:monospace; font-size:17px; color:blue;">W.I.T.C.H. - Women's International Terrorist Conspiracy from Hell</span> | |||
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<span style="font-family:monospace; font-size:17px; color:blue;">2021 GameStop short squeeze</span> | |||
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Latest revision as of 10:47, 24 October 2025
keywords
resources for groundwork
case studies
references
Don't Look Up, Adam McKay, 2021
probably a typical post-truth film, where truth doesn’t have much effect on reality anymore. also a “fun” metaphor for global warming crisis/the ending of the holocene.
it’s also interesting to look at it from execution point of view: what is actually being executed in this scenario that guides the significant, administrative decision making towwards a world-ending reality?
quite parallel to our own reality outside the film, the executed version of reality in the film is not driven by the scientific truth, it’s driven by a slogan from political campaign, media staging for rating, corporate calculations of revenue and investment. Each of them pass through its own protocol, embedded in infrastructures of political communication, media formatting, capitalist markets and so on. they define what can and cannot be executed as reality.
as a result, they push the world-ending comet itself out of the central frame. The comet is still coming but it becomes irrelevant. what becomes real is the administrative manoeuvring, media spectacle, and the promises of capital investment. Only the scientific truth fails to pass the protocol, while memes, political agendas, and capital successfully generate the shared reality that drives the collective action (or inaction).
W.I.T.C.H. - Women's International Terrorist Conspiracy from Hell
2021 GameStop short squeeze