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[[File:Talisman zuhui.jpg|thumb|'''<big>Protocol for Talismans</big>'''[[File:Talisman feline.jpg|center|frameless]][[File:Talisman chrissy.jpg|frameless]][[File:Talisman kim.jpg|frameless]]]]<br>[[File:TalismanTree1.jpg|center|thumb|553x553px|'''<big>Talisman Tree from Workshop #1</big>''']][[File:Workshop1.jpg|left|thumb|425x425px|'''<big>Protocol for Collective Correspondences</big>''']][[File:Altar 3.jpg|thumb|553x553px|left|'''<big>Protocols for Altarcation</big>'''[[File:1000031991.jpg|center|frameless|397x397px]][[File:1000031996.jpg|center|frameless|400x400px]]]] | [[File:Talisman zuhui.jpg|thumb|'''<big>Protocol for Talismans</big>'''[[File:Talisman feline.jpg|center|frameless]][[File:Talisman chrissy.jpg|frameless]][[File:Talisman kim.jpg|frameless]]]]<br>[[File:TalismanTree1.jpg|center|thumb|553x553px|'''<big>Talisman Tree from Workshop #1</big>''']][[File:Workshop1.jpg|left|thumb|425x425px|'''<big>Protocol for Collective Correspondences</big>'''[[File:Collective correspondances screenshot.png|center|frameless|534x534px]]]][[File:Altar 3.jpg|thumb|553x553px|left|'''<big>Protocols for Altarcation</big>'''[[File:1000031991.jpg|center|frameless|397x397px]][[File:1000031996.jpg|center|frameless|400x400px]]]] | ||
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Revision as of 08:35, 23 June 2026
We invited the public to join a cozy experimental jam session; With D.I.Y 'musical instruments' and sound-based constructs, no musical knowledge required! Synths, mics and recording equipment provided, as well as a little crafting station to guide you in making your own ♪♫ Stuff ♪♫ .
Contributions
* Sourcing and documenting the instruments
* Logistics
* Wiki Documentation
* Setting up the event space
* Making Mixer manuals
* Creating an online Soundboard
As the result of looking into media archeology and alternative web-browsing devices within the Special Issue 26, we created a 3DS-only webzine. The project looked into the capabilities of the
We reverse-engineered its limitations to create a dungeon-crawler like browser game that could only be fully experienced through the 3DS, as opposed to the optimized capabilities of current web browsers and devices.
Contributions:
* Concept and visual development
* Asset design and CSS-styling
* Wiki documention
* 3DS customization
This publication contains five futurepredictions for the year 2034. Predictions delicately extracted from the dreams of fellow humans who bravely set aside fear and worry to impart their visions of our collective futures-yet-to-come. Predictions solidly grounded in the shared practices of hope and meaningfulness as a renewable resource for radical transformation. Predictions not as vain prophecies, nor false promises, but rather, propositions - For a future of many possibilities!
What I cherish the most from the Special Issues
⋆ Collaborative projects > Individual work
⋆ Experimenting with new mediums
⋆ Organizing events & interacting with audiences
⋆ Providing an experience
⋆ Documenting on the Wiki, especially creating tables
⋆ Experimenting with different visual designs
It is sometimes hard to distinguish between research methods and prototyping
Collecting ⇄ Collageing
Transforming ⇄ Subverting
Archiving ⇄ Referencing
Collageing ⇄ Transforming
Subverting ⇄ Archiving
Referencing ⇄ Creating
Research Question:
In what ways can alternative currents and subcultures form practices of resistance against increasingly fascist, neo-colonial and extractive ideologies within Western occultism?
— An art-based inquiry towards more sustainable, inclusive and ethically-grounded Magic practices.
The thesis provided academic discussions and background knowledge to the project. It functions as a personal positioning to the methods and subjects I explored through the protocols.
This thesis went through many versions and changes! In the end, instead of trying to construct "my own" definition of Magic, it became much more about formulating some sort of moral principles to the practice of Magic. Rather than formulating Magic itself.
Key Points:
⋆ Ch.1: Our definition(s) and perception of Magic is steeped in Western colonial ideology
⋆ Ch.2: The "aesthetization" of Magic has turned many spiritual practices into profit-oriented trends and commodified goods.
⋆ Ch.3: Magic's association with nature-worship and arcane knowledge is being exploited as a right-wing pipeline
⋆ Conclusion: I barely scratched the surface.
The way I would describe the project has changed over the past few months, and may change again in the future..
Protocols for Magic aims to create introductory frameworks for the development of idiosyncratic Magic practices through artistic and creative tools and exercises.
➯
Protocols for Magic is an art-based inquiry into the practice of Magic. It seeks to construct accessible frameworks and resources for the practice of Magic through creative expression and craft-based methodologies. Its primary aim is to facilitate constructive, yet critical, dialogue on our practice(s) and perception(s) in regards to modern Western Magic culture.
➯
Protocols for Magic (...)
But why "protocols"?!
I chose the title when I was still attempting to formulate a "scientifically-sound" definition of Magic. But it's use became semi-ironic. While the word "protocol" somewhat implies strict structures, or rigid bureaucratic processes, the Protocols for Magic aren't really about that. I'd say the "experimental nature of Magic" (Gosden, 2020) inherently opposes rigid rules.
Although each protocol may follow a similar structure (provide an educational base-line, followed by simple step-by-step instructions), they more-so seek to create frameworks/templates/exercises that allow the audience to put into question the so-called "rules" or preconceived notions they hold towards the practice of Magic.
And what better way to do that than through arts and crafts?
(So far as one denies that arts and crafts should abide by strict rules)
Reading & Writing
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..a LOT of reading..
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Babcock, J. (2013). On Anarcho-Occultism, This Capitalist Planet and Counterpower. Arthur Magazine. Available at: https://arthurmag.com/2013/03/19/on-anarcho-occultism-this-capitalist-planet-and-counterpower/ (Accessed: 9 April 2026).
Bellisario, S. (2025). Contemporary Visions: Refiguring The Esoteric; The Transformational Act of “Making” Magic. Journal of Design History, Volume 37, Issue 4. Oxford University Press. Oxford, United Kingdom.
Bever, E., Styers, R. (2017). Magic in the Modern World: Strategies of Repression and Legitimization. Penn State University Press, Magic in History series. Pennsylvania, United States.
Brent, D. and Phelps, R. (2007). 'Participatory Consciousness and Complicity'. Complicity: An International Journal of Complexity and Education, Volume 4, Number 1, pp. 1–4.
Burgess, L. (2022) 'A Beginner's Guide to Secular Witchcraft'. Available at: https://backyardbanshee.com/witchcraft/secular-witch/ (Accessed: 2 March 2026).
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Charlesworth, J.J. (2022). The Return of Magic in Art. ArtReview. Available at: https://artreview.com/the-return-of-magic-in-art/ (Accessed: 19 November 2025).
Cornish, H. (2022). Sensing materiality in the Museum of Witchcraft and Magic. Goldsmiths, University of London, Pomegranate Vol.23. Sheffield, United Kingdom.
Davies, A. (2023). Art is Magic. University of New South Wales. Sydney, Australia.
Dein, S. (2025). Magic and the Postsecular: Disenchantment and Participatory Consciousness. Religions, Volume 16.
Domsel, M. (2023). 'Colonial legacies and religion: Unearthing the connection'. European Academy of Religion and Society, 18 October. Available at: https://europeanacademyofreligionandsociety.com/news/colonial-legacies-and-religion-unearthing-the-connection/ (Accessed: 16 April 2026)
Em, M. 'SKEPTICAL MAGICK: Reconciling Science and Spirituality in Your Spiritual Practice'. Available at: https://www.healingforhotmesses.com/blog/skeptical-spirituality (Accessed: 15 April 2026)
Evan, J., et al. (2025) 'Spiritual and Religious Beliefs and Practices Around the World'. Pew Research Center.
'First Protocols of Queer Goetia' (2019). Contagion Press. Available at: https://theanarchistlibrary.org/library/anonymous-first-protocols-of-queer-goetia (Accessed: 9 April 2026)
Gilhooly, J. (2010). Enchanted Objects: Agency in the Magic and Contemporary Art Practice. University for the Creative Arts, University of Kent. Canterbury, United Kingdom.
Gillis-Smith, P. (Ed.), et. al. (2021). 'Exploring Magical Consciousness'. Harvard School of Divinity, 10 November. Available at: https://www.hds.harvard.edu/news/2021/11/10/exploring-magical-consciousness (Accessed: 16 April 2026)
Gomes, M. (2011). 'Neopaganism in Europe'. Marcel Gomes – Sweden, 21 August. Available at: https://marcelgomessweden.wordpress.com/2011/08/21/neopaganism-in-europe/ (Accessed: 20 April 2026)
Gosden, C. (2020). Magic: A History: From Alchemy to Witchcraft, from the Ice Age to the Present. Penguin. London, United Kingdom.
Gottlieb, K. (2017). 'Cultural Appropriation in Contemporary Neopaganism and Witchcraft'. The University of Maine, Honors College. 304.
Hale, A. (2019a). 'The Occult Has Been Here All Along'. Medium, 19 December. Available at: https://medium.com/@amyhale93/the-occult-has-been-here-all-along-724f7fe17d1c (Accessed: 16 April 2026)
Hale, A. (2019b). 'The Pagan and Occult Fascist Connection and How to Fix It'. Medium, 5 August. Available at: https://medium.com/@amyhale93/the-pagan-and-occult-fascist-connection-and-how-to-fix-it-d338c32ee4e6 (Accessed: 1 April 2026)
Hanegraaf, W.J. (2016). MAGIC. The Cambridge Handbook of Western Mysticism and Esotericism. Cambridge University Press.
Hanegraaf, W.J. (2003). How magic survived the disenchantment of the world. Religion, volume 33, pp. 357–380. Faculty of Humanities, Department of Art, Religion and Culture. Amsterdam, The Netherlands.
Haukeland, P. I. (2023). '11. All things speak! An eco-animism of co-crafting with other-than-humans in outdoor life (friluftsliv)'. In B. C. Fredriksen & P. I. Haukeland (Eds.), Crafting relationships with nature through creative practices, pp. 195–217. Scandinavian University Press.
Hearth, A. (2024) 'Anti-Appropriative Resources for the Self-Taught Witch, and other spiritual practitioners', 23 November. Available at: https://hearthandsun.substack.com/p/anti-appropriative-resources-for (Accessed: 2 March 2026).
Hughes, M.M., (2025) Magic For The Resistance — Rituals & Spells for Change. Crossed Crow Books, LLC. USA.
King, R. (2021). 'WitchTok: the rise of the occult on social media has eerie parallels with the 16th century'. The Conversation, 28 October. Available at: https://theconversation.com/witchtok-the-rise-of-the-occult-on-social-media-has-eerie-parallels-with-the-16th-century-168322 (Accessed: 16 April 2026)
Lazoroska, D. (2022). '#MagicResistance: witchcraft on social media as political activism.' In K. Rein (ed.), Magic: a companion Peter Lang Publishing Group.
MacCormack, P. (2020). 'Occulture: Secular Spirituality', in Initial. Sutcliffe (ed.), Magic. MIT Press, Whitechapel Gallery, pp.57-63.
Magliocco, S. (2012). 'Beyond Belief Context, Rationality and Participatory Consciousness'. Western Folklore, volume 71.
Middleton, J.F., Gilbert, R.A., Jolly, K.L. (2026). 'Magic'. Encyclopedia Britannica, 11 November. Avaliable at: https://www.britannica.com/topic/magic-supernatural-phenomenon/Magic-and-religion (Accessed: 10 April 2026).
Moore, P. E. (2019). Art and Magick in the 21st Century; Reflections of a Neophyte. TULCA Festival Of Visual Arts, TULCA, Galway, IE. Available at: http://www.padraicmoore.com/art-and-magick-in-the-21st-century-reflections-of-a-neophyte/ (Accessed: 14 April 2026).
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Petrozzi, G. (2021) 'Digital Esoterism Or to be a Witch in the Age of Surveillance Capitalism', Institute of Network Cultures, 15 November. Available at: https://networkcultures.org/longform/2021/11/15/digital-esoterism-or-to-be-a-witch-in-the-age-of-surveillance-capitalism/ (Accessed: 3 March 2026).
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A lot of my project ☆✎ documentation ✄⚘ lives on
theProtocols for Magic wiki page.
