User:Charlie/T6 Assessment: Difference between revisions

Revision as of 15:31, 22 June 2026

Contents
1  ① Special Issues
2  ② Research Methods
3 ③ Prototyping
4 ④ Thesis
5 ⑤ Graduation Project
5.1  Research Methods
5.1.1 Reading & Writing

6 ⑥ Publication
7 ⑦ Grad Fest
 ① Special Issues
Special Issue 25: ♫ Sounds Of Marmalade:Jam sesh w/ stuff ♫ 

 We invited the public to join a cozy experimental jam session; With D.I.Y 'musical instruments' and sound-based constructs, no musical knowledge required! Synths, mics and recording equipment provided, as well as a little crafting station to guide you in making your own ♪♫ Stuff ♪♫ . 

Contributions
 * Sourcing and documenting the instruments
 * Logistics
 * Wiki Documentation
 * Setting up the event space
 * Making Mixer manuals
 * Creating an online Soundboard

Mixer Manual
Jam Session at the SI25 event
The jam sessions at the SI25 event were some of my favorite moments of XPUB. It made me realize how much I love putting together an audience experience and setting up event spaces.
Special Issue 26: ☺ 3DS - 𝔴𝔢𝔟𝔷𝔦𝔫𝔢 ☺

As the result of looking into media archeology and alternative web-browsing devices within the Special Issue 26, we created a 3DS-only webzine. The project looked into the capabilities of the Nintendo 3DS's discontinued  Netfront browser in regards to web-design using CSS, HTML and JavaScript.
We reverse-engineered its limitations to create a dungeon-crawler like browser game that could only be fully experienced through the 3DS, as opposed to the optimized capabilities of current web browsers and devices.

Contributions:

 * Concept and visual development
 * Asset design and CSS-styling
 * Wiki documention
 * 3DS customization  
Sticker designs based on the W3C and Nintendo 3DS logos.

Special Issue 27: ⌑✧⌑ ɔɐuɐɯlɐ₃₄ ⌑✧⌑

 This publication contains five futurepredictions for the year 2034.  Predictions delicately extracted from the dreams of fellow humans who bravely set aside fear and worry  to impart their visions of our collective futures-yet-to-come.  Predictions solidly grounded in the shared practices of hope and meaningfulness as a renewable  resource for radical transformation.  Predictions not as vain prophecies, nor false promises, but rather, propositions -  For a future of many possibilities!

⋆ ⋆ ⋆
 ② Research Methods
Word Stew✍ 
Archiving <-> Referencing

Magic ⇄ Perceiving 
Collecting ⇄ Collageing 
Transforming ⇄ Subverting
Archiving ⇄ Referencing 
Creating ⇄ Art

Archive <-> Reference
Collecting <-> Collageing

Ⓛⓘⓔⓢⓛⓔⓢⓒⓗⓣ

⋆ ⋆ ⋆
③ Prototyping

Art ⇄ MagicPerceiving ⇄ Collecting
Collageing ⇄ Transforming
Subverting ⇄ Archiving
Referencing ⇄ Creating

Transforming <-> Subverting

⋆ ⋆ ⋆
④ Thesis
The thesis and project are counterparts to each other.

In what ways can alternative currents and subcultures form practices of resistance against increasingly fascist, neo-colonial and extractive ideologies within Western occultism?

— An art-based inquiry towards more sustainable, inclusive and ethically-grounded Magic practices.

Key Points:
⋆ 
⋆ 
⋆ 

⋆ ⋆ ⋆
⑤ Graduation Project
— A working title that was never changed —    
The way I would describe the project has changed over the past few months, and may change again in the future..

November

Protocols for Magic aims to create introductory frameworks for the development of idiosyncratic Magic practices through artistic and creative tools and exercises.

➯

April

Protocols for Magic is an art-based inquiry into the practice of Magic. It seeks to construct accessible frameworks and resources for the practice of Magic through creative expression and craft-based methodologies. Its primary aim is to facilitate constructive, yet critical, dialogue on our practice(s) and perception(s) in regards to modern Western Magic culture.
➯

June

Protocols for Magic (...)
 Research Methods
Reading & Writing

Protocols for MagicNo support for the video tag, try using a more recent browser that suports HTML5 video.

A lot of my project ☆✎ documentation ✄⚘ lives on
 theProtocols for Magic wiki page.

Protocol for Talismans

Talisman Tree from Workshop #1
Protocol for Collective Correspondences
Protocols for Altarcation

Protocol for 𝓢𝚙𝕖𝕝𝑙𝘴﹛𝑛﹜𝑪r𝚊𝕗𝘵𝓈
@ Xtraterrestrial Zinefair

Protocol for Magic Circle (2.1)

Protocols for Trash Talisman (Version One)

- Work in progress -The Magic Commons is an experimental license for any published work on the subject of practicing Magic. The license takes the shape of a spell to be cast on a publication, followed by the chant of an affirmation (guideline/agreement).

⋆ ⋆ ⋆
⑥ Publication

⋆ ⋆ ⋆
⑦ Grad Fest
????????

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 [[File:0002 research methods.png|center|frameless|574x574px]]
 ==== Reading & Writing ====
-[[File:1000034495 (1).jpeg|thumb|'''<small>I used the thesis as an "excuse" to get a lot of books.</small><u>Bibliography & Sources</u>'''<small>Abram, D. (2005). Animism, Perception, and Earthly Craft of the Magician. The Encyclopedia of Religion and Nature, Taylor and Kaplan, ed. Continuum. London, UK.</small>
+[[File:1000034495 (1).jpeg|thumb|left|1041x1041px]]
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-<small>Bellisario, S. (2025). Contemporary Visions: Refiguring The Esoteric; The Transformational Act of “Making” Magic. Journal of Design History, Volume 37, Issue 4. Oxford University Press. Oxford, United Kingdom.</small>
-<small>Bever, E., Styers, R. (2017). Magic in the Modern World: Strategies of Repression and Legitimization. Penn State University Press, Magic in History series. Pennsylvania, United States.</small>
-<small>Brent, D. and Phelps, R. (2007). ‘Participatory Consciousness and Complicity’. Complicity: An International Journal of Complexity and Education, Volume 4, Number 1, pp. 1–4.</small>
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-<small>Cornish, H. (2022). Sensing materiality in the Museum of Witchcraft and Magic. Goldsmiths, University of London, Pomegranate Vol.23. Sheffield, United Kingdom.</small>
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-<small>Dein, S. (2025). Magic and the Postsecular: Disenchantment and Participatory Consciousness. Religions, Volume 16.</small>
-<small>Domsel, M. (2023). ‘Colonial legacies and religion: Unearthing the connection’. European Academy of Religion and Society, 18 October. Available at: <nowiki>https://europeanacademyofreligionandsociety.com/news/colonial-legacies-and-religion-unearthing-the-connection/</nowiki> (Accessed: 16 April 2026)</small>
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-<small>Evan, J., et al. (2025) ‘Spiritual and Religious Beliefs and Practices Around the World’. Pew Research Center.</small>
-<small>‘First Protocols of Queer Goetia’ (2019). Contagion Press. Available at: <nowiki>https://theanarchistlibrary.org/library/anonymous-first-protocols-of-queer-goetia</nowiki> (Accessed: 9 April 2026)</small>
-<small>Gilhooly, J. (2010). Enchanted Objects: Agency in the Magic and Contemporary Art Practice. University for the Creative Arts, University of Kent. Canterbury, United Kingdom.</small>
-<small>Gillis-Smith, P. (Ed.), et. al. (2021). ‘Exploring Magical Consciousness’. Harvard School of Divinity, 10 November. Available at: <nowiki>https://www.hds.harvard.edu/news/2021/11/10/exploring-magical-consciousness</nowiki> (Accessed: 16 April 2026)</small>
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-<small>Gosden, C. (2020). Magic: A History: From Alchemy to Witchcraft, from the Ice Age to the Present. Penguin. London, United Kingdom.</small>
-<small>Gottlieb, K. (2017). ‘Cultural Appropriation in Contemporary Neopaganism and Witchcraft’. The University of Maine, Honors College. 304.</small>
-<small>Hale, A. (2019a). ‘The Occult Has Been Here All Along’. Medium, 19 December. Available at: <nowiki>https://medium.com/@amyhale93/the-occult-has-been-here-all-along-724f7fe17d1c</nowiki> (Accessed: 16 April 2026)</small>
-<small>Hale, A. (2019b). ‘The Pagan and Occult Fascist Connection and How to Fix It’. Medium, 5 August. Available at: <nowiki>https://medium.com/@amyhale93/the-pagan-and-occult-fascist-connection-and-how-to-fix-it-d338c32ee4e6</nowiki> (Accessed: 1 April 2026)</small>
-<small>Hanegraaff, W.J. (2016). MAGIC. The Cambridge Handbook of Western Mysticism and Esotericism. Cambridge University Press.</small>
-<small>Hanegraaff, W.J. (2003). How magic survived the disenchantment of the world. Religion, volume 33, pp. 357–380. Faculty of Humanities, Department of Art, Religion and Culture. Amsterdam, The Netherlands.</small>
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-<small>Hearth, A. (2024) ‘Anti-Appropriative Resources for the Self-Taught Witch, and other spiritual practitioners’. 23 November. Available at: <nowiki>https://hearthandsun.substack.com/p/anti-appropriative-resources-for</nowiki> (Accessed: 2 March 2026).</small>
-<small>Hughes, M.M., (2025) Magic For The Resistance — Rituals & Spells for Change. Crossed Crow Books, LLC. USA.</small>
-<small>King, R. (2021). ‘WitchTok: the rise of the occult on social media has eerie parallels with the 16th century’. The Conversation, 28 October. Available at: <nowiki>https://theconversation.com/witchtok-the-rise-of-the-occult-on-social-media-has-eerie-parallels-with-the-16th-century-168322</nowiki> (Accessed: 16 April 2026)</small>
-<small>Lazoroska, D. (2022). ‘MagicResistance: witchcraft on social media as political activism.’ In K. Rein (ed.), Magic: a companion Peter Lang Publishing Group.</small>
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-<small>Magliocco, S. (2012). ‘Beyond Belief Context, Rationality and Participatory Consciousness’. Western Folklore, volume 71.</small>
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-<small>Moore, P. E. (2019). Art and Magick in the 21st Century; Reflections of a Neophyte. TULCA Festival Of Visual Arts, TULCA, Galway, IE. Available at: <nowiki>http://www.padraicmoore.com/art-and-magick-in-the-21st-century-reflections-of-a-neophyte/</nowiki> (Accessed: 14 April 2026).</small>
-<small>Mounts, J. (2025). ‘Into the Shadow: Jung, Individuation, and the Occult Path of Initiation’. Practica Obscura. Available at: <nowiki>https://www.practicaobscura.com/blog/into-the-shadow-jung-individuation-and-the-occult-path-of-initiation</nowiki> (Accessed: 12 April 2026)</small>
-<small>Petrozzi, G. (2021) ‘Digital Esoterism Or to be a Witch in the Age of Surveillance Capitalism’. Institute of Network Cultures, 15 November. Available at: <nowiki>https://networkcultures.org/longform/2021/11/15/digital-esoterism-or-to-be-a-witch-in-the-age-of-surveillance-capitalism/</nowiki> (Accessed: 3 March 2026).</small>
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-<small>rebelsister. (2024) ‘Witchcraft tools – how to use what you have or make your own’. Echo Zines, 30 June. Available at: <nowiki>https://echopublishing.wordpress.com/2024/06/30/witchcraft-tools-how-to-use-what-you-have-or-make-your-own/</nowiki> (Accessed: 2 March 2026).</small>|left|1041x1041px]]
 [[File:0004 prototyping.png|center|frameless|603x603px]]<br>