User:Kim/writing/Thesis outline draft (2): Difference between revisions

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=== 1. What do you WANT to write? ===
=== 1. What do you WANT to write? ===
;[What will the text be about? (thesis). What do you want to explore? Be clear about HOW you want to tell your story.]
;[What will the text be about? (thesis). What do you want to explore? Be clear about HOW you want to tell your story.]
I aim to map a field of writing technologies an how they create power imbalances and authority of text and draw a connection to practices of community and solidarity in writing through the practice of self hosting a server on a device that is naturally a ''reader''. This text will be written in close proximity with the server by interweaving writing and scripting.
I aim to map a field of writing technologies an how they create power imbalances and authority of text ''(needs an example/ more specific)'' and draw a connection to practices of community and solidarity through the practice of self hosting a server on a device that is naturally a ''reader''. This text will be written in close proximity with the server by interweaving writing and scripting.


=== 2. Outline three key issues you want to explore. ===
=== 2. Outline three key issues you want to explore. ===
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== step 2 ==
== step 2 ==
''this is too vague, needs more context, concrete example of examination''
=== Intro (what is this text about?) ===
=== Intro (what is this text about?) ===
''(what is my starting point?)''


=== Key issue 1 = chapter 1 (self hosting, low tech) ===
=== KI 1 = self hosting, low tech ===
This chapter will lay out the practice of self hosting as a political act, highlight the importance of repurposed hardware and low-tech approaches, adjacent to ''permacomputing'', ''right to repair'', ''unrepair'' and then move to the socio-technical qualities of the e-reader
This chapter will lay out the practice of self hosting as a political act, outline the politics and importance of repurposed hardware and low-tech approaches, adjacent to permacomputing and right to repair ideas and then move to the socio-technical qualities of the e-reader device.


=== Key issue 2 = chapter 2 (technologies of text) ===
=== KI 2 = technologies of text ===
Under this ambiguous title I imagine to examine how a) how reading and writing are itself technologies and b) how and what technologies we use to read and write and produce textual artifacts (text editors, telex machine proximity to terminal ...) and how these technologies(?) foster authority of a text
Under this ambiguous title I imagine to examine how a) how reading and writing are themself technologies and b) how and what technologies we use to read, write and produce textual artifacts (text editors, telex machine proximity to terminal ...) and how these technologies(?) ''cultivate authority and feed into power dynamics. (I am lacking more specific reasoning here. An example I can think of is the Hollerith tabulation machine by IBM, a device used by the nazis to target and categorize groups of people into encampments and death.'' <ref>"Afterword <meta> casuistic code", Cyntia Haynes in "From A to : Keywords of Markup" edit. Bradley Dilger & Jeff Rice</ref> ''but maybe this is a bit too much of a leap.'' ''Possibly it could go more in to a direction of proprietary information in state and institution)''


could also say something about different (hypothetical) reading (and book keeping) devices such as e-reader (present), ancient multi-scroll, library of babel (?)<ref>is a hypothetical library, emerged from the short story with the same name by George Luis Borges. A library that contains all texts possibly ever written by containing volumes of all possible combinations of characters. https://en.wikipedia.org/wiki/The_Library_of_Babel# (library, encryption, preservation)</ref>
I would like to do this along the example of different (hypothetical) reading (and book keeping) devices such as e-reader (present), ancient multi-scroll, library of babel (?) <ref>is a hypothetical library, emerged from the short story with the same name by George Luis Borges. A library that contains all texts possibly ever written by containing volumes of all possible combinations of characters. https://en.wikipedia.org/wiki/The_Library_of_Babel# (library, encryption, preservation)</ref>.


emphasize on writing is reading is writing: (what does this say about us / our tech?)
An important emphasis: writing is reading is writing:  


* writing / reading computers: Wiki Quote about Software with an attitude that favors writing over reading <ref>[[A wiki wiki wiki session]]</ref>. "For a computer to read is to write elsewhere"
* writing / reading computers: Wiki Quote about Software with an attitude that favors writing over reading <ref>[[A wiki wiki wiki session]]</ref>. "For a computer to read is to write elsewhere"
* writing / reading: "the true site of writing is reading" <ref name=":0">Roland Barthes "Death of the Author"</ref>, "If every reading produces a text anew then the production of a text is the fundamental work of reading" <ref>Johanna Drucker in "Performative Materiality and Theoretical Approches to Interface"</ref>
* writing / reading: "the true site of writing is reading" <ref name=":0">Roland Barthes "Death of the Author"</ref>, "If every reading produces a text anew then the production of a text is the fundamental work of reading" <ref>Johanna Drucker in "Performative Materiality and Theoretical Approches to Interface"</ref>
what does this say about us / our technologies? Possibly, the common distinction of both holds up hierarchy between writer and reader and therefore fosters capitalist models of authorship that treat knowledge as commodity
=== KI 3 = communities of text ===
from pirate care <ref>"Pirate Care: Acts against the criminalization of solidarity"
Valeria Garziano, Marcell Mars and Tomislav Medak, 2025, Pluto Press</ref> I am thinking of these two principles, which I would liek to use as starting points for this chapter:
# Critical usership (technology)
# Collective learning (knowledge production and circulation)
Communities of text acknowledge the interrelatedness of texts through referencing of other texts and ideas. This becomes apparent on the idea of feminist citation: outlined by Lauren Fournier as "mode of intertextual intimacy and identification" <ref>"Autotheory as feminist practice in art, writing and criticism" Lauren Fournier</ref> and after Sara Ahmed, "as a rather successful reproductive technology" <ref>"Making Feminist Points", feministkilljoys, Sara Ahmed, Blog, https://feministkilljoys.com/2013/09/11/making-feminist-points/</ref>. But communities of text also include the making of community around and through text, such as the practice of self-teaching/ self help through manuals.


=== Key issue 3 = chapter 3 (communities of text) ===
Communities of text live and circulate through piracy, commons, shadow libraries-, and infrastructures (Harney and Moten: our relationship to the institution must be a criminal one <ref>Fred Moten & Stefano Harney: The Undercommons  https://www.minorcompositions.info/wp-content/uploads/2013/04/undercommons-web.pdf</ref>). Sabotage, as a strike against infrastructure poses a form of resistance against violent regimes that infest our means of communication, organization and preservation. 
open source, sharing texts but also the interrelatedness of texts through referencing of other texts and ideas, but also making of community around and through text/ ideas (manuals), feminist citation (intertextual intimacy -- academics --)


piracy, commons, shadow libraries / infrastructures  (do I have a take on this that is not yet everywhere?)
Highlighting the importance of resilience (of systems, documents), while pirate resources are ephemeral and urgent, I would like to draw a connection here to formats like e-pub because they are self contained and offline, but work with the technologies of the web.


=== Conclusion ===
===Conclusion===


==References==
==References==
<references />

Latest revision as of 21:11, 15 October 2025

This outline draft refers to the e-reader-server project proposal

step 1

1. What do you WANT to write?

[What will the text be about? (thesis). What do you want to explore? Be clear about HOW you want to tell your story.]

I aim to map a field of writing technologies an how they create power imbalances and authority of text (needs an example/ more specific) and draw a connection to practices of community and solidarity through the practice of self hosting a server on a device that is naturally a reader. This text will be written in close proximity with the server by interweaving writing and scripting.

2. Outline three key issues you want to explore.

  1. low tech server, self hosting, repurposing hardware
  2. technologies of text (authority, sabotage?)
  3. community of texts

step 2

Intro (what is this text about?)

(what is my starting point?)

KI 1 = self hosting, low tech

This chapter will lay out the practice of self hosting as a political act, outline the politics and importance of repurposed hardware and low-tech approaches, adjacent to permacomputing and right to repair ideas and then move to the socio-technical qualities of the e-reader device.

KI 2 = technologies of text

Under this ambiguous title I imagine to examine how a) how reading and writing are themself technologies and b) how and what technologies we use to read, write and produce textual artifacts (text editors, telex machine proximity to terminal ...) and how these technologies(?) cultivate authority and feed into power dynamics. (I am lacking more specific reasoning here. An example I can think of is the Hollerith tabulation machine by IBM, a device used by the nazis to target and categorize groups of people into encampments and death. [1] but maybe this is a bit too much of a leap. Possibly it could go more in to a direction of proprietary information in state and institution)

I would like to do this along the example of different (hypothetical) reading (and book keeping) devices such as e-reader (present), ancient multi-scroll, library of babel (?) [2].

An important emphasis: writing is reading is writing:

  • writing / reading computers: Wiki Quote about Software with an attitude that favors writing over reading [3]. "For a computer to read is to write elsewhere"
  • writing / reading: "the true site of writing is reading" [4], "If every reading produces a text anew then the production of a text is the fundamental work of reading" [5]

what does this say about us / our technologies? Possibly, the common distinction of both holds up hierarchy between writer and reader and therefore fosters capitalist models of authorship that treat knowledge as commodity

KI 3 = communities of text

from pirate care [6] I am thinking of these two principles, which I would liek to use as starting points for this chapter:

  1. Critical usership (technology)
  2. Collective learning (knowledge production and circulation)

Communities of text acknowledge the interrelatedness of texts through referencing of other texts and ideas. This becomes apparent on the idea of feminist citation: outlined by Lauren Fournier as "mode of intertextual intimacy and identification" [7] and after Sara Ahmed, "as a rather successful reproductive technology" [8]. But communities of text also include the making of community around and through text, such as the practice of self-teaching/ self help through manuals.

Communities of text live and circulate through piracy, commons, shadow libraries-, and infrastructures (Harney and Moten: our relationship to the institution must be a criminal one [9]). Sabotage, as a strike against infrastructure poses a form of resistance against violent regimes that infest our means of communication, organization and preservation.

Highlighting the importance of resilience (of systems, documents), while pirate resources are ephemeral and urgent, I would like to draw a connection here to formats like e-pub because they are self contained and offline, but work with the technologies of the web.

Conclusion

References

  1. "Afterword <meta> casuistic code", Cyntia Haynes in "From A to : Keywords of Markup" edit. Bradley Dilger & Jeff Rice
  2. is a hypothetical library, emerged from the short story with the same name by George Luis Borges. A library that contains all texts possibly ever written by containing volumes of all possible combinations of characters. https://en.wikipedia.org/wiki/The_Library_of_Babel# (library, encryption, preservation)
  3. A wiki wiki wiki session
  4. Roland Barthes "Death of the Author"
  5. Johanna Drucker in "Performative Materiality and Theoretical Approches to Interface"
  6. "Pirate Care: Acts against the criminalization of solidarity" Valeria Garziano, Marcell Mars and Tomislav Medak, 2025, Pluto Press
  7. "Autotheory as feminist practice in art, writing and criticism" Lauren Fournier
  8. "Making Feminist Points", feministkilljoys, Sara Ahmed, Blog, https://feministkilljoys.com/2013/09/11/making-feminist-points/
  9. Fred Moten & Stefano Harney: The Undercommons https://www.minorcompositions.info/wp-content/uploads/2013/04/undercommons-web.pdf