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| == week 2 ==
| | [[File:Unexpected plannererror.jpg|center|frameless|875x875px]] |
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| == week 0/1 ==
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| The intro to pzi/xpub
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| ''TEMPORARY DIARY ITALICS: I need(ed) to get used to everything. Class / dynamics / structure(lessness) - I will use this space together with my notebook and dedicated discordserver to try and keep it all senseful.''
| | RESEARCH PRESENTATION PAGE |
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| === SPECIAL ISSUE ===
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| ;[[Radio Worm: Protocols for an Active Archive]] - LIVE ETHERPAD SESSION SHOWN
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| === '''PROTOTYPIN''' ===
| | [[User:Lor.ensō/Renderdam|Lor.ensō/research page]] |
| * '''[[/Making a collective field recording audio collage]]'''
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| * RASPBERRY PI stuff
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| === '''METHODS''' ===
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| '''COLLECTIVE READINGROUP3(W/ MANIA, MICHEL, ZUZU):''' '''[https://www.jofreeman.com/joreen/tyranny.htm The Tyranny of Structurelessness] ~''' <sup>''Jo Freeman (1970-73)''</sup>
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| '''[https://pad.xpub.nl/p/TyrannyAnnotation <nowiki>ANNOTATION [FIRST TIME AND MAYBE READ SOME MORE LATER]</nowiki>]'''
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| So.. what do I '''NEED''' to do for next week?
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| *<s>ehm.. I believe I need to read "... [https://zulip.xpub.nl/user_uploads/2/bc/L9lDq3DwrtvyRbx0plvAbE7n/barthes_the_death_of_the_author.pdf barthes_the_death_of_the_author.pdf]</s>
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| *and... [https://zulip.xpub.nl/user_uploads/2/e1/4LA-YQ_Ca10SGiqxZKPa5bEd/phelan_the_ontology_of_performance.pdf phelan_the_ontology_of_performance.pdf]
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| *<s>Text for next week: https://pad.xpub.nl/p/BarthesWormRadio</s>
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| *<s>Upload Barthes sound files here: [[BarthesRadio|https://pzwiki.wdka.nl/mediadesign/BarthesRadio]]</s>
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| *think of a name for the server
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| ====== The ontology of performance: representation without reproduction - notes per page ====== | | == /GRADUATION RESEARCH SEMINAR == |
| 146: <blockquote>https://web.mit.edu/allanmc/www/benjamin.pdf (read later) / documenting as 'saving' a moment but not staying the same as in the moment. Artwork and its viewer interacting. Stolen artworks being described and being shown as new artworks of absence,. "de kunst van het weglaten" Control of art vs work of art. </blockquote>
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| | * [[User:Lor.ensō/THESISCHAPTER1DRAFT|THESIS DRAFT]] |
| | * [[Lor.ensō/projectproposal|project proposal]] |
| | [[File:Huge counterplanner .png|thumb]] |
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| 147:<blockquote>Memory as the invisible layer of art next to the observation. Lost art tests the viewers perception in remembering what it was? *holds on to monocle
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| Reproducing through drawing the impressions of the loaned artworks. The permanent collection of artworks that are loaned, how permanent is that? </blockquote>
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| 148:<blockquote>Ontological:
| | [[File:COUNTER PLANNER PROTOTYPE V1.png|center|thumb|857x857px]] |
| | [[File:IMG-20250214-WA0020(1).jpg|thumb|ProcessTime]] |
| | <gallery mode="packed-hover" caption="FROM SKETCH TO 3D"> |
| | File:2D KAFKA AND ESCHER.jpg |
| | File:Raw unity visual to shape a bureaucratic maze.png |
| | File:Dull maze of bureaucracy .png |
| | </gallery> |
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| # relating to the branch of metaphysics dealing with the nature of being. "ontological arguments"
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| # showing the relations between the concepts and categories in a subject area or domain.
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| Performance Art leaves no leftovers and is temporary.Is it a consumerist art form?
| | [[File:ESCHERKAFKA2.png|center|thumb|878x878px]] |
| | [[File:ATOB.png|center|thumb|884x884px]] |
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| By describing this art form, it changes, because performance is vulnerable in valuelessness / emptiness. Which raises the frowns of skeptics towards (modern) art. "Is dit kunst of kan het weg?" / What's the 'use' of it</blockquote>
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| 149:<blockquote>words will link into imagination (three lettered word cat to a four legged creature.) but other way around words will shape different image? hmmm? </blockquote>
| | [[File:Revisiting Rotterdam3D.png|center|thumb|865x865px|https://www.3drotterdam.nl/?state=%5B%5B%5B4.4698048022740275%2C51.91759699581128%2C281.08060555583324%5D%2C%5B4.47055289484829%2C51.922887267169955%2C-0.35897761976949005%5D%2C654.4874098807949%2C4.996867878265697%2C-25.471176249998607%2C359.99999919434947%5D%2C%22CesiumMap%22%2C%5B%22cb3219f4-7a7e-4f79-a1a9-7c8db2e56d78%22%2C%2204d3ccd5-9f16-4bd4-9324-55e7ab079ebd%22%2C%220fe59ec8-e5ea-48de-a980-dfb4d253c996%22%5D%2C%5B%5B%22Gebouwen+LOD2+-+Actueel%22%2C0%2C0%5D%2C%5B%22Bruggen+-+model%22%2C0%2C0%5D%2C%5B%22Geplande+gebouwen%22%2C1%2C0%5D%2C%5B%22Lichtmasten%22%2C1%2C0%5D%2C%5B%22Fietstrommels%22%2C1%2C0%5D%2C%5B%22Afvalbakken%22%2C1%2C0%5D%2C%5B%22Laadpalen%22%2C1%2C0%5D%2C%5B%22Parkeerautomaten%22%2C1%2C0%5D%2C%5B%22Opslagtanks%22%2C0%2C0%5D%2C%5B%22Bruggen+-+textuur%22%2C1%2C0%5D%2C%5B%22Opslagtanks+LOD2+texture+-+Actueel%22%2C1%2C0%5D%2C%5B%22Lichtmasten_ondergronds%22%2C1%2C0%5D%2C%5B%22Ligplaatsen+LOD2+-+Actueel%22%2C0%2C0%5D%2C%5B%22Ligplaatsen+LOD2+texture+-+Actueel%22%2C1%2C0%5D%2C%5B%22Pointcloud+Dakkapellen%22%2C1%2C0%5D%2C%5B%22Gebouwen+LOD2+texture+-+Actueel%22%2C1%2C0%5D%2C%5B%223D+BGT+2023%22%2C1%2C0%5D%2C%5B%22Bomen+getextureerd%22%2C1%2C0%5D%2C%5B%22Bomen+ondergronds%22%2C1%2C0%5D%2C%5B%22LVZK+publiek%22%2C1%2C0%5D%5D%2C%5B%5B%22%40vcmap%2Fcesium-filters%22%2C%7B%22ao%22%3A%7B%22enabled%22%3Atrue%2C%22intensity%22%3A5.8%2C%22bias%22%3A1%2C%22lengthCap%22%3A11%2C%22frustumLength%22%3A1003%7D%2C%22hd%22%3A%7B%22enabled%22%3Atrue%2C%22gamma%22%3A3.2%7D%2C%22blm%22%3A%7B%22enabled%22%3Atrue%2C%22contrast%22%3A113.5%2C%22brightness%22%3A0.3%2C%22delta%22%3A0.8%2C%22sigma%22%3A0.8%2C%22stepSize%22%3A0%2C%22glowOnly%22%3Atrue%7D%2C%22brt%22%3A%7B%22enabled%22%3Atrue%2C%22brightness%22%3A1.9%7D%2C%22nv%22%3A%7B%22enabled%22%3Atrue%7D%2C%22sil%22%3A%7B%22enabled%22%3Atrue%7D%7D%5D%5D%2C0%5D]] |
| | [[File:ROTTERDAM 3D CITY SMOOTHER.png|thumb]] |
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| 150:<blockquote>mute bodies;
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| metonymy
| | == [[/ReaderThatMayOrMayNot(Be)Read]] == |
| | Currently reading: Canvas Wan - Into the Digital Void |
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| # the substitution of the name of an attribute or adjunct for that of the thing meant, for example ''suit'' for ''business executive'', or ''the turf'' for ''horse racing''.
| | == [[/XPUB2/TRIMESTER4]] == |
| | [[User:Lor.ensō/thesis-outline|Thesis outline]][[User:Lor.ensō/XPUB2/TRIMESTER4|<br />]][[User:Lor.ensō/Lorenzo's Projects that May/Mayn't|PMoMMs: <progress is found here, but order was never an option>]] |
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| what is said by what is not being being said
| | [[User:Lor.ensō/SELF-(RE)DIRECTION/A-CANE-STICKYNOTE-NOTHERBODY/DIARY/ETC|XPUB2/SELF-(RE)DIRECTION/A-CANE-STICKYNOTE-NOTHERBODY/DIARY/ETC<br />]][[Renderdam|Rapid Prototypes: <Renderdam> /]] [[Spiritual media psychosis|Obsessive Catalogue of Madness:Spiritual Media Psychosis]] B2BALESSIA |
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| </blockquote>
| | == [[/XPUB1]] == |
| | dir.../Lor.ensō/[[User:Lor.ensō/XPUB1|XPUB1]]/ |
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| | /* Here lie the tombs and ruins of my works and processes of my XPUB1 year divided by three trimesters |
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| | XPUB1 SI22 - SI23 - SI24 |
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| | */ |
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| 151:<blockquote>the lack of being. Describing nothingness</blockquote>
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| 152:<blockquote>Renunciation: the formal rejection of something, typically a belief, claim, or course of action.
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| this is beginning to get quite (Zen)Buddhistic, as it is about the perfomance to put the act and thus the attention into the moment, the Now.</blockquote>153:<blockquote>Description did something nice to my brain Exemplary of what was described about description with the absence of image, triggering the image-ination. </blockquote>
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| 154/155:<blockquote>img</blockquote>156:<blockquote>Fecundity
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| # the ability to produce an abundance of offspring or new growth; fertility. "multiply mated females show increased fecundity"
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| #* the ability to produce many new ideas. "the immense fecundity of his imagination made a profound impact on European literature"
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| </blockquote>157:<blockquote>img</blockquote>
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| 158:<blockquote>How Not To Be Seen - comes to mind / slowly starting to lose concentration</blockquote>
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| 159:<blockquote>img </blockquote>
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| 160:<blockquote>Guarded condition. belongs to the known viewer?
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| elaborate / labor / being labor
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| spectator looking at what is missing (dunno what Imean by that yet)</blockquote>
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| 161:<blockquote>Every time I read the word The Fall, it reminds me of [https://books.google.nl/books/about/Fear_of_Falling.html?id=CW_aAAAAMAAJ&redir_esc=y this book] (also still need to read this)</blockquote>
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| Lost my focus for a bit, will read before class hopefully
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| | | <!--- Thesepages will be updated |
| | | visit [[User:Lor.ensō/si22|SPECIAL ISSUE TWENTY TWO PERSONAL CONSTRUCTION SITE]] / [[User:Lor.ensō/si23|si23]] ---> |
| ====== DEATH OF THE AUTHOR ~ notes per page ======
| | https://pzwiki.wdka.nl/mediadesign/User:Lor.ens%C5%8D/XPUB2/TRIMESTER4 |
| 142: <blockquote>Balzac, [https://en.wikipedia.org/wiki/Sarrasine Sarassine] only heard of Balzac, never read him before / writing about writing / origins of writing, who tells the narrative? facts? / history of the author / where is the author seen today?</blockquote>143:<blockquote>emerging author, what does the publication mean to the author
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| mallarm6?ah, 'modern' poets
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| how words speak for themselves and not for the author</blockquote>144 <blockquote>classicism, analyses, hazard, text I vomited into audio </blockquote>145<blockquote>enunciation: the act of pronouncing words or parts of words clearly
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| interlocutors: a person who takes part in a dialogue or conversation
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| arguing about what writings are about, from the perspective of a writer towards text and backwords
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| the author being the past of the book, the book lives on
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| antecedence: 1. the act of going before; precedence. 2. priority.</blockquote>146<blockquote>text is a space</blockquote>147<blockquote>the removal of the author, the text postscriptum, postmortem
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| return to balzac</blockquote>148<blockquote>unilaterally: used to indicate that something is done by only one person, group, or country involved in a situation, without the agreement of others./ in a way that affects only one side of an organ, the body, or another structure.
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| what and who makes a text? the reader/listener? me? ''us?''
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| the scanner of the text that tries to understand it through empathy, contextualization and nuance?
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| what does tane mean?
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| derisory: ridiculously small or inadequate.</blockquote>
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