User:Zuhui//T2 Assessment: Difference between revisions

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'''Hold Music'''
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Elevator music, also known as on hold music or background music, was originally created with the specific purpose of being played in elevators, lobbies, and other public spaces. Companies like Muzak Holdings (founded in the early 20th century) were pioneers in producing music tailored for these environments. The goal was to create calming, non-intrusive soundtracks that could ease anxiety in confined spaces or during long waits.
Elevator music, also known as on hold music or background music, was originally created with the specific purpose of being played in elevators, lobbies, and other public spaces. Companies like Muzak Holdings (founded in the early 20th century) were pioneers in producing music tailored for these environments. The goal was to create calming, non-intrusive soundtracks that could ease anxiety in confined spaces or during long waits.
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'''Scripts and Protocols'''
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'''"Utopia of Rules"'''
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Roles: Tessa(producer) / Feline(interface) / Charlie, Imre, Zuhui(host)
Roles: Tessa(producer) / Feline(interface) / Charlie, Imre, Zuhui(host)
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:: '''Laurence Rassel’s perspective: connection between copyright and patriarchal structures'''
'''Laurence Rassel’s perspective: connection between copyright and patriarchal structures'''
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...With this program's emphasis on issues of authorship, and particularly a kind of feminist approach toward the way in which authorship relates to a kind of patriarchal authoring of our bodies, Laurence and I have been struggling with how to really bring a notion of the body into this program. In particular, Laurence as a woman, and myself as a transgendered person - how do we invoke our bodies in a kind of physical but non-essentialist way?<br>
...With this program's emphasis on issues of authorship, and particularly a kind of feminist approach toward the way in which authorship relates to a kind of patriarchal authoring of our bodies, Laurence and I have been struggling with how to really bring a notion of the body into this program. In particular, Laurence as a woman, and myself as a transgendered person - how do we invoke our bodies in a kind of physical but non-essentialist way?<br>
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[[File:FreeBritneySetUp.png|thumb|right]]
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Roles: Lexie(producer) / Zuhui(interface) / Kim, Wyn(host)
Roles: Lexie(producer) / Zuhui(interface) / Kim, Wyn(host)
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<span style="display: inline-block;">[[File:Poem 1.jpeg|thumb|200px|thermal print poem]]</span>
<span style="display: inline-block;">[[File:Screenshot 2025-03-30 at 13.07.53.png|thumb|200px|writers' log]]</span>
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<center><h4 style="font-size: 18px; font-family: monospace;">[[User:Zuhui//SI25/Writers' Protocol|Writers' Protocol]]</h4></center>
<center><h4 style="font-size: 18px; font-family: monospace;">[[User:Zuhui//SI25/Writers' Protocol|Writers' Protocol]]</h4></center>
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[[File:Protocol front.jpg|700px]]
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[[File:Writersprotocol printed.jpg|thumb|250px|left|risoprinted, forgot to cut off the margines]]
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<h2 style="font-size: 22px; font-family: monospace;">SI25 Post-mortem / Reflection</h2>
<h2 style="font-size: 22px; font-family: monospace;">SI25 Post-mortem / Reflection</h2>
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Important Keywords
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* [[User:Zuhui//Glossary#Performativity|Performativity]]
* [[User:Zuhui//Glossary#Constraint|Constraint]]
* Protocol
* [[User:Zuhui//Glossary#Clinamen|Clinamen]]
* [[User:Zuhui//Glossary#Side_Narrative|Side Narrative]]
* [[User:Zuhui//Glossary#Non-linear_Narrative|Non-Linear Narrative]]
* [[User:Zuhui//Glossary#Jokes|Joke]]
* [[User:Zuhui//Glossary#Nonsense|Nonsense]]
* [[User:Zuhui//Glossary#Reflexivity|Reflexivity]]
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Revision as of 13:52, 30 March 2025

SI25

Radio Shows


SI25 Broadcast 5: Protocols For Bad Customer Service

Roles: Claudio(producer) / Charlie(interface) / Wyn, Fred + Zuhui & Eleni(host)

IMG 4730.JPG

Hold Music

Elevator music, also known as on hold music or background music, was originally created with the specific purpose of being played in elevators, lobbies, and other public spaces. Companies like Muzak Holdings (founded in the early 20th century) were pioneers in producing music tailored for these environments. The goal was to create calming, non-intrusive soundtracks that could ease anxiety in confined spaces or during long waits.


Scripts and Protocols
"Utopia of Rules"




SI25 Broadcast 6: Protocol to Free Britney

Roles: Tessa(producer) / Feline(interface) / Charlie, Imre, Zuhui(host)

Laurence Rassel’s perspective: connection between copyright and patriarchal structures

...With this program's emphasis on issues of authorship, and particularly a kind of feminist approach toward the way in which authorship relates to a kind of patriarchal authoring of our bodies, Laurence and I have been struggling with how to really bring a notion of the body into this program. In particular, Laurence as a woman, and myself as a transgendered person - how do we invoke our bodies in a kind of physical but non-essentialist way?
-The Laurence Rassel Show


FreeBritneySetUp.png




SI25 Broadcast 9: Event ReMix'd

Roles: Lexie(producer) / Zuhui(interface) / Kim, Wyn(host)

text here

thermal print poem
writers' log




SI25 Broadcast 10: The Final Broadcast

Roles: Zuhui(producer) / Fred(interface) / Lexie, Sevgi, Tessa(host)





Public Moment

Sounds of Making, ‘Lost in Narration’

with Lexie, Claudio, Kiara, Chrissy, Eleni

performance setup



the screen































Writers' Protocol

Protocol front.jpg

Protocol back.jpg

risoprinted, forgot to cut off the margines





SI25 Post-mortem / Reflection

text here
















SI26

Declaration



Generative Storybook



Others




Research Subject / Upcoming Projects



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