User:Zuhui//T2 Assessment: Difference between revisions
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<h1 style="font-size: 22px; font-family: monospace;">Tools</h1> | |||
<h3 style="font-size: 15px; font-family: monospace;">[[User:Zuhui//Prototyping|How to talk to computers]]</h3> | |||
<h3 style="font-size: 15px; font-family: monospace;">[[User:Zuhui//Personal Reader|Personal Reader]]</h3> | |||
<h3 style="font-size: 15px; font-family: monospace;">[[User:Zuhui//Glossary|Glossary]]</h3> | |||
<h3 style="font-size: 15px; font-family: monospace;">[[User:Zuhui//Drafts|Writings/Ideas]]</h3> | |||
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<h1 style="font-size: 22px; font-family: monospace;">SI25</h1> | <h1 style="font-size: 22px; font-family: monospace;">SI25</h1> | ||
<center><h2 style="font-size: 22px; font-family: monospace;">Radio Shows</h2></center> | <center><h2 style="font-size: 22px; font-family: monospace;">Radio Shows</h2></center> | ||
Revision as of 22:34, 29 March 2025
SI25
Radio Shows
SI25 Broadcast 5: Protocols For Bad Customer Service
Elevator music, also known as on hold music or background music, was originally created with the specific purpose of being played in elevators, lobbies, and other public spaces. Companies like Muzak Holdings (founded in the early 20th century) were pioneers in producing music tailored for these environments. The goal was to create calming, non-intrusive soundtracks that could ease anxiety in confined spaces or during long waits.
SI25 Broadcast 6: Protocol to Free Britney
Laurence Rassel’s perspective: connection between copyright and patriarchal structures
...With this program's emphasis on issues of authorship, and particularly a kind of feminist approach toward the way in which authorship relates to a kind of patriarchal authoring of our bodies, Laurence and I have been struggling with how to really bring a notion of the body into this program. In particular, Laurence as a woman, and myself as a transgendered person - how do we invoke our bodies in a kind of physical but non-essentialist way?
-The Laurence Rassel Show
SI25 Broadcast 9: Event ReMix'd
SI25 Broadcast 10: The Final Broadcast
Public Moment
Sounds of Making, ‘Lost in Narration’