User:Sevgi/Mock Assessment - Revision history

Sevgi: /* What do I want to make? */

2025-11-05T11:26:45Z

What do I want to make?

@@ Line 56: / Line 56: @@
 === What do I want to make? ===
-I don't know yet!
+I dont know yet!
 === Why do you want to make it: ===
 I think my need for doing this comes from a place of uprootedness where I don't feel like belonging with strings attached to governmental systems is helping me as a person, rather it is making me question my place on earth more and more. Where do I end and my legal identity and nationality begin, I can't tell anymore. I feel like this is the case for a lot of creations, artistic or otherwise. I feel the need coming from all angles to see this feeling reflected back at me, I see it in 404 codes, I see it in borders on line, I see it in obsolete mediums that yearn to be remembered and I see it in structureless collaborations. I think there is a certain frustration that stems from reading and filling out an immigration form. I think it feels like I myself am homeless now, which makes me a body from nowhere up to become a part of something else. There is a claim over my person and it is strongly tied to legal claims and conditions. This is why I want to explore the RESURRECTION in the sense that dead media(this is me I guess) becomes a part of something of the future(this is my dreams of building a life in Europe) and hence it is now new and revived into being. What killed it in the first place? How does negligence play a part in this rejection of tech? What are qualities of dead digital mediums that we would like to breathe new life into?

Sevgi: /* What do I want to make? */

2025-11-05T11:10:58Z

What do I want to make?

← Older revision		Revision as of 13:10, 5 November 2025
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	BIRTHDAY		BIRTHDAY

	Eat cake and celebrate the birthdays yayyy		Celebrate new life!! Eat cake and celebrate the birthdays yayyy

	=== Why do you want to make it: ===		=== Why do you want to make it: ===

Sevgi: /* What do I want to make? */

2025-11-05T11:10:20Z

What do I want to make?

← Older revision		Revision as of 13:10, 5 November 2025
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	We get real creative and INVENT a new device/Thing with the organs we have. For example: Hand of Limewire(friendly sharing) and eyelids of [https://en.wikipedia.org/wiki/Superdistribution Superdistribution](selective DRM system kind of?) could come together and make a new password sharing system that has a more human aspect and all you need is to ask the password beholder for it to get the download link.		We get real creative and INVENT a new device/Thing with the organs we have. For example: Hand of Limewire(friendly sharing) and eyelids of [https://en.wikipedia.org/wiki/Superdistribution Superdistribution](selective DRM system kind of?) could come together and make a new password sharing system that has a more human aspect and all you need is to ask the password beholder for it to get the download link.
	[[File:~~Denotest1~~.gif\|~~left~~\|frameless]]		[[File:Denotest2.gif\|center\|frameless]]

	BIRTHDAY		BIRTHDAY

Sevgi: /* Why do you want to make it: */

2025-11-05T11:08:15Z

Why do you want to make it:

← Older revision		Revision as of 13:08, 5 November 2025
Line 88:		Line 88:

	We get real creative and INVENT a new device/Thing with the organs we have. For example: Hand of Limewire(friendly sharing) and eyelids of [https://en.wikipedia.org/wiki/Superdistribution Superdistribution](selective DRM system kind of?) could come together and make a new password sharing system that has a more human aspect and all you need is to ask the password beholder for it to get the download link.		We get real creative and INVENT a new device/Thing with the organs we have. For example: Hand of Limewire(friendly sharing) and eyelids of [https://en.wikipedia.org/wiki/Superdistribution Superdistribution](selective DRM system kind of?) could come together and make a new password sharing system that has a more human aspect and all you need is to ask the password beholder for it to get the download link.
			[[File:Denotest1.gif\|left\|frameless]]

	BIRTHDAY		BIRTHDAY

Sevgi: /* Why do you want to make it: */

2025-11-05T11:07:23Z

Why do you want to make it:

← Older revision		Revision as of 13:07, 5 November 2025
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	RESURRECTION		RESURRECTION

	We get real creative and INVENT a new device/Thing with the organs we have. For example: ~~Ever sharing hand~~ of Limewire and ~~Censoring Liver~~ of DRM could come together and make a		We get real creative and INVENT a new device/Thing with the organs we have. For example: Hand of Limewire(friendly sharing) and eyelids of [https://en.wikipedia.org/wiki/Superdistribution Superdistribution](selective DRM system kind of?) could come together and make a new password sharing system that has a more human aspect and all you need is to ask the password beholder for it to get the download link.

	BIRTHDAY		BIRTHDAY

Sevgi: /* What do I want to make? */

2025-11-05T10:51:04Z

What do I want to make?

@@ Line 56: / Line 56: @@
 === What do I want to make? ===
-I don't know yet! I have qualities I need to be in the
+I don't know yet!
 === Why do you want to make it: ===

Sevgi: /* Relation to previous practice: */

2025-11-05T10:34:23Z

Relation to previous practice:

← Older revision		Revision as of 12:34, 5 November 2025
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	Interaction Station, good people of Telecom Museum, archive.org, wayback machine, status codes, trash bins, people in coffins, people out of borders, machines of all kinds and techniques I never even knew about.		Interaction Station, good people of Telecom Museum, archive.org, wayback machine, status codes, trash bins, people in coffins, people out of borders, machines of all kinds and techniques I never even knew about.

	=== Relation to previous practice: ===		=== <s>Relation to previous practice:</s> ===
	In Special Issue 25, during the making of BRC Fred and I worked on an old T65, one of the national treasures of (what was formerly known as) PTT. We tinkered it along with Tina and made it into a complaint hotline. This really felt like a glorious make-over I really enjoyed and never thought of before doing, by myself or with anyone else. It was really interesting to look at old technologies like dials sending signals of certain frequencies and how this can be translated by computers now as well, how you could place a call by sound of the dial if you wanted to 'hack' it.		<s>In Special Issue 25, during the making of BRC Fred and I worked on an old T65, one of the national treasures of (what was formerly known as) PTT. We tinkered it along with Tina and made it into a complaint hotline. This really felt like a glorious make-over I really enjoyed and never thought of before doing, by myself or with anyone else. It was really interesting to look at old technologies like dials sending signals of certain frequencies and how this can be translated by computers now as well, how you could place a call by sound of the dial if you wanted to 'hack' it.</s>

	In Special Issue 26, Tina and I looked deeper into parallels between quilting cultures and digital inheritances. The idea of Death Online came here and I really enjoyed thinking about where codes stem from, where are the roots and how can we archive these, or how can we not archive them. Where is the graveyard, how do the error codes work, what is CORS errors?		<s>In Special Issue 26, Tina and I looked deeper into parallels between quilting cultures and digital inheritances. The idea of Death Online came here and I really enjoyed thinking about where codes stem from, where are the roots and how can we archive these, or how can we not archive them. Where is the graveyard, how do the error codes work, what is CORS errors?</s>

	During Special Issue 27, we went for a visit at the Telecom Museum where volunteers get rid of ancient telecommunication technologies as a part of their routine. Which again made me think of the negligence of it all. We salvaged some tech and made them work again and that really surprised me because some of these old machines still worked, but just not really needed anymore. Later on a volunteer(Andy) showed me their bunker archive where they keep old machines and they were simply just sitting there. He even gave me another Telemix machine (I used one for my project before). ~~<s>~~Cardpeek</s>		<s>During Special Issue 27, we went for a visit at the Telecom Museum where volunteers get rid of ancient telecommunication technologies as a part of their routine. Which again made me think of the negligence of it all. We salvaged some tech and made them work again and that really surprised me because some of these old machines still worked, but just not really needed anymore. Later on a volunteer(Andy) showed me their bunker archive where they keep old machines and they were simply just sitting there. He even gave me another Telemix machine (I used one for my project before). Cardpeek</s>

	=== Relation to a larger context: ===		=== Relation to a larger context: ===
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	Economy of the Unlost by Anne Carson		Economy of the Unlost by Anne Carson

			Zombie Media by Jussi Parikka and Garnet Hertz

			Six (Difficult and Inconvenient) Values to Reclaim the Future with Old Media by Lori Emerson:

			https://loriemerson.net/2021/11/21/six-difficult-and-inconvenient-values-to-reclaim-the-future-with-old-media%ef%bf%bc/

	== 🗣️ Thesis Proposal ==		== 🗣️ Thesis Proposal ==

Sevgi at 10:32, 5 November 2025

2025-11-05T10:32:11Z

← Older revision		Revision as of 12:32, 5 November 2025
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	''<u>x"A rough structure could be to use 10 minutes revisiting the first year</u>''		''<u>"A rough structure could be to use 10 minutes revisiting the first year</u>''

	== [[User:Wordfa/oldphonehack\|SI25 Old Telephone Hack]] ==		== [[User:Wordfa/oldphonehack\|SI25 Old Telephone Hack]] ==

Sevgi at 10:26, 5 November 2025

2025-11-05T10:26:50Z

← Older revision		Revision as of 12:26, 5 November 2025
Line 54:		Line 54:

	https://hub.xpub.nl/cerealbox/~sevgi/XPUB2/wiki%20workshop/		https://hub.xpub.nl/cerealbox/~sevgi/XPUB2/wiki%20workshop/

			=== What do I want to make? ===
			I don't know yet! I have qualities I need to be in the

	=== Why do you want to make it: ===		=== Why do you want to make it: ===
	I ~~want to create~~ a '~~new body' out of digital dead that remembers its past in~~ a ~~way. Maybe~~ it is ~~looking into the future by the help of~~ my ~~hand~~. If I ~~create a mix of technologies~~, I feel like this is ~~also interesting in an 'origin's research kind~~ of ~~way~~. ~~To bring~~ back ~~something from dead would mean that~~ it ~~also comes from something else~~, ~~someone else~~, ~~somewhere else.~~ I ~~really like this play or origins~~ and it ~~also reminds me of queer(specifically trans) readings of the monster of Frankenstein~~. It is ~~strange because the monster parts are not only~~ from ~~men~~, ~~but all the parts are definitely~~ from ~~forgotten bodies~~. It is a ~~creation of societal negligence~~. I ~~think what~~ I ~~would achieve at~~ the ~~end would not be~~ a ~~body of unknown genders meshed together but~~ it ~~would be~~ a ~~body~~ of ~~different origins~~?		I think my need for doing this comes from a place of uprootedness where I don't feel like belonging with strings attached to governmental systems is helping me as a person, rather it is making me question my place on earth more and more. Where do I end and my legal identity and nationality begin, I can't tell anymore. I feel like this is the case for a lot of creations, artistic or otherwise. I feel the need coming from all angles to see this feeling reflected back at me, I see it in 404 codes, I see it in borders on line, I see it in obsolete mediums that yearn to be remembered and I see it in structureless collaborations. I think there is a certain frustration that stems from reading and filling out an immigration form. I think it feels like I myself am homeless now, which makes me a body from nowhere up to become a part of something else. There is a claim over my person and it is strongly tied to legal claims and conditions. This is why I want to explore the RESURRECTION in the sense that dead media(this is me I guess) becomes a part of something of the future(this is my dreams of building a life in Europe) and hence it is now new and revived into being. What killed it in the first place? How does negligence play a part in this rejection of tech? What are qualities of dead digital mediums that we would like to breathe new life into?

	I ~~think~~ this ~~could~~ also ~~resemble a family~~(~~where~~ are ~~you coming~~ from?), ~~and our inheritance~~ would be ~~the object (re)made(revived).~~		<s>I want to create a 'new body' out of digital dead that remembers its past in a way. Maybe it is looking into the future by the help of my hand. If I create a mix of technologies, I feel like this is also interesting in an 'origin's research kind of way. To bring back something from dead would mean that it also comes from something else, someone else, somewhere else. I really like this play or origins and it also reminds me of queer(specifically trans) readings of the monster of Frankenstein. It is strange because the monster parts are not only from men, but all the parts are definitely from forgotten bodies. It is a creation of societal negligence. I think what I would achieve at the end would not be a body of unknown genders meshed together but it would be a body of different origins?</s>

	I also think this would be an interesting experiment on certificates of birth/copy. Who am I going to let be in my family if this is our creation? What are the legal codes I'm going to write for it? I feel like here Unlicense is also interesting to look at to use like a BirthCertificate for my Machine.		<s>I think this could also resemble a family(where are you coming from?), and our inheritance would be the object (re)made(revived).</s>

			<s>I also think this would be an interesting experiment on certificates of birth/copy. Who am I going to let be in my family if this is our creation? What are the legal codes I'm going to write for it? I feel like here Unlicense is also interesting to look at to use like a BirthCertificate for my Machine.</s>

	=== Who can help you and how: ===		=== Who can help you and how: ===
	~~I think Joseph could have helped me a lot during this.~~ Interaction Station, good people of Telecom Museum, archive.org, wayback machine, status codes, trash bins		Interaction Station, good people of Telecom Museum, archive.org, wayback machine, status codes, trash bins, people in coffins, people out of borders, machines of all kinds and techniques I never even knew about.

	=== Relation to previous practice: ===		=== Relation to previous practice: ===
Line 80:		Line 85:

	=== References ===		=== References ===
			Frankenstein by Mary Shelley

	Lost and Living (in) Archives: Collectively Shaping New Memories. ed. Annet Dekker		Lost and Living (in) Archives: Collectively Shaping New Memories. ed. Annet Dekker

Sevgi at 18:12, 4 November 2025

2025-11-04T18:12:56Z

@@ Line 48: / Line 48: @@
 I want to play around with the idea of creating an amalgam of death that I want to also experiment writing copy/birth documentation for. I think the legalities of birth and copy can redefine the Machine, show its roots, examine it further.
 https://hub.xpub.nl/cerealbox/~sevgi/XPUB2/cards%20tarot%20website/
 https://hub.xpub.nl/cerealbox/~sevgi/XPUB2/Gunluk/
 https://hub.xpub.nl/cerealbox/~sevgi/XPUB2/wiki%20workshop/
 == 🗣️ Thesis Proposal ==