User:Sevgi/Assessment - Revision history

Sevgi: /* Reader */

2025-03-31T13:31:52Z

Reader

← Older revision		Revision as of 15:31, 31 March 2025
Line 254:		Line 254:
	[https://www.onomatopee.net/product/death-design-data/ Death-Design-Data] - [https://www.walskaar.com/myhddiedalongwithmyheart.html My Harddrive died along with my heart] by Thomas Walskaar (he also went here I think?)		[https://www.onomatopee.net/product/death-design-data/ Death-Design-Data] - [https://www.walskaar.com/myhddiedalongwithmyheart.html My Harddrive died along with my heart] by Thomas Walskaar (he also went here I think?)

	Lost and Living IN Archives, Collectively Shaping New Memories by Annet Dekker<blockquote>"There are some rational reasons for an economy of physical human presence in the art field: the physical presence of people is, on average, cheaper than the presence of works that need to be shipped, insured and/or installed. Presence puts so-called butts on seats and thus provides legitimacy to cultural institutions competing for scarce funding. Institutions sell tickets or even access to people—this is usually done in the scope of para-academic formats like masterclasses or workshops—and capitalize on people’s desire to widen their networks or add contacts. In a word, presence can be easily quantified and monetized. It’s a thing that few people get paid for and a lot of people pay for, and is thus rather profitable."<ref>Duty Free Art by Hito Steyerl<nowiki/>https://attachments.are.na/12637399/28cf81c0cf8ff140be2e2872bfa68763.pdf?1627193219</ref></blockquote>		Lost and Living IN Archives, Collectively Shaping New Memories by Annet Dekker<blockquote>"There are some rational reasons for an economy of physical human presence in the art field: the physical presence of people is, on average, cheaper than the presence of works that need to be shipped, insured and/or installed. Presence puts so-called butts on seats and thus provides legitimacy to cultural institutions competing for scarce funding. Institutions sell tickets or even access to people—this is usually done in the scope of para-academic formats like masterclasses or workshops—and capitalize on people’s desire to widen their networks or add contacts. In a word, presence can be easily quantified and monetized. It’s a thing that few people get paid for and a lot of people pay for, and is thus rather profitable."<ref name=":0">Duty Free Art by Hito Steyerl<nowiki/>https://attachments.are.na/12637399/28cf81c0cf8ff140be2e2872bfa68763.pdf?1627193219</ref></blockquote><blockquote>Is the cult of an embodied and engaged presence that cannot be copied and pasted an expression of the relentless quantification of everything within most contemporary occupations? Is it going hand in hand with the body count performed by institutions to prove their perceived importance by attendance numbers while simultaneously harvesting visitors’ data and preferences?<ref name=":0" /></blockquote>

Sevgi: /* Reader */

2025-03-31T13:27:21Z

Reader

← Older revision		Revision as of 15:27, 31 March 2025
Line 254:		Line 254:
	[https://www.onomatopee.net/product/death-design-data/ Death-Design-Data] - [https://www.walskaar.com/myhddiedalongwithmyheart.html My Harddrive died along with my heart] by Thomas Walskaar (he also went here I think?)		[https://www.onomatopee.net/product/death-design-data/ Death-Design-Data] - [https://www.walskaar.com/myhddiedalongwithmyheart.html My Harddrive died along with my heart] by Thomas Walskaar (he also went here I think?)

	Lost and Living IN Archives, Collectively Shaping New Memories by Annet Dekker		Lost and Living IN Archives, Collectively Shaping New Memories by Annet Dekker<blockquote>"There are some rational reasons for an economy of physical human presence in the art field: the physical presence of people is, on average, cheaper than the presence of works that need to be shipped, insured and/or installed. Presence puts so-called butts on seats and thus provides legitimacy to cultural institutions competing for scarce funding. Institutions sell tickets or even access to people—this is usually done in the scope of para-academic formats like masterclasses or workshops—and capitalize on people’s desire to widen their networks or add contacts. In a word, presence can be easily quantified and monetized. It’s a thing that few people get paid for and a lot of people pay for, and is thus rather profitable."<ref>Duty Free Art by Hito Steyerl<nowiki/>https://attachments.are.na/12637399/28cf81c0cf8ff140be2e2872bfa68763.pdf?1627193219</ref></blockquote>

Sevgi at 13:21, 31 March 2025

2025-03-31T13:21:58Z

← Older revision		Revision as of 15:21, 31 March 2025
Line 159:		Line 159:
	* Can I afford to be uncritical? If I don't speak up.. who will for me? Still no money, no time... Loud voices never die(?)		* Can I afford to be uncritical? If I don't speak up.. who will for me? Still no money, no time... Loud voices never die(?)
	* for loudness to exist there must be quiet		* for loudness to exist there must be quiet
	* am I going to be a workshop maker forever... do I wanna be that? I think without people whatever I am doing doesn't make sense anyway.		* am I going to be a workshop maker forever... do I wanna be that? I think without people whatever I am doing doesn't make sense anyway----->>>https://attachments.are.na/12637399/28cf81c0cf8ff140be2e2872bfa68763.pdf?1627193219

	=== I find interesting ===		=== I find interesting ===

Sevgi: /* Next Up? */

2025-03-31T13:13:23Z

Next Up?

← Older revision		Revision as of 15:13, 31 March 2025
Line 234:		Line 234:

	CORS, error codes, security risks falan filan		CORS, error codes, security risks falan filan

			servers as space to create / customize / store / loose / forget about

	something thats open to [https://hub.xpub.nl/cerealbox/~sevgi/SI26/Cert/ interpretation]		something thats open to [https://hub.xpub.nl/cerealbox/~sevgi/SI26/Cert/ interpretation]

Sevgi: /* Reflection */

2025-03-31T13:12:46Z

Reflection

← Older revision		Revision as of 15:12, 31 March 2025
Line 228:		Line 228:
	I want to make more things with my hands...		I want to make more things with my hands...

	I want my work to be more critical/political ~~maybe if the design is loud enough the voice doesn't have to be as loud? idk~~		I want my work to be more critical/political

	=== Next Up? ===		=== Next Up? ===

Sevgi: /* Reflection */

2025-03-31T13:12:37Z

Reflection

← Older revision		Revision as of 15:12, 31 March 2025
Line 228:		Line 228:
	I want to make more things with my hands...		I want to make more things with my hands...

	I want my work to be more critical/political ~~but also~~ maybe if the design is loud enough the voice doesn't have to be as loud? idk		I want my work to be more critical/political maybe if the design is loud enough the voice doesn't have to be as loud? idk

	=== Next Up? ===		=== Next Up? ===

Sevgi: /* Reflection */

2025-03-31T13:12:27Z

Reflection

← Older revision		Revision as of 15:12, 31 March 2025
Line 225:		Line 225:

	we are not saving the world its really fine		we are not saving the world its really fine

			I want to make more things with my hands...

			I want my work to be more critical/political but also maybe if the design is loud enough the voice doesn't have to be as loud? idk

	=== Next Up? ===		=== Next Up? ===

Sevgi: /* QUILTING: w/Tina */

2025-03-31T11:51:30Z

QUILTING: w/Tina

← Older revision		Revision as of 13:51, 31 March 2025
Line 199:		Line 199:
	value->memory->save->loose->trash		value->memory->save->loose->trash

	"God is not Being... I would be as wrong to call God a Being as I would be to call the sun black" (Meister Eckhart)		creating value outside of an existing value system->taking back power over commodities->what is the digital equivalent of scrap exchange?->how do we define value digitally

			how do we assess the value of something that triggers an archive response?<blockquote>"God is not Being... I would be as wrong to call God a Being as I would be to call the sun black" (Meister Eckhart)</blockquote>

			I find the two projects very related and seeing how W3C standardised web is how we define the meaning of things published online as well.

Sevgi at 11:43, 31 March 2025

2025-03-31T11:43:09Z

← Older revision		Revision as of 13:43, 31 March 2025
Line 96:		Line 96:


	<br>		<br><br>
			<br><br>
			<br><br>

	== Special Issue 26 ==		== Special Issue 26 ==

Sevgi at 10:50, 31 March 2025

2025-03-31T10:50:33Z

← Older revision		Revision as of 12:50, 31 March 2025
Line 174:		Line 174:

	For quilting we already had a workshop which was great and fun. We made quilts that corresponded to websites and It was really really nice seeing how people interpret the web. It works even better if the person has no idea how it works.		For quilting we already had a workshop which was great and fun. We made quilts that corresponded to websites and It was really really nice seeing how people interpret the web. It works even better if the person has no idea how it works.
			[[File:Quilting workshop.png\|thumb\|results of the quilting workshop]]
	For quilting project I:		For quilting project I:

Line 210:		Line 210:

	a quilt is of heritage		a quilt is of heritage


	=== Reflection ===		=== Reflection ===
	I need to be more patient (and less loud)		I need to be more patient (and less loud)