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	<title>User:Riviera/Si22 bibliography - Revision history</title>
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	<updated>2026-08-05T08:19:25Z</updated>
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		<title>Riviera: created page</title>
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		<summary type="html">&lt;p&gt;created page&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Barthes, R. (1977) ‘The Death of the Author’, in Image, music, text: essays, 13. [Dr.]., London, Fontana, pp. 142–148.&lt;br /&gt;
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Constant (2023) CC4r * COLLECTIVE CONDITIONS FOR RE-USE [Online]. Available at https://constantvzw.org/wefts/cc4r.en.html (Accessed 28 September 2023).&lt;br /&gt;
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Grojs, B. (2009) ‘Religion in the Age of Digital Reproduction’, e-flux, no. 4 [Online]. Available at https://www.e-flux.com/journal/04/68569/religion-in-the-age-of-digital-reproduction/ (Accessed 28 September 2023).&lt;br /&gt;
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Mauro-Flude, N. (2008) ‘Linux for Theatre Makers: Embodiment &amp;amp; Nix Modus Operandi’, in Mansoux, A. and Valk, M. de (eds), Floss + art, Poitiers, France, GOTO 10, in association with OpenMute, pp. 206–223.&lt;br /&gt;
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Nishida, K. (1987) Last writings: nothingness and the religious worldview, Honolulu, University of Hawaii Press.&lt;br /&gt;
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Phelan, P. (1993) ‘The ontology of performance: representation without reproduction’, in Unmarked: the politics of performance, London ; New York, Routledge, pp. 146–166.&lt;/div&gt;</summary>
		<author><name>Riviera</name></author>
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