User:Nan Wang/ thesis03-12 - Revision history

Nan Wang: /* CHAPTER 1 */

2014-04-30T11:20:51Z

CHAPTER 1

← Older revision		Revision as of 13:20, 30 April 2014
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	consider dust as Data packets.		consider dust as Data packets.

	5, ~~air~~ or surface?
			5, Air or surface?


	dust all about air or surface. whether it will flowing in the air or just landed on our table.		dust all about air or surface. whether it will flowing in the air or just landed on our table.

Nan Wang: /* CHAPTER 1 */

2014-04-30T11:20:03Z

CHAPTER 1

← Older revision		Revision as of 13:20, 30 April 2014
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	consider dust as Data packets.		consider dust as Data packets.

			5, air or surface?

			dust all about air or surface. whether it will flowing in the air or just landed on our table.

			different weight and air circulation .

	=='''CHAPTER 2'''==		=='''CHAPTER 2'''==

Nan Wang at 14:00, 2 April 2014

2014-04-02T14:00:20Z

← Older revision		Revision as of 16:00, 2 April 2014
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	Steps and compare to theory.		Steps and compare to theory.


			9see section three; dust as a cultural object]

Nan Wang: /* Bibliography */

2014-03-20T17:27:01Z

Bibliography

← Older revision		Revision as of 19:27, 20 March 2014
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	Theory and Definition of Structural/ Materialist Film		Theory and Definition of Structural/ Materialist Film
	<br>		<br>



			Liveness and the Machine
			- Improvisation in Live Audio-Visual Performance

			-Grayson Cooke<br>


	IMPURE MATTER: A Forensics of WTC Dust<br>		IMPURE MATTER: A Forensics of WTC Dust<br>

Nan Wang: /* CHAPTER 2 */

2014-03-18T05:59:54Z

CHAPTER 2

← Older revision		Revision as of 07:59, 18 March 2014
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	Follow this methodology above; I also will look into the air-borne nature of house dust, and the new definition of human interaction under this context.		Follow this methodology above; I also will look into the air-borne nature of house dust, and the new definition of human interaction under this context.
	State the notion of micro level of martial exchange by inhaling each other in the same space without any physical touch. This concept related to the special setting of my work. How to distribute my dust at the exhibition area, being everywhere without present myself.		State the notion of micro level of martial exchange by inhaling each other in the same space without any physical touch. This concept related to the special setting of my work. How to distribute my dust at the exhibition area, being everywhere without present myself.

			[[image:Screen Shot 2014-03-18 at 06.11.13.png\|300px]] [[image:Screen Shot 2014-03-18 at 06.08.19.png\|300px]]

	=='''CHAPTER 3:''' ==		=='''CHAPTER 3:''' ==

Nan Wang: /* CHAPTER 2 */

2014-03-18T05:58:08Z

CHAPTER 2

← Older revision		Revision as of 07:58, 18 March 2014
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	[[image:Screen Shot 2014-03-18 at 06.09.31.png\|300px]] [[image:Screen Shot 2014-03-18 at 06.41.08.png\|300px]] [[image:Screen Shot 2014-03-18 at 06.51.39.png\|230px]] [[image:Screen Shot 2014-03-18 at 06.54.41.png\|300px]]		[[image:Screen Shot 2014-03-18 at 06.09.31.png\|300px]] [[image:Screen Shot 2014-03-18 at 06.41.08.png\|300px]] [[image:Screen Shot 2014-03-18 at 06.51.39.png\|230px]] [[image:Screen Shot 2014-03-18 at 06.54.41.png\|300px]]


	[[image:Sssscan4.10.jpg\|200px]] [[image:4.7duststarts.jpg\|200px]] http://farm9.staticflickr.com/8113/8611622056_de3e8cde48_m.jpg		[[image:Sssscan4.10.jpg\|200px]] [[image:4.7duststarts.jpg\|200px]] http://farm9.staticflickr.com/8113/8611622056_de3e8cde48_m.jpg
	[[image:Screen Shot 2014-03-18 at 06.12.51.png\|230px]]		[[image:Screen Shot 2014-03-18 at 06.12.51.png\|230px]]

Nan Wang: /* CHAPTER 2 */

2014-03-18T05:57:15Z

CHAPTER 2

← Older revision		Revision as of 07:57, 18 March 2014
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	1,Dust and sound		'''1,Dust and sound

	- the noisy and impure nature of dust.		- the noisy and impure nature of dust.'''


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	2,Dust on film		'''2,Dust on film

	-- compress time in the past tense.		-- compress time in the past tense.'''


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	3,Archiving the dust		'''3,Archiving the dust

	—sorting, manipulating, transmitting and erasing.		—sorting, manipulating, transmitting and erasing.'''


	Sorting the dust with archiving it in both digital and analog. Compare these two media and the means of reservation of materials. And manipulate the dust by editing in filmmaking and translating the dust from physical material to scanned digital files then recapture the image from digital display. I also consider dust as signals keep transmitting from one media to anther until it loses its recognizable shape.		Sorting the dust with archiving it in both digital and analog. Compare these two media and the means of reservation of materials. And manipulate the dust by editing in filmmaking and translating the dust from physical material to scanned digital files then recapture the image from digital display. I also consider dust as signals keep transmitting from one media to anther until it loses its recognizable shape.
	Compare this hands-on practice with waste memories been remediated reinterpreted again and again by re-picture it. Every time we re-picture from the pass, part of memory will re-interpreted re mediated re-remembered. Until the memory gets completely false or distorted blurred alienated from its own source.		Compare this hands-on practice with waste memories been remediated reinterpreted again and again by re-picture it. Every time we re-picture from the pass, part of memory will re-interpreted re mediated re-remembered. Until the memory gets completely false or distorted blurred alienated from its own source.

			[[image:Screen Shot 2014-03-18 at 06.09.31.png\|300px]] [[image:Screen Shot 2014-03-18 at 06.41.08.png\|300px]] [[image:Screen Shot 2014-03-18 at 06.51.39.png\|230px]] [[image:Screen Shot 2014-03-18 at 06.54.41.png\|300px]]
			[[image:Sssscan4.10.jpg\|200px]] [[image:4.7duststarts.jpg\|200px]] http://farm9.staticflickr.com/8113/8611622056_de3e8cde48_m.jpg
			[[image:Screen Shot 2014-03-18 at 06.12.51.png\|230px]]

	notes:The archaeology nature of dust(The discipline of things)		notes:The archaeology nature of dust(The discipline of things)
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	4, Distribute my dust		'''4, Distribute my dust

	~~-martial exchange by inhaling each other~~

			-martial exchange by inhaling each other'''


	Follow this methodology above; I also will look into the air-borne nature of house dust, and the new definition of human interaction under this context.		Follow this methodology above; I also will look into the air-borne nature of house dust, and the new definition of human interaction under this context.
	State the notion of micro level of martial exchange by inhaling each other in the same space without any physical touch. This concept related to the special setting of my work. How to distribute my dust at the exhibition area, being everywhere without present myself.		State the notion of micro level of martial exchange by inhaling each other in the same space without any physical touch. This concept related to the special setting of my work. How to distribute my dust at the exhibition area, being everywhere without present myself.




	=='''CHAPTER 3:''' ==		=='''CHAPTER 3:''' ==

Nan Wang at 05:33, 18 March 2014

2014-03-18T05:33:11Z

← Older revision		Revision as of 07:33, 18 March 2014
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	'''Abstract'''		=='''Abstract'''==

	The research object included in this text is dust.<br>		The research object included in this text is dust.<br>
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	interdisciplinary context, and then intergrade into my works conceptually materially and visually.		interdisciplinary context, and then intergrade into my works conceptually materially and visually.

	'''Introduction:'''		=='''Introduction:'''==

	I have a strong obsession towards dust, this research topic keep coming to me and dives me to create works related to.<br>		I have a strong obsession towards dust, this research topic keep coming to me and dives me to create works related to.<br>
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	------		------

	'''CHAPTER 1'''		=='''CHAPTER 1'''==

	Dust pilling up in our life. Quietly appearing on the surface of our shelves; floor; table, every corner inside our room.		Dust pilling up in our life. Quietly appearing on the surface of our shelves; floor; table, every corner inside our room.
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	'''CHAPTER 2'''		=='''CHAPTER 2'''==

	'''Capture and sorting the dust:'''		'''Capture and sorting the dust:'''
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	live, so that audience could create sound integrate into the dust symphony. The audience will experience immersive <br>		live, so that audience could create sound integrate into the dust symphony. The audience will experience immersive <br>
	interactive visual music by surrounded with two sets of stereo system with four speakers.<br>		interactive visual music by surrounded with two sets of stereo system with four speakers.<br>



	2,Dust on film		2,Dust on film
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	compare to construction film.		compare to construction film.

	{{vimeo\|64263931}} {{vimeo\|77894056}}		{{vimeo\|64263931}}

			Description of Dust Narrative<br>

			Dust narrative is a 10 minutes 47 seconds audiovisual work. The visual part of this work is made of 6593 frames of <br>
			dust which I have been collecting and scanning manually for two months. I use those dust images as sequence of <br>
			animation playing in 30 frames per second editing with some digital video footage in the background, in this case those<br>
			dust not longer stays as still images, but appears as flickering and moving particles. The Intensive visual elements and <br>
			visual information of this video allowed me to apply "Pulfrich Effects" to create 3D illusion. I made a special glasses which <br>
			has one darker filter over one eye in order to create 15 milliseconds delay of signal transmission for one eye. (visual system <br>
			latencies are generally shorter so that the visual system responds more quickly.) In this way, this 3D effect create an illusion<br>
			for the viewer that the flickery dust movement slowing down and flowing horizontally in space. The sound part of this<br>
			work including recorded sound and computer generated sound composed together in separated left and right stereo <br>
			sound channel. I use environment noise and combined with electronic noise and minimal style melody. To create the <br>
			atmosphere of ambiguous aesthetic. The feeling of lost and immerse into dust, however, at the same time have the feeling<br>
			of seeing something (moving traffic, crowd, street lights), but lose it again after few seconds.. Everything is in between: <br>
			lost between 2d and 3d; analog and digital; real and fake; virtual and actual. Don't know where you are what are you looking<br>
			at, but there is no way to escape. Ideally this work should be presented as three separated screen audiovisual work with <br>
			independent sound channel. however as a draft version and prototype. it temporarily stay as video format with stereo sound track.<br>
			The soundtrack for dust narrative. I use environment noise and combined with electronic noise and minimal style melody. <br>
			To create the atmosphere of ambiguous aesthetic. The feeling of lost and immerse into dust, however, at the same time have <br>
			the feeling of seeing something (moving traffic, crowd, street lights), but lose it again after few seconds.. Everything is in <br>
			between: lost between 2d and 3d; analog and digital; real and fake; virtual and actual. Don't know where you are what are you <br>
			looking at, but there is no way to escape.<br>


			{{vimeo\|77894056}}

			Description of Dust Poetry<br>


			Small dust is used to produce intense visuals and sound. The beauty of materiality is revealed by overlaying both digital and analogue media.<br>
			Full digital version of Dust poetry which originally a digital and 16mm projector video performance.<br>
			Dust Poetry is a 9 minutes film combined with 7000 frames of dust I have been collecting in my room, and 6 minutes long <br>
			black and white analog 16mm film of small plants and insects I picked up from the garden. I aways fascinated by the beauty <br>
			of small abandoned physical materials, like dust, plants and insects, and try to imagine their memories and emotions. The <br>
			recorded sounds of insect sing and wind blows among the plants used to simulate their language and poetry. The aim of this <br>
			work is to use dust and sound as elements to construct another reality which beyond, however, reflects on our mediated <br>
			fragmented noisy world.<br>



	3,Archiving the dust		3,Archiving the dust

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	'''CHAPTER 3:'''		=='''CHAPTER 3:''' ==

	'''The construction of Dust room:'''		'''The construction of Dust room:'''
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	------		------

	'''Bibliography'''		=='''Bibliography'''==

	Dust - A Study in Sociological Miniaturism<br>		Dust - A Study in Sociological Miniaturism<br>

Nan Wang at 05:20, 18 March 2014

2014-03-18T05:20:57Z

@@ Line 160: / Line 160: @@
 The noisy nature of dust, both visually and sound wise, which I discover with my experiment by using dust put on 16 mm film optical sound track to generate audio noise. And my experiment on displaying the dust video on LCD screen; take the changing luminant intensity and interval from the screen generate sound using a hack analog synthesizer with light sensor. I will intergrade and compare my hands on research above with the forensic and cultural research of impurity and the complexity nature of dust material.
 {{vimeo|72536017}}
 ,Dust on film

Nan Wang at 05:05, 18 March 2014

2014-03-18T05:05:04Z

← Older revision		Revision as of 07:05, 18 March 2014
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	Concentrate on Image and sound making process		Concentrate on Image and sound making process
	Steps and compare to theory.		Steps and compare to theory.






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	The noisy nature of dust, both visually and sound wise, which I discover with my experiment by using dust put on 16 mm film optical sound track to generate audio noise. And my experiment on displaying the dust video on LCD screen; take the changing luminant intensity and interval from the screen generate sound using a hack analog synthesizer with light sensor. I will intergrade and compare my hands on research above with the forensic and cultural research of impurity and the complexity nature of dust material.		The noisy nature of dust, both visually and sound wise, which I discover with my experiment by using dust put on 16 mm film optical sound track to generate audio noise. And my experiment on displaying the dust video on LCD screen; take the changing luminant intensity and interval from the screen generate sound using a hack analog synthesizer with light sensor. I will intergrade and compare my hands on research above with the forensic and cultural research of impurity and the complexity nature of dust material.

			{{vimeo\|72536017}}

	2,Dust on film		2,Dust on film
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	compare to construction film.		compare to construction film.

			{{vimeo\|64263931}} {{vimeo\|77894056}}

	3,Archiving the dust		3,Archiving the dust

← Older revision		Revision as of 07:58, 18 March 2014
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	[[image:Screen Shot 2014-03-18 at 06.09.31.png\|300px]] [[image:Screen Shot 2014-03-18 at 06.41.08.png\|300px]] [[image:Screen Shot 2014-03-18 at 06.51.39.png\|230px]] [[image:Screen Shot 2014-03-18 at 06.54.41.png\|300px]]		[[image:Screen Shot 2014-03-18 at 06.09.31.png\|300px]] [[image:Screen Shot 2014-03-18 at 06.41.08.png\|300px]] [[image:Screen Shot 2014-03-18 at 06.51.39.png\|230px]] [[image:Screen Shot 2014-03-18 at 06.54.41.png\|300px]]


	[[image:Sssscan4.10.jpg\|200px]] [[image:4.7duststarts.jpg\|200px]] http://farm9.staticflickr.com/8113/8611622056_de3e8cde48_m.jpg		[[image:Sssscan4.10.jpg\|200px]] [[image:4.7duststarts.jpg\|200px]] http://farm9.staticflickr.com/8113/8611622056_de3e8cde48_m.jpg
	[[image:Screen Shot 2014-03-18 at 06.12.51.png\|230px]]		[[image:Screen Shot 2014-03-18 at 06.12.51.png\|230px]]