User:Martin - Revision history

Martin at 20:54, 12 June 2022

2022-06-12T20:54:14Z

← Older revision		Revision as of 22:54, 12 June 2022
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	<div style="position:relative;">[[File:Logo wiki martinfoucaut-02-01.png\|100px\|left]]</div>		<div style="position:relative;">[[File:Logo wiki martinfoucaut-02-01.png\|100px\|left]]</div>
	<br><br><br><br><br><br>		<br><br><br><br><br><br>
	<div><span style="color:black ;font-size:30px ;">Special Issue [[SPECIAL_ISSUE_13_MARTIN_BOARD\|13]] / [[SPECIAL_ISSUE_14_MARTIN_BOARD\|14]] / [[SPECIAL_ISSUE_15_MARTIN_DAILY_BOARD\|15]] / [[XPUB2_Research_Board_/_Martin_Foucaut\|Graduation Research]] / [[Martin_(XPUB)-thesis\|Thesis]]</span></div>		<div><span style="color:black ;font-size:30px ;">Special Issue [[SPECIAL_ISSUE_13_MARTIN_BOARD\|13]] / [[SPECIAL_ISSUE_14_MARTIN_BOARD\|14]] / [[SPECIAL_ISSUE_15_MARTIN_DAILY_BOARD\|15]] / [[XPUB2_Research_Board_/_Martin_Foucaut\|Graduation Research]] / [[Martin_(XPUB)-thesis\|Thesis]] / [[User:Martin/Final_presentation\|Project Presentation]]</span></div>
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Martin at 13:29, 18 April 2022

2022-04-18T13:29:46Z

← Older revision		Revision as of 15:29, 18 April 2022
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	<div style="position:relative;">[[File:Logo wiki martinfoucaut-02-01.png\|100px\|left]]</div>		<div style="position:relative;">[[File:Logo wiki martinfoucaut-02-01.png\|100px\|left]]</div>
	<br><br><br><br><br><br>		<br><br><br><br><br><br>
	<div><span style="color:black ;font-size:30px ;">Special Issue [[SPECIAL_ISSUE_13_MARTIN_BOARD\|13]] / [[SPECIAL_ISSUE_14_MARTIN_BOARD\|14]] / [[SPECIAL_ISSUE_15_MARTIN_DAILY_BOARD\|15]] / [[XPUB2_Research_Board_/_Martin_Foucaut\|~~XPUB2~~]]</span></div>		<div><span style="color:black ;font-size:30px ;">Special Issue [[SPECIAL_ISSUE_13_MARTIN_BOARD\|13]] / [[SPECIAL_ISSUE_14_MARTIN_BOARD\|14]] / [[SPECIAL_ISSUE_15_MARTIN_DAILY_BOARD\|15]] / [[XPUB2_Research_Board_/_Martin_Foucaut\|Graduation Research]] / [[Martin_(XPUB)-thesis\|Thesis]]</span></div>
	<br><br>		<br><br>

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	→ 4. [https://hub.xpub.nl/sandbot/~foucaut/SI15/martin.html Web Oscillator — Martin Foucaut] (2021) Work in Progress<br>		→ 4. [https://hub.xpub.nl/sandbot/~foucaut/SI15/martin.html Web Oscillator — Martin Foucaut] (2021) Work in Progress<br>
	<br><br>		<br><br>
	~~For more or else~~ [https://martinfoucaut.com/ martinfoucaut.com]		Graphic design [https://martinfoucaut.com/ martinfoucaut.com]

	[[Category:Xpub]]		[[Category:Xpub]]

	[[File:Endpic.jpeg\|400px\|thumb\|right]]		[[File:Endpic.jpeg\|400px\|thumb\|right]]

Martin: /* XPUB2 Research Board */

2022-01-26T11:49:46Z

XPUB2 Research Board

← Older revision		Revision as of 13:49, 26 January 2022
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	==<p style="font-family:helvetica">[[XPUB2 Research Board / Martin Foucaut\|XPUB2 Research Board]]</p>==		==<p style="font-family:helvetica">[[XPUB2 Research Board / Martin Foucaut\|XPUB2 Research Board]]</p>==
	<br><br>		<br><br>
	[[File:~~ResponsiveSpaceSquare~~.gif\|~~300px~~\|thumb~~\|right\|Responsive Space Installation Simulation~~]]		[[File:Simu part 02.gif\|right\|800px\|thumb]]
	~~I want~~ to ~~challenge computer interaction transparency and witness~~ the ~~multiplication~~ of ~~surveillance technologies~~ in ~~our daily lives~~. ~~I focus on~~ the ~~complicity of public institutions~~, ~~such as some museums, by creating an exhibition space~~ that ~~monitors visitors' actions and (screen) display in real time~~ the ~~collected informations as agents of public meanings~~. ~~These actions, thus~~, ~~become~~ the ~~content of~~ the ~~exhibition space~~, ~~serving as a meta-experience~~ for the ~~observer-dependant visitors~~. In ~~addition to making public~~ the ~~information generated from the visitors~~, the ~~monitoring devices are visible instead of being camouflaged~~, ~~creating a transparency between the monitored subjects and the monitoring tools.~~		My project is a data collection installation that monitors people's behaviors in public physical spaces while explicitly encouraging them to help the algorithm collect more information. An overview of how it works is presented here in the project proposal and will be subject to further developments in the practice.
	~~<br><br>~~
	~~While entering the space~~, ~~the monitors are off~~, ~~the visitor(s) can either choose to accept~~ or ~~deny the terms of use of the space~~ by ~~pressing~~ a ~~red or~~ a ~~green button positioned~~ in the ~~center~~ of the ~~space. If the visitor chooses to deny the terms~~ of ~~use by pressing the red button~~, ~~the monitors remains off, as much~~ a ~~the light or screens~~ of the ~~space and the visitor is invited to leave the space. If the visitor chooses to accept the terms~~ of ~~use by pressing~~ the ~~green button, the light and screen will turn on, and its behaviours will be monitored and displayed as constant data flow, until visitor leaves~~.		The way the device is designed doesn’t pretend to give any beneficial outcomes for the subject, but only makes visible the benefits that the machine is getting from collecting their data. Yet, the way the device visually or verbally presents this collected data is done in a grateful way, which might be stimulating for the subject. In that sense, the subject, despite knowing that their actions are done solely to satisfy the device, could become intrigued, involved, or even addicted by a mechanism that deliberately uses it as a commodity. In that way, I intend to trigger conflictual feelings in the visitor’s mind, situated between a state of awareness regarding the operating monetization of their physical behaviors, and a state of engagement/entertainment /stimulation regarding the interactive value of the installation.

	<br><br>		<br><br>
	Close from the concept of "algorythmic curating » mastered by online platforms such as Amazon, Facebook or Netflix, the data collected from the monitored behaviors will be ultimately translated into speculative suggestions such as « you may like […]; you might know […]; suggested message/visual: […] that the visitor will be able to print out while exiting the space.		Close from the concept of "algorythmic curating » mastered by online platforms such as Amazon, Facebook or Netflix, the data collected from the monitored behaviors will be ultimately translated into speculative suggestions such as « you may like […]; you might know […]; suggested message/visual: […] that the visitor will be able to print out while exiting the space.

Martin: /* XPUB2 Research Board */

2021-12-19T17:36:52Z

XPUB2 Research Board

← Older revision		Revision as of 19:36, 19 December 2021
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	I want to challenge computer interaction transparency and witness the multiplication of surveillance technologies in our daily lives. I focus on the complicity of public institutions, such as some museums, by creating an exhibition space that monitors visitors' actions and (screen) display in real time the collected informations as agents of public meanings. These actions, thus, become the content of the exhibition space, serving as a meta-experience for the observer-dependant visitors. In addition to making public the information generated from the visitors, the monitoring devices are visible instead of being camouflaged, creating a transparency between the monitored subjects and the monitoring tools.		I want to challenge computer interaction transparency and witness the multiplication of surveillance technologies in our daily lives. I focus on the complicity of public institutions, such as some museums, by creating an exhibition space that monitors visitors' actions and (screen) display in real time the collected informations as agents of public meanings. These actions, thus, become the content of the exhibition space, serving as a meta-experience for the observer-dependant visitors. In addition to making public the information generated from the visitors, the monitoring devices are visible instead of being camouflaged, creating a transparency between the monitored subjects and the monitoring tools.
	<br><br>		<br><br>
	While entering the space, the monitors are off, the visitor(s) can either choose to accept or deny the terms of use of the space by pressing a red or a green button ~~position~~ in the center of the space. If the visitor chooses to deny the terms of use by pressing the red button, the monitors remains off and the visitor is invited to leave the space. If the visitor chooses to accept the terms of use by pressing the green button, its behaviours will be monitored and a constant data flow ~~will be displayed~~ until ~~visior(s)~~ leaves.		While entering the space, the monitors are off, the visitor(s) can either choose to accept or deny the terms of use of the space by pressing a red or a green button positioned in the center of the space. If the visitor chooses to deny the terms of use by pressing the red button, the monitors remains off, as much a the light or screens of the space and the visitor is invited to leave the space. If the visitor chooses to accept the terms of use by pressing the green button, the light and screen will turn on, and its behaviours will be monitored and displayed as constant data flow, until visitor leaves.
	<br><br>		<br><br>
	Close from the concept of "algorythmic curating » mastered by online platforms such as Amazon, Facebook or Netflix, the data collected from ~~visitors behaviours~~ will be ultimately translated into speculative suggestions such as « you may like […]; you might know […]; suggested message/visual: […] that the visitor will be able to print out while exiting the space.		Close from the concept of "algorythmic curating » mastered by online platforms such as Amazon, Facebook or Netflix, the data collected from the monitored behaviors will be ultimately translated into speculative suggestions such as « you may like […]; you might know […]; suggested message/visual: […] that the visitor will be able to print out while exiting the space.
	<br><br><br><br><br><br><br><br><br>		<br><br><br><br><br><br><br><br><br>

Martin: /* XPUB2 Research Board */

2021-12-19T17:33:41Z

XPUB2 Research Board

← Older revision		Revision as of 19:33, 19 December 2021
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	<br><br>		<br><br>
	[[File:ResponsiveSpaceSquare.gif\|300px\|thumb\|right\|Responsive Space Installation Simulation]]		[[File:ResponsiveSpaceSquare.gif\|300px\|thumb\|right\|Responsive Space Installation Simulation]]
	I want to challenge computer interaction transparency and witness the multiplication of surveillance technologies in our ~~daily lives~~.		I want to challenge computer interaction transparency and witness the multiplication of surveillance technologies in our daily lives. I focus on the complicity of public institutions, such as some museums, by creating an exhibition space that monitors visitors' actions and (screen) display in real time the collected informations as agents of public meanings. These actions, thus, become the content of the exhibition space, serving as a meta-experience for the observer-dependant visitors. In addition to making public the information generated from the visitors, the monitoring devices are visible instead of being camouflaged, creating a transparency between the monitored subjects and the monitoring tools.
	I focus on the complicity of public institutions, such as some museums, by creating an exhibition space that monitors visitors' actions and display the collected informations as agents of ~~public knowledge~~		<br><br>
	These actions, thus, become the content of the exhibition space, serving a meta-experience ~~of the exhibition~~		While entering the space, the monitors are off, the visitor(s) can either choose to accept or deny the terms of use of the space by pressing a red or a green button position in the center of the space. If the visitor chooses to deny the terms of use by pressing the red button, the monitors remains off and the visitor is invited to leave the space. If the visitor chooses to accept the terms of use by pressing the green button, its behaviours will be monitored and a constant data flow will be displayed until visior(s) leaves.
	In addition to making the information generated from the visitors ~~public~~, the monitoring devices are visible instead of being camouflaged, creating a transparency between the ~~monitor~~ and that ~~which is being monitored~~		<br><br>
			Close from the concept of "algorythmic curating » mastered by online platforms such as Amazon, Facebook or Netflix, the data collected from visitors behaviours will be ultimately translated into speculative suggestions such as « you may like […]; you might know […]; suggested message/visual: […] that the visitor will be able to print out while exiting the space.
	<br><br><br><br><br><br><br><br><br>		<br><br><br><br><br><br><br><br><br>

Martin: /* XPUB2 Research Board */

2021-12-19T16:28:05Z

XPUB2 Research Board

← Older revision		Revision as of 18:28, 19 December 2021
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	<br><br>		<br><br>
	[[File:ResponsiveSpaceSquare.gif\|300px\|thumb\|right\|Responsive Space Installation Simulation]]		[[File:ResponsiveSpaceSquare.gif\|300px\|thumb\|right\|Responsive Space Installation Simulation]]
	I~~'m interested~~ in ~~questioning~~ our ~~Spectator experience~~ of ~~a physical~~ exhibition space ~~(where everything is often fixed~~ and ~~institutionalized)~~, ~~with our User experience~~ of ~~a Web~~ space ~~(where everything is way more elastic~~, ~~unpredictable and obsolete). I’m interested about how slighly different can be rendered~~ a ~~same Web page to all different users depending on technological contexts (device nature, browser, IP address, screen size, zoom level, default settings, updates, luminosity, add~~-~~ons, restrictions, etc). I would like to try to create a physical exhibition space/installation that would be inspired from the technology~~ of ~~a Web user window interface in order then~~ to ~~play with exhbitions parameters such as~~ the ~~distance between~~ the ~~spectator and the artwork, the circulation in space~~, the ~~luminosity/lighting~~ of ~~the artwork(s)~~, the ~~sound/acoustics, etc etc etc.~~		I want to challenge computer interaction transparency and witness the multiplication of surveillance technologies in our daily lives.
			I focus on the complicity of public institutions, such as some museums, by creating an exhibition space that monitors visitors' actions and display the collected informations as agents of public knowledge
			These actions, thus, become the content of the exhibition space, serving a meta-experience of the exhibition
			In addition to making the information generated from the visitors public, the monitoring devices are visible instead of being camouflaged, creating a transparency between the monitor and that which is being monitored
	<br><br><br><br><br><br><br><br><br>		<br><br><br><br><br><br><br><br><br>

Martin at 15:39, 24 October 2021

2021-10-24T15:39:20Z

← Older revision		Revision as of 17:39, 24 October 2021
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	<div style="position:fixed;">[[File:Logo wiki martinfoucaut-02-02.png\|100px\|left]]</div>		<div style="position:fixed;">[[File:Logo wiki martinfoucaut-02-02.png\|100px\|left]]</div>
	<div style="position:relative;">[[File:Logo wiki martinfoucaut-02-01.png\|100px\|left]]</div>		<div style="position:relative;">[[File:Logo wiki martinfoucaut-02-01.png\|100px\|left]]</div>
			<br><br><br><br><br><br>
	<br><br><br><br><br><br><br><br>		<div><span style="color:black ;font-size:30px ;">Special Issue [[SPECIAL_ISSUE_13_MARTIN_BOARD\|13]] / [[SPECIAL_ISSUE_14_MARTIN_BOARD\|14]] / [[SPECIAL_ISSUE_15_MARTIN_DAILY_BOARD\|15]] / [[XPUB2_Research_Board_/_Martin_Foucaut\|XPUB2]]</span></div>
			<br><br>

	=<p style="font-family:helvetica">XPUB1 Special Issues</p>=		=<p style="font-family:helvetica">XPUB1 Special Issues</p>=

Martin: /* Personal Works (Media Studies/Art/Archeology) */

2021-10-12T11:16:09Z

Personal Works (Media Studies/Art/Archeology)

← Older revision		Revision as of 13:16, 12 October 2021
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	[[Category:Xpub]]		[[Category:Xpub]]

			[[File:Endpic.jpeg\|400px\|thumb\|right]]

Martin: /* Caution Weird Floor - XPUB Geocatching Game with Federico Poni for The Hague Contemporary Art Weekend 2021 */

2021-09-29T06:31:21Z

Caution Weird Floor - XPUB Geocatching Game with Federico Poni for The Hague Contemporary Art Weekend 2021

← Older revision		Revision as of 08:31, 29 September 2021
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	==<p style="font-family:helvetica">[https://martinfoucaut.com/CAUTION-WEIRD-FLOOR-EN Caution Weird Floor - XPUB Geocatching Game]<br> with Federico Poni for [https://thehaguecontemporary.nl/ The Hague Contemporary Art Weekend 2021]</b> ==		==<p style="font-family:helvetica">[https://martinfoucaut.com/CAUTION-WEIRD-FLOOR-EN Caution Weird Floor - XPUB Geocatching Game]<br> with Federico Poni for [https://thehaguecontemporary.nl/ The Hague Contemporary Art Weekend 2021]</b> ==

	[[File:Video2 CautionWeirdFloor MartinFoucaut FedericoPoni THC.gif\|300px\|thumb\|~~left~~\|Caution Weird Floor - XPUB Geocatching Game<br>Video 2/3 Post production]]		[[File:Video2 CautionWeirdFloor MartinFoucaut FedericoPoni THC.gif\|300px\|thumb\|right\|Caution Weird Floor - XPUB Geocatching Game<br>Video 2/3 Post production]]
	~~[[File:THC MARTIN FOUCAUT FEDERICO PONI THUMBNAIL.png\|300px\|thumb\|right\|Caution Weird Floor - XPUB Geocatching Game<br>Visual design of the event]]~~
	<br><br>		<br><br>
	<i>"The city as glistening greasy icy perilous polished silky unstable wet floor.<br>		<i>"The city as glistening greasy icy perilous polished silky unstable wet floor.<br>

Martin: /* RESEARCH BOARD + WEB OSCILLATOR */

2021-09-29T06:31:07Z

RESEARCH BOARD + WEB OSCILLATOR

← Older revision		Revision as of 08:31, 29 September 2021
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	[[File:OscillatorGifWiki.gif\|300px\|thumb\|right]]		[[File:OscillatorGifWiki.gif\|300px\|thumb\|right]]
	[[File:Martinfoucaut responsiveintrument-02.png\|300px\|thumb\|left\|First shema of a incoming prototype attemting to corellate sound pitch and release with window heihgt and weight. This shema is base on conventional musical notation before being translated into a second more analog musical notation.]]

	<br><br>		<br><br>