User:Kiara/Research/draft project proposal - Revision history

Kiara at 13:19, 20 November 2025

2025-11-20T13:19:32Z

← Older revision		Revision as of 15:19, 20 November 2025
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	\| — Project Proposal		\| — Project Proposal
	[[../draft_project_proposal\|——— Drafts]]<br>		[[../draft_project_proposal\|——— Drafts]]<br>
	~~<!--~~ [[../project_proposal\|——— Final]] ~~-->~~		[[../project_proposal\|——— Final]]
	\|-		\|-
	\| — Thesis Outline		\| — Thesis Outline
	[[../draft_thesis_outline\|——— Drafts]]<br>		[[../draft_thesis_outline\|——— Drafts]]<br>
	~~<!--~~ [[../thesis_outline\|——— Final]] ~~-->~~		[[../thesis_outline\|——— Final]]
	\|-		\|-
	\| — (more or less) Rapid Prototypes		\| — (more or less) Rapid Prototypes

Kiara: /* 8_ References */

2025-11-20T12:58:08Z

8_ References

← Older revision		Revision as of 14:58, 20 November 2025
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	☼ Berners-Lee, T. (2025) ''This is for everyone'', London Macmillan <br>		☼ Berners-Lee, T. (2025) ''This is for everyone'', London Macmillan <br>
	☼ Breeze, M. (2001) [http://netwurkerz.de/mez/datableed/complete/index.htm Datableed] <br>		☼ Breeze, M. (2001) [http://netwurkerz.de/mez/datableed/complete/index.htm Datableed] <br>
	☼ Cardon, D. (2019) ''Culture Numérique'', Paris Presses de Sciences-Po (Les petites humanités)		☼ Cardon, D. (2019) ''Culture Numérique'', Paris Presses de Sciences-Po (Les petites humanités) <br>
	☼ Dukes, R. (2000) ''SSOTBME Revised: An Essay on Magic'', Great-Britain El-Cheapo Books		☼ Dukes, R. (2000) ''SSOTBME Revised: An Essay on Magic'', Great-Britain El-Cheapo Books <br>
	☼ Gryllaki, A. (2020) [https://hub.xpub.nl/systers/ ''Syster Papyri Magicae''], Rotterdam Piet Zwart Institute <br>		☼ Gryllaki, A. (2020) [https://hub.xpub.nl/systers/ ''Syster Papyri Magicae''], Rotterdam Piet Zwart Institute <br>
	☼ Haute, L. O. (2016) [https://lucilehaute.fr/cyberwitches-manifesto/index.html ''Cyberwitches manifesto''] <br>		☼ Haute, L. O. (2016) [https://lucilehaute.fr/cyberwitches-manifesto/index.html ''Cyberwitches manifesto''] <br>

Kiara: /* 8_ References */

2025-11-20T12:57:46Z

8_ References

← Older revision		Revision as of 14:57, 20 November 2025
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	==== 8_ References ====		==== 8_ References ====
	☼ ~~[https://the-web-you-want~~.~~org/ The web you want]~~ (2025) ~~<br>~~		☼ Bastide, R. (2025) [https://raphaelbastide.com/etre-script/en.html ''being a script''] <br>
	☼ [https://raphaelbastide.com/etre-script/en.html being a script]~~, Raphaël Bastide (2025)~~ <br>		☼ Berners-Lee, T. (2025) ''This is for everyone'', London Macmillan <br>
	☼ ~~[https://declarations~~.~~style/ declarations], Doriane Timmermans~~ (~~since 2023~~) <br>		☼ Breeze, M. (2001) [http://netwurkerz.de/mez/datableed/complete/index.htm Datableed] <br>
	☼ ~~[https://www.motorhueso~~.~~net/degenerative/ De-generative], Eugenio Tisselli~~ (~~2005~~) ~~<br>~~		☼ Cardon, D. (2019) ''Culture Numérique'', Paris Presses de Sciences-Po (Les petites humanités)
	☼ [http://netwurkerz.de/mez/datableed/complete/index.htm Datableed]~~, Mez Breeze (2001)~~<br>		☼ Dukes, R. (2000) ''SSOTBME Revised: An Essay on Magic'', Great-Britain El-Cheapo Books
	☼ ~~[https://lunamaurer~~.~~com/~~ ''~~Luna not Luna~~''], ~~Luna Maurer~~ (~~2024~~) ~~<br>~~		☼ Gryllaki, A. (2020) [https://hub.xpub.nl/systers/ ''Syster Papyri Magicae''], Rotterdam Piet Zwart Institute <br>
	☼ ''~~This is for everyone~~'', ~~Tim Berners~~-~~Lee~~ (~~2025~~) ~~<br>~~		☼ Haute, L. O. (2016) [https://lucilehaute.fr/cyberwitches-manifesto/index.html ''Cyberwitches manifesto''] <br>
	☼ ''~~An essay on magic~~'', ~~Ramsey Dukes (2000)~~ <br>		☼ Maudet, N.; Beignon, A. and Thibault, T. (2025) [https://arxiv.org/pdf/2508.08672 ''Imposing AI: Deceptive design patterns against sustainability''] <br>
	☼ [https://lucilehaute.fr/cyberwitches-manifesto/index.html ''Cyberwitches ~~Manifesto~~'']~~, Lucile Haute (2016)~~ <br>		☼ Maurer, L. (2024) [https://lunamaurer.com/ ''Luna not Luna''] <br>
	☼ [https://~~hub~~.~~xpub.nl~~/~~systers~~/ ''~~Syster Papyri Magicae~~'']~~, Artemis Gryllaki (2020)~~ <br>		☼ Sutcliffe, J. (2021) ''MAGIC'', London Whitechapel Gallery <br>
	☼ [https://~~limitesnumeriques~~.fr/~~travaux-productions/ai-forcing~~ ''~~Le forcing de l'IA~~'']~~, Limites Numériques (2025)~~ <br>		☼ Timmermans, D. (since 2023) [https://declarations.style/ declarations] <br>
	☼ ''MAGIC'', ~~Jamie Sutcliffe~~ (~~2021~~) <br>		☼ Tisselli, E. (2005) [https://www.motorhueso.net/degenerative/ De-generative] <br>
	☼ ~~''Culture numérique''~~, ~~Dominique Cardon~~ (~~2019~~)		☼ van Gemert, V. (2025) [https://the-web-you-want.org/ The web you want] (2025) <br>

	-----		-----

Kiara at 16:42, 17 November 2025

2025-11-17T16:42:19Z

← Older revision		Revision as of 18:42, 17 November 2025
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	\|-		\|-
	\| [[../notes.md\|— Notes]]		\| [[../notes.md\|— Notes]]
	[[../notes.md/Prototypes\|——— Prototypes]]		[[../notes.md/Prototypes\|——— Prototypes]]<br>
			[[../Try Out Nights\|——— Try Out Nights]]
	\|-		\|-
	\| — Project Proposal		\| — Project Proposal

Kiara: /* third draft [up to date] */

2025-11-16T12:55:00Z

third draft [up to date]

Show changes

Kiara: /* 4_ Why do you want to make it? */

2025-11-16T12:53:22Z

4_ Why do you want to make it?

← Older revision		Revision as of 14:53, 16 November 2025
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	==== 4_ Why do you want to make it? ====		==== 4_ Why do you want to make it? ====
			[[File:IMG_20251112_151919.jpg\|left\|thumb\|299x299px\|<small>Control/Oppression -> Resistance/Collaboration/Counter-culture (magic) -> Appropriation -> Mainstream/Capitalisation -> Repeat</small>]]
	The current stage of ultra-capitalism we witness is promoting and making all the space necessary for the rise of fascism and fake positivity<ref>from Luna Maurer's performance at V2_ (11-11-2025) where she describes our current society "being in awe of positivity, a positivity that doesn't bring resistance and enforces the 'like'"</ref>; by feeding us on extracted and appropriated content, seamlessness and smoothness. <br>		The current stage of ultra-capitalism we witness is promoting and making all the space necessary for the rise of fascism and fake positivity<ref>from Luna Maurer's performance at V2_ (11-11-2025) where she describes our current society "being in awe of positivity, a positivity that doesn't bring resistance and enforces the 'like'"</ref>; by feeding us on extracted and appropriated content, seamlessness and smoothness. <br>
	Paraphrasing historian and cultural theorist Johan Huizinga<ref>https://en.wikipedia.org/wiki/Homo_Ludens</ref>, one of the first signs of rising fascism is the switch from playfulness to seriousness. In answer to that, I'll refer to melonking<ref>https://melonking.net/</ref>, a web crafter advocating for silliness in creation. <br>		Paraphrasing historian and cultural theorist Johan Huizinga<ref>https://en.wikipedia.org/wiki/Homo_Ludens</ref>, one of the first signs of rising fascism is the switch from playfulness to seriousness. In answer to that, I'll refer to melonking<ref>https://melonking.net/</ref>, a web crafter advocating for silliness in creation. <br>
	> '''Objective n.1: for the sake of the messy, the chaotic, the playful we bear in ourselves as humans.'''		> '''Objective n.1: for the sake of the messy, the chaotic, the playful we bear in ourselves as humans.'''

	~~[[File:IMG_20251112_151919.jpg\|left\|thumb\|299x299px\|<small>Control/Oppression -> Resistance/Collaboration/Counter-culture (magic) -> Appropriation -> Mainstream/Capitalisation -> Repeat</small>]]~~

	Secondly, GenAI is called "the new magic", is dressed up as if and deceiving people into this idea with no effort. I strongly disagree with that, one reason being the paradox and the problems it bears: western history hints that magic is mostly tied to oppression, looked upon as harmful, negative, unaccepted or foolish (stage magicians, illusionists, etc.); it is a counter-culture. <br>		Secondly, GenAI is called "the new magic", is dressed up as if and deceiving people into this idea with no effort. I strongly disagree with that, one reason being the paradox and the problems it bears: western history hints that magic is mostly tied to oppression, looked upon as harmful, negative, unaccepted or foolish (stage magicians, illusionists, etc.); it is a counter-culture. <br>

Kiara: /* 3_ What is your time table? */

2025-11-16T12:52:48Z

3_ What is your time table?

← Older revision		Revision as of 14:52, 16 November 2025
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	==== 3_ What is your time table? ====		==== 3_ What is your time table? ====
	September-November <br>		<span style="background-color: lavender; padding: 3px; font-weight: bold; text-align:center;">September-November</span> <br>
	:Gathering hunches, observing, framing the subject		:Gathering hunches, observing, framing the subject
	:Collecting and investigating		:Collecting and investigating

	November-December <br>		<span style="background-color: lavender; padding: 3px; font-weight: bold; text-align:center;">November-December</span> <br>
	:Writing the first chapter (!!!)		:Writing the first chapter (!!!)

	January-April <br>		<span style="background-color: lavender; padding: 3px; font-weight: bold; text-align:center;">January-April</span> <br>
	:Keep on writing and prototyping the project		:Keep on writing and prototyping the project

	April-June <br>		<span style="background-color: lavender; padding: 3px; font-weight: bold; text-align:center;">April-June</span> <br>
	:Designing the project		:Designing the project
	:Test runs		:Test runs

Kiara: /* 1_ What do you want to make? */

2025-11-16T12:52:08Z

1_ What do you want to make?

← Older revision		Revision as of 14:52, 16 November 2025
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	I would thus like to create a toolkit for resistance, that merges web practices, magic and connection to the body. I am not yet entirely sure how to involve the physical body into it, but I get some inspiration from Luna Maurer's work and from the way the act of coding relates to body gestures<ref>https://declarations.style/texts/2025-10-27_words.html#css-as-a-shift-from-gestures-to-words</ref>. <br>		I would thus like to create a toolkit for resistance, that merges web practices, magic and connection to the body. I am not yet entirely sure how to involve the physical body into it, but I get some inspiration from Luna Maurer's work and from the way the act of coding relates to body gestures<ref>https://declarations.style/texts/2025-10-27_words.html#css-as-a-shift-from-gestures-to-words</ref>. <br>
	The toolkit is meant for everyone who feels connected to the topic. It should reach both experienced practitioners and amateurs seeking how to enter the web without using big-tech platforms; and should invite for it to be shared, widespread.		The toolkit is meant for everyone who feels connected to the topic. It should reach both experienced practitioners and amateurs seeking how to enter the web without using big-tech platforms; and should invite for it to be shared, widespread.
	[[File:css-rituals.png~~\|left~~\|thumb~~\|500x500~~\|<small>Mastodon post by Miriam Suzanne mentioning CSS rituals</small>]]		[[File:css-rituals.png\|thumb\|<small>Mastodon post by Miriam Suzanne mentioning CSS rituals</small>\|center\|409x409px]]

	I understand magic as intuition, connection to our own feelings and emotions and intention. It has an impact on us and we can also influence it (e.g through intention).<br>		I understand magic as intuition, connection to our own feelings and emotions and intention. It has an impact on us and we can also influence it (e.g through intention).<br>

Kiara: /* 1_ What do you want to make? */

2025-11-16T12:51:29Z

1_ What do you want to make?

← Older revision		Revision as of 14:51, 16 November 2025
Line 31:		Line 31:
	I would thus like to create a toolkit for resistance, that merges web practices, magic and connection to the body. I am not yet entirely sure how to involve the physical body into it, but I get some inspiration from Luna Maurer's work and from the way the act of coding relates to body gestures<ref>https://declarations.style/texts/2025-10-27_words.html#css-as-a-shift-from-gestures-to-words</ref>. <br>		I would thus like to create a toolkit for resistance, that merges web practices, magic and connection to the body. I am not yet entirely sure how to involve the physical body into it, but I get some inspiration from Luna Maurer's work and from the way the act of coding relates to body gestures<ref>https://declarations.style/texts/2025-10-27_words.html#css-as-a-shift-from-gestures-to-words</ref>. <br>
	The toolkit is meant for everyone who feels connected to the topic. It should reach both experienced practitioners and amateurs seeking how to enter the web without using big-tech platforms; and should invite for it to be shared, widespread.		The toolkit is meant for everyone who feels connected to the topic. It should reach both experienced practitioners and amateurs seeking how to enter the web without using big-tech platforms; and should invite for it to be shared, widespread.
	[[File:~~xpub-research-thesis/media/~~css-rituals.png\|Mastodon post by Miriam Suzanne mentioning CSS rituals]]		[[File:css-rituals.png\|left\|thumb\|500x500\|<small>Mastodon post by Miriam Suzanne mentioning CSS rituals</small>]]

	I understand magic as intuition, connection to our own feelings and emotions and intention. It has an impact on us and we can also influence it (e.g through intention).<br>		I understand magic as intuition, connection to our own feelings and emotions and intention. It has an impact on us and we can also influence it (e.g through intention).<br>

Kiara: /* 4_ Why do you want to make it? */

2025-11-16T12:50:09Z

4_ Why do you want to make it?

← Older revision		Revision as of 14:50, 16 November 2025
Line 69:		Line 69:
	> '''Objective n.1: for the sake of the messy, the chaotic, the playful we bear in ourselves as humans.'''		> '''Objective n.1: for the sake of the messy, the chaotic, the playful we bear in ourselves as humans.'''

	[[File:IMG_20251112_151919.jpg\|left\|thumb\|~~740x740px~~\|<small>Control/Oppression -> Resistance/Collaboration/Counter-culture (magic) -> Appropriation -> Mainstream/Capitalisation -> Repeat</small>]]		[[File:IMG_20251112_151919.jpg\|left\|thumb\|299x299px\|<small>Control/Oppression -> Resistance/Collaboration/Counter-culture (magic) -> Appropriation -> Mainstream/Capitalisation -> Repeat</small>]]

	Secondly, GenAI is called "the new magic", is dressed up as if and deceiving people into this idea with no effort. I strongly disagree with that, one reason being the paradox and the problems it bears: western history hints that magic is mostly tied to oppression, looked upon as harmful, negative, unaccepted or foolish (stage magicians, illusionists, etc.); it is a counter-culture. <br>		Secondly, GenAI is called "the new magic", is dressed up as if and deceiving people into this idea with no effort. I strongly disagree with that, one reason being the paradox and the problems it bears: western history hints that magic is mostly tied to oppression, looked upon as harmful, negative, unaccepted or foolish (stage magicians, illusionists, etc.); it is a counter-culture. <br>