User:Chrissy/T2 Assessment - Revision history

Chrissy: /* I͎D͎E͎A͎S͎ ͎&͎ ͎I͎N͎T͎E͎R͎E͎S͎T͎S͎ */

2025-04-01T10:02:04Z

I͎D͎E͎A͎S͎ ͎&͎ ͎I͎N͎T͎E͎R͎E͎S͎T͎S͎

← Older revision		Revision as of 12:02, 1 April 2025
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	[https://nouratafeche.com/She-s-Evil-Most-Definitively-Subliminal She-s-Evil-Most-Definitively-Subliminal]<br>		[https://nouratafeche.com/She-s-Evil-Most-Definitively-Subliminal She-s-Evil-Most-Definitively-Subliminal]<br>

	Right now, I’m looking more into the philosophy of aesthetics in general and Social Media/Internet aesthetics. Also before and now during my Masters about Anti-Capitalist practices and anti-work culture, which I’m planning to combine together. In general, I’m planning to work around/combine activism/politics, maybe even in a broader sense. In my exam project last year, a very broad topic was knowledge and resource sharing, which is still a big interest of mine and I would like to implement in a way.		Right now, I’m looking more into the philosophy of aesthetics in general and Social Media/Internet aesthetics. Also before and now during my Masters about Anti-Capitalist practices and anti-work culture, which I’m planning to combine together. In general, I’m planning to work around/combine activism/feminism/politics, maybe even in a broader sense. In my exam project last year, a very broad topic was knowledge and resource sharing, which is still a big interest of mine and I would like to implement in a way.

	For another project I was also interested in implementing through iFrames (and maybe API?) news articles of the German right-wing party AFD onto one page, searching for specific terms, and comparing them all together. Another similar idea is to use the news articles of BILD, a right/conservative news publishing house in Germany, and bring all the most racist and problematic articles into one page. I tried to start this project but hadn’t the capacity to continue on it since I just know how to use iFrames but not at all to use APIs (which is a me problem; I haven’t really work into it yet) or to automate the process.		For another project I was also interested in implementing through iFrames (and maybe API?) news articles of the German right-wing party AFD onto one page, searching for specific terms, and comparing them all together. Another similar idea is to use the news articles of BILD, a right/conservative news publishing house in Germany, and bring all the most racist and problematic articles into one page. I tried to start this project but hadn’t the capacity to continue on it since I just know how to use iFrames but not at all to use APIs (which is a me problem; I haven’t really work into it yet) or to automate the process.

Chrissy: /* SuperVisual HyperZine */

2025-04-01T09:58:48Z

SuperVisual HyperZine

← Older revision		Revision as of 11:58, 1 April 2025
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	I love working with collected things, and especially with these screenshots of our class. From the beginning we made screenshots of all the experiments of the Extensions we made with Doriane and Joseph and generated so many super different ones, which often look like new media art works. I appreciated the idea of collecting them together into a zine, since I also worked a lot with the practice of Zines.		I love working with collected things, and especially with these screenshots of our class. From the beginning we made screenshots of all the experiments of the Extensions we made with Doriane and Joseph and generated so many super different ones, which often look like new media art works. I appreciated the idea of collecting them together into a zine, since I also worked a lot with the practice of Zines.

	The implementing of Jinja and paged.js I really enjoy, ~~since~~ discovering and learning about other tools and trying to use them, even though I might not understand them in the first place completely. But since we work on the accreditation publication for the Piet Zwart Institute, I got a way better understanding of paged.js. In the first place, I didn’t really see the advantages of using it instead of a WYSIWYG layout tool, but of course, by using them hands-on, the possibilities and advantages arise. The collective work is way easier; major changes in the layout and design come more easily and are automated.		The implementing of Jinja and paged.js I really enjoy, because of discovering and learning about other tools and trying to use them, even though I might not understand them in the first place completely. But since we work on the accreditation publication for the Piet Zwart Institute, I got a way better understanding of paged.js. In the first place, I didn’t really see the advantages of using it instead of a WYSIWYG layout tool, but of course, by using them hands-on, the possibilities and advantages arise. The collective work is way easier; major changes in the layout and design come more easily and are automated.
	➜ [[Hyperzine]]		➜ [[Hyperzine]]

Chrissy: /* SuperVisual HyperZine */

2025-04-01T09:58:00Z

SuperVisual HyperZine

← Older revision		Revision as of 11:58, 1 April 2025
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	I love working with collected things, and especially with these screenshots of our class. From the beginning we made screenshots of all the experiments of the Extensions we made with Doriane and Joseph and generated so many super different ones, which often look like new media art works. I appreciated the idea of collecting them together into a zine, since I also worked a lot with the practice of Zines.		I love working with collected things, and especially with these screenshots of our class. From the beginning we made screenshots of all the experiments of the Extensions we made with Doriane and Joseph and generated so many super different ones, which often look like new media art works. I appreciated the idea of collecting them together into a zine, since I also worked a lot with the practice of Zines.

	The implementing Jinja and paged.js I really enjoy, since discovering and learning about other tools and trying to use them, even though I might not understand them in the first place completely. But since we work on the accreditation publication for the Piet Zwart Institute, I got a way better understanding of paged.js. In the first place, I didn’t really see the advantages of using it instead of a WYSIWYG layout tool, but of course, by using them hands-on, the possibilities and advantages arise. The collective work is way easier; major changes in the layout and design come more easily and are automated.		The implementing of Jinja and paged.js I really enjoy, since discovering and learning about other tools and trying to use them, even though I might not understand them in the first place completely. But since we work on the accreditation publication for the Piet Zwart Institute, I got a way better understanding of paged.js. In the first place, I didn’t really see the advantages of using it instead of a WYSIWYG layout tool, but of course, by using them hands-on, the possibilities and advantages arise. The collective work is way easier; major changes in the layout and design come more easily and are automated.
	➜ [[Hyperzine]]		➜ [[Hyperzine]]

Chrissy: /* During */

2025-04-01T09:56:51Z

During

← Older revision		Revision as of 11:56, 1 April 2025
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	'''Lost in Narration'''<br>		'''Lost in Narration'''<br>
	[[File:Lost-in-Narration Sticker SI25.png\|left\|300px\|designed & printed these little stickers <3]]		[[File:Lost-in-Narration Sticker SI25.png\|left\|300px\|designed & printed these little stickers <3]]
	For the Lost in Narration project, I worked in the group with Alexandria, Claudio, Eleni and Kiara. When everybody presented their possible ideas for the event, the ideas of Kiara and Eleni merged together. I loved the idea of bringing together different Ideas of speech to text and the VCV Rack into a new project complete in itself. In the first place, I was not so sure about the whole performance idea; because I never really got in touch personally with it. But during the planning and the event itself, I really loved the outcome. On the one hand, the performance was kind of scripted, since we read the texts of the screen produced by the observers, and it gave me the possibility to follow and react to each other, which gave the whole performance, including the audio output of Eleni’s every time a new layer and another form of communication along with each other. On the other hand, the performance had a really funny part, which made it accessible to follow for the visitors and also to participate eventually. I had during and after a lot of thoughts about observing, especially events. In my position with sitting just in front of the screen and not being able to look through the room, I observed though other eyes transformed into text. Especially the responding to each other—the narrators with each other, with us and we all among ourselves—made it every time individual. Additionally, the receipt printing turned into a kind of poetry/storytelling and again into interesting and unpredictable errors. For me, I realized the exact outcome or project really just ~~one~~ day of the event. We talked about it a lot, but never really tried out the whole circle of the performance, which made it even more exciting to see how the interactions with each other work out eventually.<br>		For the Lost in Narration project, I worked in the group with Alexandria, Claudio, Eleni and Kiara. When everybody presented their possible ideas for the event, the ideas of Kiara and Eleni merged together. I loved the idea of bringing together different Ideas of speech to text and the VCV Rack into a new project complete in itself. In the first place, I was not so sure about the whole performance idea; because I never really got in touch personally with it. But during the planning and the event itself, I really loved the outcome. On the one hand, the performance was kind of scripted, since we read the texts of the screen produced by the observers, and it gave me the possibility to follow and react to each other, which gave the whole performance, including the audio output of Eleni’s every time a new layer and another form of communication along with each other. On the other hand, the performance had a really funny part, which made it accessible to follow for the visitors and also to participate eventually. I had during and after a lot of thoughts about observing, especially events. In my position with sitting just in front of the screen and not being able to look through the room, I observed though other eyes transformed into text. Especially the responding to each other—the narrators with each other, with us and we all among ourselves—made it every time individual. Additionally, the receipt printing turned into a kind of poetry/storytelling and again into interesting and unpredictable errors. For me, I realized the exact outcome or project really just at the day of the event. We talked about it a lot, but never really tried out the whole circle of the performance, which made it even more exciting to see how the interactions with each other work out eventually.<br>
	➜ [[Lost in Narration\|Lost in Narration]]		➜ [[Lost in Narration\|Lost in Narration]]

Chrissy: /* During */

2025-04-01T09:55:54Z

During

← Older revision		Revision as of 11:55, 1 April 2025
Line 58:		Line 58:
	'''Lost in Narration'''<br>		'''Lost in Narration'''<br>
	[[File:Lost-in-Narration Sticker SI25.png\|left\|300px\|designed & printed these little stickers <3]]		[[File:Lost-in-Narration Sticker SI25.png\|left\|300px\|designed & printed these little stickers <3]]
	For the Lost in Narration project, I worked in the group with Alexandria, Claudio, Eleni and Kiara. When everybody presented their possible ideas for the event, the ideas of Kiara and Eleni merged together. I loved the idea of bringing together different Ideas of speech to text and the VCV Rack into a new project complete in itself. In the first place, I was not so sure about the whole performance idea; because I never really got in touch personally with it. But during the planning and the event itself, I really loved the outcome. On the one hand, the performance was kind of scripted, since we read the texts of the screen produced by the observers, and it gave me the possibility to follow and react to each other, which gave the whole performance, including the audio output of Eleni’s ~~and~~ every time a new layer and another form of communication along with each other. On the other hand, the performance had a really funny part, which made it accessible to follow for the visitors and also to participate eventually. I had during and after a lot of thoughts about observing, especially events. In my position with sitting just in front of the screen and not being able to look through the room, I observed though other eyes transformed into text. Especially the responding to each other—the narrators with each other, with us and we all among ourselves—made it every time individual. Additionally, the receipt printing turned into a kind of poetry/storytelling and again into interesting and unpredictable errors. For me, I realized the exact outcome or project really just one day of the event. We talked about it a lot, but never really tried out the whole circle of the performance, which made it even more exciting to see how the interactions with each other work out eventually.<br>		For the Lost in Narration project, I worked in the group with Alexandria, Claudio, Eleni and Kiara. When everybody presented their possible ideas for the event, the ideas of Kiara and Eleni merged together. I loved the idea of bringing together different Ideas of speech to text and the VCV Rack into a new project complete in itself. In the first place, I was not so sure about the whole performance idea; because I never really got in touch personally with it. But during the planning and the event itself, I really loved the outcome. On the one hand, the performance was kind of scripted, since we read the texts of the screen produced by the observers, and it gave me the possibility to follow and react to each other, which gave the whole performance, including the audio output of Eleni’s every time a new layer and another form of communication along with each other. On the other hand, the performance had a really funny part, which made it accessible to follow for the visitors and also to participate eventually. I had during and after a lot of thoughts about observing, especially events. In my position with sitting just in front of the screen and not being able to look through the room, I observed though other eyes transformed into text. Especially the responding to each other—the narrators with each other, with us and we all among ourselves—made it every time individual. Additionally, the receipt printing turned into a kind of poetry/storytelling and again into interesting and unpredictable errors. For me, I realized the exact outcome or project really just one day of the event. We talked about it a lot, but never really tried out the whole circle of the performance, which made it even more exciting to see how the interactions with each other work out eventually.<br>
	➜ [[Lost in Narration\|Lost in Narration]]		➜ [[Lost in Narration\|Lost in Narration]]

Chrissy: /* During */

2025-04-01T09:54:26Z

During

← Older revision		Revision as of 11:54, 1 April 2025
Line 58:		Line 58:
	'''Lost in Narration'''<br>		'''Lost in Narration'''<br>
	[[File:Lost-in-Narration Sticker SI25.png\|left\|300px\|designed & printed these little stickers <3]]		[[File:Lost-in-Narration Sticker SI25.png\|left\|300px\|designed & printed these little stickers <3]]
	For the Lost in Narration project, I worked in the group with ~~Kiara~~, ~~Alexandria~~, Eleni and ~~Claudio~~. When everybody presented their possible ideas for the event, the ideas of Kiara and Eleni merged together. I loved the idea of bringing together different Ideas of speech to text and the VCV Rack into a new project complete in itself. In the first place, I was not so sure about the whole performance idea; because I never really got in touch personally with it. But during the planning and the event itself, I really loved the outcome. On the one hand, the performance was kind of scripted, since we read the texts of the screen produced by the observers, and it gave me the possibility to follow and react to each other, which gave the whole performance, including the audio output of Eleni’s and every time a new layer and another form of communication along with each other. On the other hand, the performance had a really funny part, which made it accessible to follow for the visitors and also to participate eventually. I had during and after a lot of thoughts about observing, especially events. In my position with sitting just in front of the screen and not being able to look through the room, I observed though other eyes transformed into text. Especially the responding to each other—the narrators with each other, with us and we all among ourselves—made it every time individual. Additionally, the receipt printing turned into a kind of poetry/storytelling and again into interesting and unpredictable errors. For me, I realized the exact outcome or project really just one day of the event. We talked about it a lot, but never really tried out the whole circle of the performance, which made it even more exciting to see how the interactions with each other work out eventually.<br>		For the Lost in Narration project, I worked in the group with Alexandria, Claudio, Eleni and Kiara. When everybody presented their possible ideas for the event, the ideas of Kiara and Eleni merged together. I loved the idea of bringing together different Ideas of speech to text and the VCV Rack into a new project complete in itself. In the first place, I was not so sure about the whole performance idea; because I never really got in touch personally with it. But during the planning and the event itself, I really loved the outcome. On the one hand, the performance was kind of scripted, since we read the texts of the screen produced by the observers, and it gave me the possibility to follow and react to each other, which gave the whole performance, including the audio output of Eleni’s and every time a new layer and another form of communication along with each other. On the other hand, the performance had a really funny part, which made it accessible to follow for the visitors and also to participate eventually. I had during and after a lot of thoughts about observing, especially events. In my position with sitting just in front of the screen and not being able to look through the room, I observed though other eyes transformed into text. Especially the responding to each other—the narrators with each other, with us and we all among ourselves—made it every time individual. Additionally, the receipt printing turned into a kind of poetry/storytelling and again into interesting and unpredictable errors. For me, I realized the exact outcome or project really just one day of the event. We talked about it a lot, but never really tried out the whole circle of the performance, which made it even more exciting to see how the interactions with each other work out eventually.<br>
	➜ [[Lost in Narration\|Lost in Narration]]		➜ [[Lost in Narration\|Lost in Narration]]

Chrissy: /* write poetry */

2025-04-01T09:51:02Z

write poetry

← Older revision		Revision as of 11:51, 1 April 2025
Line 97:		Line 97:

	The sections, except for the love letter, are still a work in progress, because the sentences have many grammatical errors, because of missing fill words or endings. But since I work on it, I kind of like the errors, since it shows that it’s generated and let's stumble over the text.<br>		The sections, except for the love letter, are still a work in progress, because the sentences have many grammatical errors, because of missing fill words or endings. But since I work on it, I kind of like the errors, since it shows that it’s generated and let's stumble over the text.<br>
	➜ [https://hub.xpub.nl/cerealbox/~chrissy/poems/ Prototype write poetry]		➜ [https://hub.xpub.nl/cerealbox/~chrissy/poems/ Prototype write poetry]<br>
	➜ [User:Chrissy/projects/write poetry\|wiki write poetry]<br>		➜ [[User:Chrissy/projects/write poetry\|wiki write poetry]]<br>

	==<span style="text-shadow: 0 0 10px #8d2afe, 0 0 20px #8d2afe, 0 0 30px #fed42a>M͎E͎T͎H͎O͎D͎S͎</span>==		==<span style="text-shadow: 0 0 10px #8d2afe, 0 0 20px #8d2afe, 0 0 30px #fed42a>M͎E͎T͎H͎O͎D͎S͎</span>==

Chrissy: /* write poetry */

2025-04-01T09:50:25Z

write poetry

← Older revision		Revision as of 11:50, 1 April 2025
Line 97:		Line 97:

	The sections, except for the love letter, are still a work in progress, because the sentences have many grammatical errors, because of missing fill words or endings. But since I work on it, I kind of like the errors, since it shows that it’s generated and let's stumble over the text.<br>		The sections, except for the love letter, are still a work in progress, because the sentences have many grammatical errors, because of missing fill words or endings. But since I work on it, I kind of like the errors, since it shows that it’s generated and let's stumble over the text.<br>
			➜ [https://hub.xpub.nl/cerealbox/~chrissy/poems/ Prototype write poetry]
	~~➜ [[User:Chrissy/projects/write poetry\|wiki write poetry]]~~		➜ [User:Chrissy/projects/write poetry\|wiki write poetry]<br>
	➜ [[https://hub.xpub.nl/cerealbox/~chrissy/poems/\|Prototype write poetry]]

	==<span style="text-shadow: 0 0 10px #8d2afe, 0 0 20px #8d2afe, 0 0 30px #fed42a>M͎E͎T͎H͎O͎D͎S͎</span>==		==<span style="text-shadow: 0 0 10px #8d2afe, 0 0 20px #8d2afe, 0 0 30px #fed42a>M͎E͎T͎H͎O͎D͎S͎</span>==

Chrissy: /* write poetry */

2025-04-01T09:49:34Z

write poetry

← Older revision		Revision as of 11:49, 1 April 2025
Line 98:		Line 98:
	The sections, except for the love letter, are still a work in progress, because the sentences have many grammatical errors, because of missing fill words or endings. But since I work on it, I kind of like the errors, since it shows that it’s generated and let's stumble over the text.<br>		The sections, except for the love letter, are still a work in progress, because the sentences have many grammatical errors, because of missing fill words or endings. But since I work on it, I kind of like the errors, since it shows that it’s generated and let's stumble over the text.<br>

	➜ [[User:Chrissy/projects/write poetry\|Prototype write poetry]]		➜ [[User:Chrissy/projects/write poetry\|wiki write poetry]]
			➜ [[https://hub.xpub.nl/cerealbox/~chrissy/poems/\|Prototype write poetry]]

	==<span style="text-shadow: 0 0 10px #8d2afe, 0 0 20px #8d2afe, 0 0 30px #fed42a>M͎E͎T͎H͎O͎D͎S͎</span>==		==<span style="text-shadow: 0 0 10px #8d2afe, 0 0 20px #8d2afe, 0 0 30px #fed42a>M͎E͎T͎H͎O͎D͎S͎</span>==

Chrissy: /* Broadcast 8: Lost Music: */

2025-04-01T09:43:22Z

Broadcast 8: Lost Music:

← Older revision		Revision as of 11:43, 1 April 2025
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	====Broadcast 8: Lost Music:====		====Broadcast 8: Lost Music:====
	[[File:Poster_LostMusic.jpg\|right\|250px\|frameless]]		[[File:Poster_LostMusic.jpg\|right\|250px\|frameless]]
	In this ~~show we~~ already prepared weeks ahead—we decided on the topic Lost Music, the storage, the archiving and “owning” of music. For me personally, the production and radio itself were extremely remembering and nostalgic of my using of CDs as a kid and teenager. The illegal downloading of music files, sampling them together to a mix, burning them on CDs, designing the Cover and the CD itself, and playing it infinitely on my CD player. Also showing my friends the new music I found and collected. It remembered me again, how it was to listen to a CD all day long all over again and the whole process behind it instead of streaming music on Spotify with the urge of finding new music every day again and often not able to play it without internet connection.		In this show–we already prepared weeks ahead—we decided on the topic Lost Music, the storage, the archiving and “owning” of music. For me personally, the production and radio itself were extremely remembering and nostalgic of my using of CDs as a kid and teenager. The illegal downloading of music files, sampling them together to a mix, burning them on CDs, designing the Cover and the CD itself, and playing it infinitely on my CD player. Also showing my friends the new music I found and collected. It remembered me again, how it was to listen to a CD all day long all over again and the whole process behind it instead of streaming music on Spotify with the urge of finding new music every day again and often not able to play it without internet connection.

	For the show, we asked our class for their music between 13 and 16 in our categories "Shame, Guilt, Sorrow and Love." Combining these specific feelings with discovering old music gave me a deeper understanding and diving into my past self, then just searching into old music. We got a lot of feedback on how amazing it was to dig into these old and forgotten songs and get remembered again what feelings and memories they provoked.		For the show, we asked our class for their music between 13 and 16 in our categories "Shame, Guilt, Sorrow and Love." Combining these specific feelings with discovering old music gave me a deeper understanding and diving into my past self, then just searching into old music. We got a lot of feedback on how amazing it was to dig into these old and forgotten songs and get remembered again what feelings and memories they provoked.