User:123cld - Revision history

123cld at 15:13, 28 December 2023

2023-12-28T15:13:37Z

← Older revision		Revision as of 17:13, 28 December 2023
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	[[File:WhatsApp-Image-2023-01-24-at-19.31.12.gif\|frameless\|269x269px]]		[[File:WhatsApp-Image-2023-01-24-at-19.31.12.gif\|frameless\|269x269px]]

	<small>disclaimer 1: my wiki sucks, I always neglect it - I will update it and make it neat and tidy one day</small>		<small>disclaimer: my wiki sucks, I always neglect it - everything here is in progress/process - forgive the poor form - I will update it and make it neat and tidy one day</small>

	~~<small>disclaimer 2: everything here is in progress/process - forgive the poor form</small>~~

123cld at 13:29, 21 December 2023

2023-12-21T13:29:50Z

← Older revision		Revision as of 15:29, 21 December 2023
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	https://artreview.com/the-uncanny-properties-of-print-michael-snow-cover-to-cover/		https://artreview.com/the-uncanny-properties-of-print-michael-snow-cover-to-cover/

	Reading ''Cover to Cover'' is much like watching one of Snow’s films: visually quite mundane, where what happens isn’t as important as how it’s being shown to you, with a sustained focus that sits with a relatively simple idea for longer than you might think. Accordioned depictions of sitting, walking, even doing nothing, become extended meditations on how we experience the world. Underwriting the intensity of Snow’s work is a consistent sense of his wry smile, being quietly profound with a casual shrug. Snow is a rare beast: a structuralist with a sense of humour, a filmmaker who recognised that tinkering around with the limitations of the medium was also a way to rewire our sense of everyday perception – using art as a means to capture and crystallise the whatthefuckness of strolling around with a thinking, feeling body. Here he uses the means of a photobook to trace the contours of his body, his house and the existential possibilities of a book itself. Books, those weighty space-fillers, can turn your brain inside out; the means to reconfigure reality are right at our fingertips		Reading ''Cover to Cover'' is much like watching one of Snow’s films: visually quite mundane, where what happens isn’t as important as how it’s being shown to you, with a sustained focus that sits with a relatively simple idea for longer than you might think. Accordioned depictions of sitting, walking, even doing nothing, become extended meditations on how we experience the world. Underwriting the intensity of Snow’s work is a consistent sense of his wry smile, '''being quietly profound with a casual shrug.''' Snow is a rare beast: '''a structuralist with a sense of humour, a filmmaker who recognised that tinkering around with the limitations of the medium was also a way to rewire our sense of everyday perception – using art as a means to capture and crystallise the whatthefuckness of strolling around with a thinking, feeling body.''' Here he uses the means of a photobook to trace the contours of his body, his house and the existential possibilities of a book itself. Books, those weighty space-fillers, can turn your brain inside out; the means to reconfigure reality are right at our fingertips

	vision loss in contemporary age		vision loss in contemporary age

123cld at 18:10, 18 December 2023

2023-12-18T18:10:05Z

← Older revision		Revision as of 20:10, 18 December 2023
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	'''QUICK NOTES HERE'''		'''QUICK NOTES HERE'''

	https://~~artreview~~.com/~~the~~-~~uncanny~~-~~properties~~-of-~~print~~-~~michael~~-~~snow~~-~~cover~~-to-~~cover~~/		https://www.opb.org/article/2023/09/13/university-oregon-scientists-bionic-eye-retinal-implant-technology/

			https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp

			https://cloudflare-ipfs.com/ipfs/bafykbzacebyag7ya4eg7isaoap63nmprzsozh7ha5yosohl2npnsmvg6pry2q?filename=Jennifer%20M.%20S.%20Stager%20-%20Seeing%20Color%20in%20Classical%20Art_%20Theory%2C%20Practice%2C%20and%20Reception%2C%20from%20Antiquity%20to%20the%20Present-Cambridge%20University%20Press%20%282023%29.pdf

			https://cloudflare-ipfs.com/ipfs/bafykbzacectqumu6ouhm2jzuw7veyhecsdmx3xcjdi6olit5vg2uetd2qkyk6?filename=Michael%20Squire%20-%20Sight%20and%20The%20Ancient%20Senses-Routledge%20%282016%29.pdf

			https://www.nano-retina.com/technology/#3dni

			https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7198351/table/T1/

	~~Reading ''Cover to Cover'' is much like watching one of Snow’s films~~: ~~visually quite mundane, where what happens isn’t as important as how it’s being shown to you, with a sustained focus that sits with a relatively simple idea for longer than you might think~~. ~~Accordioned depictions of sitting, walking, even doing nothing, become extended meditations on how we experience the world~~. Underwriting the intensity of Snow’s work is a consistent sense of his wry smile, being quietly profound with a casual shrug. Snow is a rare beast: a structuralist with a sense of humour, a filmmaker who recognised that tinkering around with the limitations of the medium was also a way to rewire our sense of everyday perception – using art as a means to capture and crystallise the whatthefuckness of strolling around with a thinking, feeling body. Here he uses the means of a photobook to trace the contours of his body, his house and the existential possibilities of a book itself. Books, those weighty space-~~fillers, can turn your brain inside out; the means to reconfigure reality are right at our fingertips~~		https://spectrum.ieee.org/bionic-eye-obsolete

	eyes inlays in greek sculpture		eyes inlays in greek sculpture
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	https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)		https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)

			https://www.metmuseum.org/toah/hd/prms/hd_prms.htm

	Françoise Frontisi-Ducroux, Dédale: Mythologie de l’artisan en Grèce ancienne		Françoise Frontisi-Ducroux, Dédale: Mythologie de l’artisan en Grèce ancienne
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			https://artreview.com/the-uncanny-properties-of-print-michael-snow-cover-to-cover/

			Reading ''Cover to Cover'' is much like watching one of Snow’s films: visually quite mundane, where what happens isn’t as important as how it’s being shown to you, with a sustained focus that sits with a relatively simple idea for longer than you might think. Accordioned depictions of sitting, walking, even doing nothing, become extended meditations on how we experience the world. Underwriting the intensity of Snow’s work is a consistent sense of his wry smile, being quietly profound with a casual shrug. Snow is a rare beast: a structuralist with a sense of humour, a filmmaker who recognised that tinkering around with the limitations of the medium was also a way to rewire our sense of everyday perception – using art as a means to capture and crystallise the whatthefuckness of strolling around with a thinking, feeling body. Here he uses the means of a photobook to trace the contours of his body, his house and the existential possibilities of a book itself. Books, those weighty space-fillers, can turn your brain inside out; the means to reconfigure reality are right at our fingertips

	vision loss in contemporary age		vision loss in contemporary age

123cld at 09:35, 15 December 2023

2023-12-15T09:35:53Z

← Older revision		Revision as of 11:35, 15 December 2023
Line 2:		Line 2:
	[[File:WhatsApp-Image-2023-01-24-at-19.31.12.gif\|frameless\|269x269px]]		[[File:WhatsApp-Image-2023-01-24-at-19.31.12.gif\|frameless\|269x269px]]

	<small>disclaimer 1: my wiki sucks, I~~'ve been neglecting~~ it - I ~~plan to use~~ it ~~more from now on - will take some time though~~</small>		<small>disclaimer 1: my wiki sucks, I always neglect it - I will update it and make it neat and tidy one day</small>

	<small>disclaimer 2: everything here is in progress/process - forgive the poor form</small>		<small>disclaimer 2: everything here is in progress/process - forgive the poor form</small>

123cld at 11:33, 14 December 2023

2023-12-14T11:33:42Z

← Older revision		Revision as of 13:33, 14 December 2023
Line 10:		Line 10:

	'''QUICK NOTES HERE'''		'''QUICK NOTES HERE'''

			https://artreview.com/the-uncanny-properties-of-print-michael-snow-cover-to-cover/

			Reading ''Cover to Cover'' is much like watching one of Snow’s films: visually quite mundane, where what happens isn’t as important as how it’s being shown to you, with a sustained focus that sits with a relatively simple idea for longer than you might think. Accordioned depictions of sitting, walking, even doing nothing, become extended meditations on how we experience the world. Underwriting the intensity of Snow’s work is a consistent sense of his wry smile, being quietly profound with a casual shrug. Snow is a rare beast: a structuralist with a sense of humour, a filmmaker who recognised that tinkering around with the limitations of the medium was also a way to rewire our sense of everyday perception – using art as a means to capture and crystallise the whatthefuckness of strolling around with a thinking, feeling body. Here he uses the means of a photobook to trace the contours of his body, his house and the existential possibilities of a book itself. Books, those weighty space-fillers, can turn your brain inside out; the means to reconfigure reality are right at our fingertips

	eyes inlays in greek sculpture		eyes inlays in greek sculpture

123cld at 11:36, 8 December 2023

2023-12-08T11:36:53Z

← Older revision		Revision as of 13:36, 8 December 2023
Line 16:		Line 16:

	https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)		https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)

			Françoise Frontisi-Ducroux, Dédale: Mythologie de l’artisan en Grèce ancienne

			Françoise Frontisi-Ducroux, “Living Statues,” in Antiquities,

	materialist theories of vision in greek philosophy		materialist theories of vision in greek philosophy

123cld at 10:38, 8 December 2023

2023-12-08T10:38:26Z

← Older revision		Revision as of 12:38, 8 December 2023
Line 17:		Line 17:
	https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)		https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)

	theories of vision in greek philosophy		materialist theories of vision in greek philosophy

			https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)

	https://www.routledge.com/Sight-and-the-Ancient-Senses/Squire/p/book/9781844658664		https://www.routledge.com/Sight-and-the-Ancient-Senses/Squire/p/book/9781844658664

123cld at 10:30, 8 December 2023

2023-12-08T10:30:59Z

← Older revision		Revision as of 12:30, 8 December 2023
Line 16:		Line 16:

	https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)		https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)

			theories of vision in greek philosophy

			https://www.routledge.com/Sight-and-the-Ancient-Senses/Squire/p/book/9781844658664



	vision loss in contemporary age		vision loss in contemporary age

123cld at 09:43, 8 December 2023

2023-12-08T09:43:56Z

@@ Line 10: / Line 10: @@
 '''QUICK NOTES HERE'''
 https://www.youtube.com/watch?v=ObtW353d5i0&t=1448s
 https://dr-younes-henni.medium.com/how-to-slow-the-decline-of-your-eyesight-97ac815957e
 https://www.youtube.com/watch?v=NnFgnEwN1FU (galison)
 https://canadianart.ca/interviews/michael-snow/

123cld at 09:39, 8 December 2023

2023-12-08T09:39:30Z

← Older revision		Revision as of 11:39, 8 December 2023
Line 10:		Line 10:

	'''QUICK NOTES HERE'''		'''QUICK NOTES HERE'''

			https://www.youtube.com/watch?v=ObtW353d5i0&t=1448s

			https://dr-younes-henni.medium.com/how-to-slow-the-decline-of-your-eyesight-97ac815957e

			https://www.youtube.com/watch?v=NnFgnEwN1FU (galison)

	https://canadianart.ca/interviews/michael-snow/		https://canadianart.ca/interviews/michael-snow/