Signal Lost: Archive Unzipped - Script - Revision history

Thijshijsijsjss: Add emoji

2023-12-06T15:31:44Z

Add emoji

← Older revision		Revision as of 17:31, 6 December 2023
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	==Section 2: Soundscape to slowly scarper this sphere of existence and introduce The End==		==Section 2: Soundscape to slowly scarper this sphere of existence and introduce The End==
			🎵 Play [https://pzwiki.wdka.nl/mw-mediadesign/images/3/3a/Soundscape2.2.mp3 the soundscape that introduces the end?]
	{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/3/3a/Soundscape2.2.mp3\|style=width:100%}}		{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/3/3a/Soundscape2.2.mp3\|style=width:100%}}

Wang ziheng: /* Section 2: Soundscape to slowly scarper this sphere of existence and introduce The End */

2023-12-04T21:51:09Z

Section 2: Soundscape to slowly scarper this sphere of existence and introduce The End

← Older revision		Revision as of 23:51, 4 December 2023
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	==Section 2: Soundscape to slowly scarper this sphere of existence and introduce The End==		==Section 2: Soundscape to slowly scarper this sphere of existence and introduce The End==
			{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/3/3a/Soundscape2.2.mp3\|style=width:100%}}

	==Section 3: Revelation Improvisation==		==Section 3: Revelation Improvisation==

Mania: /* Scratch Orchestra */

2023-12-04T21:07:33Z

Scratch Orchestra

← Older revision		Revision as of 23:07, 4 December 2023
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	===Scratch Orchestra===		===Scratch Orchestra===
	'''Thijs''': acts of giving and receiving can be literal, but also figurative. A gift economy can be as much more than a rigid, sterotypical concept of economy. It can be seen as a basis for exchange. Any exchange. Exchange that transcends the idea of economy. Exchange of language, ideas and understanding. It creates a mindset, and safe space. Giving each other freedom, and opportunity to experiment. In that sense, the act of shared improvisation can be seen as a gift economy. With this in mind, we will now revisit the Scratch Orchestra.		'''Thijs''': acts of giving and receiving can be literal, but also figurative. A gift economy can be as much more than a rigid, sterotypical concept of economy. It can be seen as a basis for exchange. Any exchange. Exchange that transcends the idea of economy. Exchange of language, ideas and understanding. It creates a mindset, and safe space. Giving each other freedom, and opportunity to experiment. In that sense, the act of shared improvisation can be seen as a gift economy. With this in mind, we will now revisit the Scratch Orchestra.
	'''Mania''': The Scratch Orchestra is an experimental ~~orchestra~~, a collaboration of creative minds. We too, have been collaborating extensively. And we~~'ve been~~ stronger ~~due to this~~.		'''Mania''': The Scratch Orchestra is an experimental musical group, a collaboration of creative minds with an emphasis on improvisation. We too, have been collaborating extensively. And together we are so much stronger.

	==Section 2: Soundscape to slowly scarper this sphere of existence and introduce The End==		==Section 2: Soundscape to slowly scarper this sphere of existence and introduce The End==

Thijshijsijsjss: Add note on collaboration on the scratch orchestra

2023-12-04T16:24:03Z

Add note on collaboration on the scratch orchestra

← Older revision		Revision as of 18:24, 4 December 2023
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	===Scratch Orchestra===		===Scratch Orchestra===
	'''Thijs''': acts of giving and receiving can be literal, but also figurative. A gift economy can be as much more than a rigid, sterotypical concept of economy. It can be seen as a basis for exchange. Any exchange. Exchange that transcends the idea of economy. Exchange of language, ideas and understanding. It creates a mindset, and safe space. Giving each other freedom, and opportunity to experiment. In that sense, the act of shared improvisation can be seen as a gift economy. With this in mind, we will now revisit the Scratch Orchestra.		'''Thijs''': acts of giving and receiving can be literal, but also figurative. A gift economy can be as much more than a rigid, sterotypical concept of economy. It can be seen as a basis for exchange. Any exchange. Exchange that transcends the idea of economy. Exchange of language, ideas and understanding. It creates a mindset, and safe space. Giving each other freedom, and opportunity to experiment. In that sense, the act of shared improvisation can be seen as a gift economy. With this in mind, we will now revisit the Scratch Orchestra.
			'''Mania''': The Scratch Orchestra is an experimental orchestra, a collaboration of creative minds. We too, have been collaborating extensively. And we've been stronger due to this.

	==Section 2: Soundscape to slowly scarper this sphere of existence and introduce The End==		==Section 2: Soundscape to slowly scarper this sphere of existence and introduce The End==

Thijshijsijsjss: Add text prior to gift econ audio fragment

2023-12-04T16:20:11Z

Add text prior to gift econ audio fragment

← Older revision		Revision as of 18:20, 4 December 2023
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	===Gift Economy===		===Gift Economy===
	'''Anita''': Today, we want to focus on a specific type of community: the gift economy.		'''Anita''': Today, we want to focus on a specific type of community: the gift economy.
	~~MORE SCRIPT GOES HERE~~		'''Mania''': We've also been able to experience this ourselves. Halfway through the project, we attended zinecamp. This was a moment where we could not only share our findings thus far, but only get to know other people passionate about sharing printed matter. And exchange ideas. This is when we first started conducting interviews, something that we would use frequently in later broadcasts.
			'''Thijs''': The next fragment is a text on gift economies, read aloud by a machine voice.
	🎵 Play [https://pzwiki.wdka.nl/mw-mediadesign/images/f/f0/Gift_economy.mp3 description of gift economy]		🎵 Play [https://pzwiki.wdka.nl/mw-mediadesign/images/f/f0/Gift_economy.mp3 description of gift economy]
	{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/f/f0/Gift_economy.mp3\|style=width:100%;}}		{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/f/f0/Gift_economy.mp3\|style=width:100%;}}

Thijshijsijsjss: Edit text after outline

2023-12-04T16:12:52Z

Edit text after outline

← Older revision		Revision as of 18:12, 4 December 2023
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	'''Thijs''': Good Morning! You're tuned into Protocols for an Active Archive, the 22nd XPUB Special Issue, where students from the Piet Zwart Art Institute Experimental Publishing Master explore and create technosocial protocols for potential active archives of Radio Worm, while making radio themselves.		'''Thijs''': Good Morning! You're tuned into Protocols for an Active Archive, the 22nd XPUB Special Issue, where students from the Piet Zwart Art Institute Experimental Publishing Master explore and create technosocial protocols for potential active archives of Radio Worm, while making radio themselves.
	This will, sadly, be our last broadcast. In 12 shows over the past 3 months, we have accumulated our own archive of work. This show will be dedicated to celebrating the Worm archive, celebrating the communities surrounding Radio Worm and think about ways to extrapolate the discourse surrounding archiving.		This will, sadly, be our last broadcast. In 12 shows over the past 3 months, we have accumulated our own archive of work. This show will be dedicated to celebrating the Worm archive, celebrating the communities surrounding Radio Worm and think about ways to extrapolate the discourse surrounding archiving.
	Today's show will be structured as follows:		Today's show -- titled '''THE LAST BROADCAST''' -- will be structured as follows:
	'''Cycle through spreakers: Thijs -> Anita -> Mania'''		'''Cycle through spreakers: Thijs -> Anita -> Mania'''
	1 Introduce the show and establishing a theme of reusing material by playing snippets from previous shows.		1 Introduce the show and establishing a theme of reusing material by playing snippets from previous shows.
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	Ending a broadcast is difficult. Wrapping up a whole show is even more difficult.		Ending a broadcast is difficult. Wrapping up a whole show is even more difficult.
	We will follow the ''Ending of a Radioshow Protocol'' and end on a call to action that will encourage the community to come together.		We will follow the ''Ending of a Radioshow Protocol'' and end on a call to action that will encourage the community to come together.
	'''~~Anita~~''':		'''Thijs''': Woah, nice summary of things we've explored throughout the process of making radio these past 3 months!
	'~~''Mania''':~~		'''Anita''': Agreed! Let's move on then to the next section: the breakfast protocol.
	'''~~Thijs~~''': ~~Cool, okay.~~ Let's ~~continue~~ to the next section ~~then~~: ~~establish~~ the ~~theme of community~~.

	===Breakfast Protocol===		===Breakfast Protocol===

Thijshijsijsjss: Expand the outline text

2023-12-04T16:07:36Z

Expand the outline text

← Older revision		Revision as of 18:07, 4 December 2023
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	This will, sadly, be our last broadcast. In 12 shows over the past 3 months, we have accumulated our own archive of work. This show will be dedicated to celebrating the Worm archive, celebrating the communities surrounding Radio Worm and think about ways to extrapolate the discourse surrounding archiving.		This will, sadly, be our last broadcast. In 12 shows over the past 3 months, we have accumulated our own archive of work. This show will be dedicated to celebrating the Worm archive, celebrating the communities surrounding Radio Worm and think about ways to extrapolate the discourse surrounding archiving.
	Today's show will be structured as follows:		Today's show will be structured as follows:
	~~OUTLINE~~:		'''Cycle through spreakers: Thijs -> Anita -> Mania'''
	1 Introduce the show and establishing a theme of reusing material.		1 Introduce the show and establishing a theme of reusing material by playing snippets from previous shows.
	~~Play~~ snippets from previous shows. There is confusion about what ~~into~~ is the proper intro.		There is confusion about what intro is the proper intro.
	2 Establish the theme of community by playing the breakfast protocol.		2 Establish the theme of community by playing the breakfast protocol.
			Reflect on our process of doing this project.
	3 Make a connection to the concept of the gift economy.		3 Make a connection to the concept of the gift economy.
	Play the generated snippet.		Play the generated snippet.
	4		4 Interviews with famous radiomakers.
	5		The radiocommunity is broad and far-reaching.
	6		These interviews will shine some light an the personal and intimate aspects of radiomaking.
			5 WHEEEEEL OF FORTUNEEEEEE
			This segment was never played during the Hitchhiker's broadcast, so we wanted to give it some extra attention today!
			6 ''Ending of a radioshow Protocol''
			Ending a broadcast is difficult. Wrapping up a whole show is even more difficult.
			We will follow the ''Ending of a Radioshow Protocol'' and end on a call to action that will encourage the community to come together.
	'''Anita''':		'''Anita''':
	'''Mania''':		'''Mania''':

Thijshijsijsjss: Fix connecting to the ether audio instruction

2023-12-04T15:53:00Z

Fix connecting to the ether audio instruction

← Older revision		Revision as of 17:53, 4 December 2023
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	'''Anita''': But then, during the sixth show (''The Hitchhiker's Guide to an Active Archive''), we tried a different form of audience interaction: Etherpads.		'''Anita''': But then, during the sixth show (''The Hitchhiker's Guide to an Active Archive''), we tried a different form of audience interaction: Etherpads.
	'''Thijs''': True! But we're going on a tangent here. I'll tell you what my introduction is like.		'''Thijs''': True! But we're going on a tangent here. I'll tell you what my introduction is like.
	Connecting_to_the_ether.mp3]{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/9/9d/Connecting_to_the_ether.mp3\|style=width:100%}}		🎵 Play Connecting to the ether track [https://pzwiki.wdka.nl/mw-mediadesign/images/9/9d/Connecting_to_the_ether.mp3 Connecting_to_the_ether.mp3]{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/9/9d/Connecting_to_the_ether.mp3\|style=width:100%}}
	'''Thijs''': Good Morning! You're tuned into Protocols for an Active Archive, the 22nd XPUB Special Issue, where students from the Piet Zwart Art Institute Experimental Publishing Master explore and create technosocial protocols for potential active archives of Radio Worm, while making radio themselves.		'''Thijs''': Good Morning! You're tuned into Protocols for an Active Archive, the 22nd XPUB Special Issue, where students from the Piet Zwart Art Institute Experimental Publishing Master explore and create technosocial protocols for potential active archives of Radio Worm, while making radio themselves.
	This will, sadly, be our last broadcast. In 12 shows over the past 3 months, we have accumulated our own archive of work. This show will be dedicated to celebrating the Worm archive, celebrating the communities surrounding Radio Worm and think about ways to extrapolate the discourse surrounding archiving.		This will, sadly, be our last broadcast. In 12 shows over the past 3 months, we have accumulated our own archive of work. This show will be dedicated to celebrating the Worm archive, celebrating the communities surrounding Radio Worm and think about ways to extrapolate the discourse surrounding archiving.

Thijshijsijsjss: Add Connect to the Ether sound

2023-12-04T15:52:11Z

Add Connect to the Ether sound

← Older revision		Revision as of 17:52, 4 December 2023
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	'''Anita''': But then, during the sixth show (''The Hitchhiker's Guide to an Active Archive''), we tried a different form of audience interaction: Etherpads.		'''Anita''': But then, during the sixth show (''The Hitchhiker's Guide to an Active Archive''), we tried a different form of audience interaction: Etherpads.
	'''Thijs''': True! But we're going on a tangent here. I'll tell you what my introduction is like.		'''Thijs''': True! But we're going on a tangent here. I'll tell you what my introduction is like.
	~~<div~~ style=~~"color~~:~~red">🎵 Play some jingle or background music</div>~~		Connecting_to_the_ether.mp3]{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/9/9d/Connecting_to_the_ether.mp3\|style=width:100%}}
	'''Thijs''': Good Morning! You're tuned into Protocols for an Active Archive, the 22nd XPUB Special Issue, where students from the Piet Zwart Art Institute Experimental Publishing Master explore and create technosocial protocols for potential active archives of Radio Worm, while making radio themselves.		'''Thijs''': Good Morning! You're tuned into Protocols for an Active Archive, the 22nd XPUB Special Issue, where students from the Piet Zwart Art Institute Experimental Publishing Master explore and create technosocial protocols for potential active archives of Radio Worm, while making radio themselves.
	This will, sadly, be our last broadcast. In 12 shows over the past 3 months, we have accumulated our own archive of work. This show will be dedicated to celebrating the Worm archive, celebrating the communities surrounding Radio Worm and think about ways to extrapolate the discourse surrounding archiving.		This will, sadly, be our last broadcast. In 12 shows over the past 3 months, we have accumulated our own archive of work. This show will be dedicated to celebrating the Worm archive, celebrating the communities surrounding Radio Worm and think about ways to extrapolate the discourse surrounding archiving.

Thijshijsijsjss: More more edits on the text after the second intro

2023-12-04T15:50:38Z

More more edits on the text after the second intro

← Older revision		Revision as of 17:50, 4 December 2023
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	'''Anita''': Yeah, the music is to die for!!!		'''Anita''': Yeah, the music is to die for!!!
	'''Thijs''': I knot right! Let's not get ahead of ourselves, this was not the order we agreed on, right? The music section will only be played 10 minutes from now.		'''Thijs''': I knot right! Let's not get ahead of ourselves, this was not the order we agreed on, right? The music section will only be played 10 minutes from now.
	'''Mania''': Yes, now we should .. I remember this was the moment we really started to challenge ourselves with the possibilities of interactivity of radio. It is not directed in only one way, but the audience was able to participate in the form of a phone call.		'''Mania''': Yes, now we should .. I remember this was the moment we really started to challenge ourselves with the possibilities of interactivity of radio. It is not directed in only one way, but the audience was able to participate in the form of a phone call.
			'''Thijs''': There was a quizzzz too!
	'''Anita''': ... and they were promised a ''juicy American Breakfast''.		'''Anita''': ... and they were promised a ''juicy American Breakfast''.
	'''Thijs''': ~~Here~~, I'll tell you what my introduction is like.		'''Thijs''': What I remember most is that no one got breakfast :'(
			'''Mania''': It didn't work, because we figured out there's a delay in broadcasting.
			'''Anita''': But then, during the sixth show (''The Hitchhiker's Guide to an Active Archive''), we tried a different form of audience interaction: Etherpads.
			'''Thijs''': True! But we're going on a tangent here. I'll tell you what my introduction is like.
	<div style="color:red">🎵 Play some jingle or background music</div>		<div style="color:red">🎵 Play some jingle or background music</div>
	'''Thijs''': Good Morning! You're tuned into Protocols for an Active Archive, the 22nd XPUB Special Issue, where students from the Piet Zwart Art Institute Experimental Publishing Master explore and create technosocial protocols for potential active archives of Radio Worm, while making radio themselves.		'''Thijs''': Good Morning! You're tuned into Protocols for an Active Archive, the 22nd XPUB Special Issue, where students from the Piet Zwart Art Institute Experimental Publishing Master explore and create technosocial protocols for potential active archives of Radio Worm, while making radio themselves.