SI28-Glossary - Revision history

Tommi: Create standalone pages for each entry and transclude them.

2026-02-04T11:52:10Z

Create standalone pages for each entry and transclude them.

← Older revision		Revision as of 13:52, 4 February 2026
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	<div class='box'>		<div class='box'>
	~~==Assemblages==~~
	~~Assemblage of words, meanings, methods, tools, and people. We were/are a wonderful and fun assemblage.<br>~~
	~~'''Entry by:''' Youjung<br>~~
	~~'''Song:''' <cite>[https://musicbrainz.org/recording/2d61b26d-7f8a-4c9b-b662-b7b60b227364 Trout from Ipanema]</cite> – Bernie Krause~~

	==Absurdity==		==Absurdity==
	~~When the vast systems produced by technology exceed human understanding, sensation, and control, meaning does not disappear—it persists in a form that can no longer be digested.~~		{{:Absurdity}}
	Absurdity ~~does not arise from malfunction, but from the system’s very state of “normal operation.”~~
	The shadows cast beneath all colossal machines built by technology are absurdity itself; and every small shadow thrown by a screw, a gear, or a mechanical angle becomes the environment in which it grows.
	~~Absurdity is not a sudden catastrophe, but a byproduct quietly generated by systems in continuous operation.~~
	~~In this sense, absurdity is not error, but excess; not failure, but precision; not chaos, but a hollow space produced by over-functioning.<br>~~
	~~'''Entry by:''' Kiki~~

	~~'''Song:''' [https://www.youtube.com/watch?v~~=~~RhP-jRiez0E&list~~=~~RDRhP-jRiez0E&start_radio~~=~~1 The Sun Also Rises] - Joe Hisaishi~~		==Assemblages==
			{{:Assemblages}}

	==Beat Generation==		==Beat Generation==
	The Beat Generation refers to a movement in American literature that emerged in the 1950s – the core group consisting of authors Jack Kerouac, Allen Ginsberg, and William S. Burroughs. Central elements of Beat culture include the rejection of materialism and conventional narrative values, explicit depictions of human existence, the search for spirituality, experimentation with psychedelic drugs, and sexual liberation. The soundtrack of the Beat Generation ~~was modern jazz, in particular the energetic sound of bebop and hard bop.<br>~~		{{:Beat Generation}}
	~~'''Entry by:''' Lea<br>~~
	~~'''Song:''' <cite>[https://musicbrainz.org/work/76b43b39-31fe-3cd4-8e93-3c6d16cd8a2c The Drum Thunder Suite]</cite> – Art Blakey and The Jazz Messengers~~

	==Cognitive Assemblages==		==Cognitive Assemblages==
	~~Distribution of cognition and agency~~: Neither humans nor technical systems are solely in charge. Both are “cognizers” that interpret and act on information, with agency distributed across the system. A system where human and technical actors, like humans, algorithms, and sensors, work together, distributing cognition and agency across the network, which is characterized by the circulation of information through human and technical cognizers that drop in and out of the network in shifting configurations that enable interpretations and meanings to emerge, circulate, interact and disseminate.<br>		{{:Cognitive Assemblages}}
	~~'''Entry by:''' [[User:SHRED\|Ema]]<br>~~
	~~'''Song:''' <cite>[https://musicbrainz.org/work/218dc6d6-5a63-3155-b57e-5e3c657dc16c Constant Motion]</cite> – Dream Theatre~~

	==Drifting==		==Drifting==
	~~We are like the drifting pros on Mount Akina in Initial D, full of motion and imagination, engaging in decentralized, fluid creation, with everyone choosing the medium they prefer.<br>~~		{{:Drifting}}
	~~'''Entry by~~:~~''' Soda<br>~~
	~~'''Song:''' [https://www.youtube.com/watch?v=dv13gl0a-FA&list=RDdv13gl0a-FA&start_radio=1 Initial D - Deja Vu] – Super Eurobeat - Dave Rodgers~~

	==Marginalia==		==Marginalia==
	A form of annotation that highlights the centre at the margins, making text dialectical. A Brazilian radical art movement started in late 60s as a response to the military dictatorship by publishing subversive acts that challenged conservative values.<br>		{{:Marginalia}}
	~~'''Entry by~~:~~''' Luca Tornato<br>~~
	~~'''Song:''' <cite>[https://musicbrainz.org/recording/ec1596a2-1340-431b-b70f-b8709093533c Monólogo ao Pé do Ouvido / Banditismo Por uma Questão de Classe]</cite> - Chico Science & Nação Zumbi~~

	==Media-Specific Analysis==		==Media-Specific Analysis==
	~~A theory we learned about through Katherine Hayles' Post~~-Print. It has made me consider more deeply how the medium, the 'materiality' of a text plays a role in how it circulates and is received. It clicked for me especially to treat the networked nature of digital or technologically produced text as the ‘starting point’ so to say, instead of thinking about a text as being the thing that I see when I see it in front of me as I read it first.<br>		{{:Media-Specific Analysis}}
	~~'''Entry by:''' Robin<br>~~
	~~'''Song:''' <cite>[https://musicbrainz.org/search?query=posession+kompromat&type=artist&limit=25&method=indexed Komptromat]</cite> – Kompromat~~

	== Meta ==		== Meta ==

	{{:Meta}}		{{:Meta}}

	==Oddkin==		==Oddkin==
	~~We require each other in unexpected collaborations and combinations, including not only humans but also non-humans. Coined by Donna Haraway.<br>~~		{{:Oddkin}}
	~~'''Entry by~~:~~''' Barbara<br>~~
	~~'''Song:''' <cite>[https://musicbrainz.org/recording/aaf10a0b-4000-42c5-b513-00a6240de890 De Grens Tussen Ons]</cite> - Droom Dit~~

	==Pragmatics==		==Pragmatics==
	~~Paul Grice put down the basis of~~ Pragmatics in linguistic philosophy to think about communication in broader terms other than Semantics. His theory of implicatures is about communication as an investigative process for relevancies is tied to the context where the communication happens in. Pragmatics proves that language on its own is limiting, through the means of mind reading abilities and the common understanding of how things work in reality.<br>		{{:Pragmatics}}
	~~'''Entry by:''' Valentin<br>~~
	~~'''Song:''' <cite>[https://musicbrainz.org/work/c7e38891-8044-4db7-be87-e843cdf1bfe7 Poision Lips]</cite> – Vitalic~~

	==Superfluous==		==Superfluous==
	~~Unnecessary, especially through being more than enough.~~ Superfluous ~~content and links which flash around our brain. Superfluous tools which are created to smoothen and speed up automation.<br>~~		{{:Superfluous}}
	~~'''Entry by:''' Daan<br>~~
	~~'''Song:''' <cite>[https://musicbrainz.org/recording/deca9cda-77f5-4f4d-a5bd-c8e2e890db69 Constant]</cite> - Xanopticon~~

	==The Proust Effect==		==The Proust Effect==
			{{:The Proust Effect}}
	The Proust ~~effect is the spontaneous, vivid reliving of a past memory, triggered by a sensory experience like smell or taste.<br>~~
	~~'''Entry by:''' Sibyl<br>~~
	~~'''Song:''' <cite>[https://musicbrainz.org/recording/51b7a2bc-0a3c-4fd8-b7ee-432e6ef51cf0 每次你走的時分]</cite> — my little airport~~

	==Writing==		==Writing==
	~~Tulips in bloom Clara born to war’s dark loom Hiding with whispers Under the floor Hunger and hope They rationed more Amsterdam wept But she survived A child of shadows Kept alive…<br>~~		{{:SI28-Glossary/Writing}}
	~~'''Entry by~~:~~''' Phillip~~
	</div>		</div>

Tommi: Transclude “Meta”

2026-01-28T15:56:07Z

Transclude “Meta”

← Older revision		Revision as of 17:56, 28 January 2026
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	== Meta ==		== Meta ==

	There is a unique beauty in everything that is meta. Thinking about thinking, machines that relate to other machines, writing about writing, and infinite combinations of intricate relationships and rabbit holes. Beyond this Special Issue, XPUB itself embodies the concept of ''metaness'' in the most wonderful way, flirting with the risk of being self-referential, but always fostering meaningful, compelling stimuli and inspiration.<br>		{{:Meta}}
	~~'''Entry by'''~~: ~~[[User:Tommi\|Tommi]]<br>~~
	'''Song''': <cite lang=it>[https://musicbrainz.org/recording/b20553de-6d3f-4294-bda2-02709da17a20 Gli occhi del cuore]</cite> – Elio e le Storie Tese, from <cite>[https://en.wikipedia.org/wiki/Boris_(TV_series) Boris]</cite>’ soundtrack.

	==Oddkin==		==Oddkin==

SHRED at 11:02, 17 December 2025

2025-12-17T11:02:53Z

← Older revision		Revision as of 13:02, 17 December 2025
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	[[Category: SI28]]		[[Category: SI28]]
	</noinclude>		</noinclude>
			[[Category: SI28/Shred]]

Kiki: /* Absurdity */

2025-12-09T15:12:36Z

Absurdity

← Older revision		Revision as of 17:12, 9 December 2025
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	'''Entry by:''' Kiki		'''Entry by:''' Kiki

	'''Song:''' ~~太阳照常升起~~		'''Song:''' [https://www.youtube.com/watch?v=RhP-jRiez0E&list=RDRhP-jRiez0E&start_radio=1 The Sun Also Rises] - Joe Hisaishi

	==Beat Generation==		==Beat Generation==

Kiki: /* Absurdity */

2025-12-09T15:10:30Z

Absurdity

← Older revision		Revision as of 17:10, 9 December 2025
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	In this sense, absurdity is not error, but excess; not failure, but precision; not chaos, but a hollow space produced by over-functioning.<br>		In this sense, absurdity is not error, but excess; not failure, but precision; not chaos, but a hollow space produced by over-functioning.<br>
	'''Entry by:''' Kiki		'''Entry by:''' Kiki

			'''Song:''' 太阳照常升起

	==Beat Generation==		==Beat Generation==

Robin: /* Media-Specific Analysis */

2025-12-09T13:08:57Z

Media-Specific Analysis

← Older revision		Revision as of 15:08, 9 December 2025
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	A theory we learned about through Katherine Hayles' Post-Print. It has made me consider more deeply how the medium, the 'materiality' of a text plays a role in how it circulates and is received. It clicked for me especially to treat the networked nature of digital or technologically produced text as the ‘starting point’ so to say, instead of thinking about a text as being the thing that I see when I see it in front of me as I read it first.<br>		A theory we learned about through Katherine Hayles' Post-Print. It has made me consider more deeply how the medium, the 'materiality' of a text plays a role in how it circulates and is received. It clicked for me especially to treat the networked nature of digital or technologically produced text as the ‘starting point’ so to say, instead of thinking about a text as being the thing that I see when I see it in front of me as I read it first.<br>
	'''Entry by:''' Robin<br>		'''Entry by:''' Robin<br>
			'''Song:''' <cite>[https://musicbrainz.org/search?query=posession+kompromat&type=artist&limit=25&method=indexed Komptromat]</cite> – Kompromat

	== Meta ==		== Meta ==

XiaoXuan Soda at 12:57, 9 December 2025

2025-12-09T12:57:04Z

← Older revision		Revision as of 14:57, 9 December 2025
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	We are like the drifting pros on Mount Akina in Initial D, full of motion and imagination, engaging in decentralized, fluid creation, with everyone choosing the medium they prefer.<br>		We are like the drifting pros on Mount Akina in Initial D, full of motion and imagination, engaging in decentralized, fluid creation, with everyone choosing the medium they prefer.<br>
	'''Entry by:''' Soda<br>		'''Entry by:''' Soda<br>
			'''Song:''' [https://www.youtube.com/watch?v=dv13gl0a-FA&list=RDdv13gl0a-FA&start_radio=1 Initial D - Deja Vu] – Super Eurobeat - Dave Rodgers

	==Marginalia==		==Marginalia==

Tommi: Proofreading ✓

2025-12-09T12:46:26Z

Proofreading ✓

← Older revision		Revision as of 14:46, 9 December 2025
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	= Glossary =		= Glossary =

	In this glossary we have collected words/phrases which somehow connected us to the Special Issue #28 topic, namely: Writing machines, Protocols, Feedback. The glossary served as the content for our collective performance in the last '''Radio Show #8'''.		In this glossary we have collected words/phrases which somehow connected us to the Special Issue #28 topic, namely: Writing machines, Protocols, Feedback. The glossary served as the content for our collective performance in the last '''[[SI28-Radio-Worm/Week8\|Radio Show #8]]'''.

	<div class='box'>		<div class='box'>
	==Assemblages==		==Assemblages==
	Assemblage of words, meanings, methods, tools, and people. We were/are a wonderful and fun assemblage<br>		Assemblage of words, meanings, methods, tools, and people. We were/are a wonderful and fun assemblage.<br>
	'''Entry by:''' Youjung<br>		'''Entry by:''' Youjung<br>
	'''Song:''' <cite>[https://musicbrainz.org/recording/2d61b26d-7f8a-4c9b-b662-b7b60b227364 Trout from Ipanema]</cite> – Bernie Krause		'''Song:''' <cite>[https://musicbrainz.org/recording/2d61b26d-7f8a-4c9b-b662-b7b60b227364 Trout from Ipanema]</cite> – Bernie Krause
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	==Drifting==		==Drifting==
	We are like the drifting pros on Mount Akina in Initial D, full of motion and imagination, engaging in decentralized, fluid creation, with everyone choosing the medium they prefer.		We are like the drifting pros on Mount Akina in Initial D, full of motion and imagination, engaging in decentralized, fluid creation, with everyone choosing the medium they prefer.<br>

	'''Entry by:''' Soda<br>		'''Entry by:''' Soda<br>

	==Marginalia==		==Marginalia==
	A form of annotation that highlights the centre at the margins, making text dialectical. A Brazilian radical art movement started in late 60s as a response to the military dictatorship by publishing subversive acts that challenged conservative values.		A form of annotation that highlights the centre at the margins, making text dialectical. A Brazilian radical art movement started in late 60s as a response to the military dictatorship by publishing subversive acts that challenged conservative values.<br>

	'''Entry by:''' Luca Tornato<br>		'''Entry by:''' Luca Tornato<br>
	'''Song:''' <cite>[https://musicbrainz.org/recording/ec1596a2-1340-431b-b70f-b8709093533c Monólogo ao Pé do Ouvido / Banditismo Por uma Questão de Classe]</cite> - Chico Science & Nação Zumbi		'''Song:''' <cite>[https://musicbrainz.org/recording/ec1596a2-1340-431b-b70f-b8709093533c Monólogo ao Pé do Ouvido / Banditismo Por uma Questão de Classe]</cite> - Chico Science & Nação Zumbi
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	== Meta ==		== Meta ==

	There is a unique beauty in everything that is meta.		There is a unique beauty in everything that is meta. Thinking about thinking, machines that relate to other machines, writing about writing, and infinite combinations of intricate relationships and rabbit holes. Beyond this Special Issue, XPUB itself embodies the concept of ''metaness'' in the most wonderful way, flirting with the risk of being self-referential, but always fostering meaningful, compelling stimuli and inspiration.<br>

	Thinking about thinking, machines that relate to other machines, writing about writing, and infinite combinations of intricate relationships and rabbit holes.~~<br>~~
	Beyond this Special Issue, XPUB itself embodies the concept of ''metaness'' in the most wonderful way, flirting with the risk of being self-referential, but always fostering meaningful, compelling stimuli and inspiration.
	'''Entry by''': [[User:Tommi\|Tommi]]<br>		'''Entry by''': [[User:Tommi\|Tommi]]<br>
	'''Song''': <cite lang=it>[https://musicbrainz.org/recording/b20553de-6d3f-4294-bda2-02709da17a20 Gli occhi del cuore]</cite> – Elio e le Storie Tese, from <cite>[https://en.wikipedia.org/wiki/Boris_(TV_series) Boris]</cite>’ soundtrack.		'''Song''': <cite lang=it>[https://musicbrainz.org/recording/b20553de-6d3f-4294-bda2-02709da17a20 Gli occhi del cuore]</cite> – Elio e le Storie Tese, from <cite>[https://en.wikipedia.org/wiki/Boris_(TV_series) Boris]</cite>’ soundtrack.
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	==Superfluous==		==Superfluous==
	Unnecessary, especially through being more than enough. Superfluous content and links which flash around our brain. Superfluous tools which are created to smoothen and speed up automation. <br>		Unnecessary, especially through being more than enough. Superfluous content and links which flash around our brain. Superfluous tools which are created to smoothen and speed up automation.<br>
	'''Entry by:''' Daan<br>		'''Entry by:''' Daan<br>
	'''Song:''' <cite>[https://musicbrainz.org/recording/deca9cda-77f5-4f4d-a5bd-c8e2e890db69 Constant]</cite> - Xanopticon		'''Song:''' <cite>[https://musicbrainz.org/recording/deca9cda-77f5-4f4d-a5bd-c8e2e890db69 Constant]</cite> - Xanopticon

	==The Proust Effect==		==The Proust Effect==

	The Proust effect is the spontaneous, vivid reliving of a past memory, triggered by a sensory experience like smell or taste.<br>		The Proust effect is the spontaneous, vivid reliving of a past memory, triggered by a sensory experience like smell or taste.<br>
	'''Entry by:''' Sibyl<br>		'''Entry by:''' Sibyl<br>
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	==Writing==		==Writing==
	Tulips in bloom Clara born to war’s dark loom Hiding with whispers Under the floor Hunger and hope They rationed more Amsterdam wept But she survived A child of shadows Kept alive…<br>		Tulips in bloom Clara born to war’s dark loom Hiding with whispers Under the floor Hunger and hope They rationed more Amsterdam wept But she survived A child of shadows Kept alive…<br>
	'''Entry by:''' Phillip~~<br>~~		'''Entry by:''' Phillip
	</div>		</div>

Tommi: Proofreading ✓

2025-12-09T12:43:33Z

Proofreading ✓

← Older revision		Revision as of 14:43, 9 December 2025
Line 5:		Line 5:
	<div class='box'>		<div class='box'>
	==Assemblages==		==Assemblages==
	Assemblage of words, meanings, methods, tools and people. We were/are a wonderful and fun assemblage<br>		Assemblage of words, meanings, methods, tools, and people. We were/are a wonderful and fun assemblage<br>
	'''Entry by:''' Youjung<br>		'''Entry by:''' Youjung<br>
	'''Song:''' <cite>[https://musicbrainz.org/recording/2d61b26d-7f8a-4c9b-b662-b7b60b227364 Trout from Ipanema]</cite> – Bernie Krause		'''Song:''' <cite>[https://musicbrainz.org/recording/2d61b26d-7f8a-4c9b-b662-b7b60b227364 Trout from Ipanema]</cite> – Bernie Krause
Line 21:		Line 21:
	'''Entry by:''' Lea<br>		'''Entry by:''' Lea<br>
	'''Song:''' <cite>[https://musicbrainz.org/work/76b43b39-31fe-3cd4-8e93-3c6d16cd8a2c The Drum Thunder Suite]</cite> – Art Blakey and The Jazz Messengers		'''Song:''' <cite>[https://musicbrainz.org/work/76b43b39-31fe-3cd4-8e93-3c6d16cd8a2c The Drum Thunder Suite]</cite> – Art Blakey and The Jazz Messengers


	==Cognitive Assemblages==		==Cognitive Assemblages==
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	==Marginalia==		==Marginalia==
	A form of annotation that highlights the ~~center~~ at the margins, making text dialectical. A ~~brazilian~~ radical art movement started in late 60s as a response to the military dictatorship by publishing subversive acts that challenged conservative values.		A form of annotation that highlights the centre at the margins, making text dialectical. A Brazilian radical art movement started in late 60s as a response to the military dictatorship by publishing subversive acts that challenged conservative values.

	'''Entry by:''' Luca Tornato<br>		'''Entry by:''' Luca Tornato<br>
Line 40:		Line 39:

	==Media-Specific Analysis==		==Media-Specific Analysis==
	A theory we learned about through Katherine Hayles' Post-Print. It has made me consider more deeply how the medium, the 'materiality' of a text plays a role in how it circulates and is received. It clicked for me especially to treat the networked nature of digital or technologically produced text as the ~~'starting point'~~ so to say, instead of thinking about a text as being the thing that I see when I see it in front of me as I read it first.<br>		A theory we learned about through Katherine Hayles' Post-Print. It has made me consider more deeply how the medium, the 'materiality' of a text plays a role in how it circulates and is received. It clicked for me especially to treat the networked nature of digital or technologically produced text as the ‘starting point’ so to say, instead of thinking about a text as being the thing that I see when I see it in front of me as I read it first.<br>
	'''Entry by:''' Robin<br>		'''Entry by:''' Robin<br>

Line 50:		Line 49:
	Beyond this Special Issue, XPUB itself embodies the concept of ''metaness'' in the most wonderful way, flirting with the risk of being self-referential, but always fostering meaningful, compelling stimuli and inspiration.		Beyond this Special Issue, XPUB itself embodies the concept of ''metaness'' in the most wonderful way, flirting with the risk of being self-referential, but always fostering meaningful, compelling stimuli and inspiration.
	'''Entry by''': [[User:Tommi\|Tommi]]<br>		'''Entry by''': [[User:Tommi\|Tommi]]<br>
	'''Song''': <cite>[https://musicbrainz.org/recording/b20553de-6d3f-4294-bda2-02709da17a20 Gli occhi del cuore]</cite> – Elio e le Storie Tese, from <cite>[https://en.wikipedia.org/wiki/Boris_(TV_series) Boris]</cite>’ soundtrack.		'''Song''': <cite lang=it>[https://musicbrainz.org/recording/b20553de-6d3f-4294-bda2-02709da17a20 Gli occhi del cuore]</cite> – Elio e le Storie Tese, from <cite>[https://en.wikipedia.org/wiki/Boris_(TV_series) Boris]</cite>’ soundtrack.

	==Oddkin==		==Oddkin==
Line 65:		Line 64:
	Unnecessary, especially through being more than enough. Superfluous content and links which flash around our brain. Superfluous tools which are created to smoothen and speed up automation. <br>		Unnecessary, especially through being more than enough. Superfluous content and links which flash around our brain. Superfluous tools which are created to smoothen and speed up automation. <br>
	'''Entry by:''' Daan<br>		'''Entry by:''' Daan<br>
	'''Song:''' ''[https://musicbrainz.org/recording/deca9cda-77f5-4f4d-a5bd-c8e2e890db69 Constant]'' - Xanopticon		'''Song:''' <cite>[https://musicbrainz.org/recording/deca9cda-77f5-4f4d-a5bd-c8e2e890db69 Constant]</cite> - Xanopticon






	==The Proust Effect==		==The Proust Effect==
	The Proust effect is the spontaneous, vivid reliving of a past memory, triggered by a sensory experience like smell or taste.<br>		The Proust effect is the spontaneous, vivid reliving of a past memory, triggered by a sensory experience like smell or taste.<br>
	'''Entry by:''' Sibyl<br>		'''Entry by:''' Sibyl<br>
	'''Song:''' [https://musicbrainz.org/recording/51b7a2bc-0a3c-4fd8-b7ee-432e6ef51cf0 每次你走的時分]~~—my~~ little airport		'''Song:''' <cite>[https://musicbrainz.org/recording/51b7a2bc-0a3c-4fd8-b7ee-432e6ef51cf0 每次你走的時分]</cite> — my little airport

	==Writing==		==Writing==

Barbs: /* Media-Specific Analysis */

2025-12-09T11:48:30Z

Media-Specific Analysis

← Older revision		Revision as of 13:48, 9 December 2025
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	==Media-Specific Analysis==		==Media-Specific Analysis==
	A theory we learned about through ~~katherine~~ Hayles' Post-Print. It has made me consider more deeply how the medium, the 'materiality' of a text plays a role in how it circulates and is received. It clicked for me especially to treat the networked nature of digital or technologically produced text as the 'starting point' so to say, instead of thinking about a text as being the thing that I see when I see it in front of me as I read it first.<br>		A theory we learned about through Katherine Hayles' Post-Print. It has made me consider more deeply how the medium, the 'materiality' of a text plays a role in how it circulates and is received. It clicked for me especially to treat the networked nature of digital or technologically produced text as the 'starting point' so to say, instead of thinking about a text as being the thing that I see when I see it in front of me as I read it first.<br>
	'''Entry by:''' Robin<br>		'''Entry by:''' Robin<br>





	== Meta ==		== Meta ==