SI25 Broadcast 6: Protocol to Free Britney - Revision history

Queenfeline: /* Stolen and adapted from "Unlicensed: Bootlegging as a creative practice", Ben Schwartz, Valiz, | Tessa's script */

2024-12-10T15:34:37Z

Stolen and adapted from "Unlicensed: Bootlegging as a creative practice", Ben Schwartz, Valiz, | Tessa's script

← Older revision		Revision as of 17:34, 10 December 2024
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	===Stolen and adapted from "Unlicensed: Bootlegging as a creative practice", Ben Schwartz, Valiz, [https://pad.xpub.nl/p/Cover_version_script \| Tessa's script]===		===Stolen and adapted from "Unlicensed: Bootlegging as a creative practice", Ben Schwartz, Valiz, [https://pad.xpub.nl/p/Cover_version_script \| Tessa's script]===

	~~'''Stolen and adapted from "Unlicensed, bootlegging as a creative practice"'''~~

	'''I. Cover Version'''		'''I. Cover Version'''
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	"Respect" was originally a song by Otis Redding, in which he demands respect from "his woman" after a long day at work. But the "Respect" most of us are familiar with is Aretha Franklin's rendition. The track surpasses a stylistic interpretation; the most powerful change for the track is actually the context of the word respect, considering the realities of Franklin as a black woman in the late 60s, early 70s. The song became a demand for something that could no longer be denied. She had taken a man's call for respect from a woman, and flipped it. The US had never heard anything like it.		"Respect" was originally a song by Otis Redding, in which he demands respect from "his woman" after a long day at work. But the "Respect" most of us are familiar with is Aretha Franklin's rendition. The track surpasses a stylistic interpretation; the most powerful change for the track is actually the context of the word respect, considering the realities of Franklin as a black woman in the late 60s, early 70s. The song became a demand for something that could no longer be denied. She had taken a man's call for respect from a woman, and flipped it. The US had never heard anything like it.

	The track demonstrates that even in repetition, there's always a "quality of difference". A cover is never just the same thing, but rather a progression or regression. If a mimetic cover repeats and a transformational cover shifts, then a transcendent cover stutters. Despite the necessity of a cover to work within the limitations of its predecessor (it said original but we've established before there's no such thing as an original piece of work), there remains a possibility for these structures to be manipulated.		The track demonstrates that even in repetition, there's always a "quality of difference". A cover is never just the same thing, but rather a progression or regression. If a mimetic cover repeats and a transformational cover shifts, then a transcendent cover stutters. Despite the necessity of a cover to work within the limitations of its predecessor (it said original but we've established before there's no such thing as an original piece of work), there remains a possibility for these structures to be manipulated.

	===Copyright \| Feline's Script===		===Copyright \| Feline's Script===

Kiara at 14:55, 10 December 2024

2024-12-10T14:55:30Z

← Older revision		Revision as of 16:55, 10 December 2024
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	<-->		<-->

			<div class="invisible">
	== Radio recording ==		== Radio recording ==

	{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/3/37/Compressed_Radio_Week_8.mp3		{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/3/37/Compressed_Radio_Week_8.mp3
	\|style=width:100%; border-radius:25px;}}		\|style=width:100%; border-radius:25px;}}
			</div>

	[[File:68747470733a2f2f6d656469612e67697068792e636f6d2f6d656469612f5173676745594b463476306e6333314a464c2f67697068792e676966.gif\|thumb\|alt=she really does says hi\|Britney says hi]]		[[File:68747470733a2f2f6d656469612e67697068792e636f6d2f6d656469612f5173676745594b463476306e6333314a464c2f67697068792e676966.gif\|thumb\|alt=she really does says hi\|Britney says hi]]

Aksellr: /* Radio recording */

2024-12-09T16:48:19Z

Radio recording

← Older revision		Revision as of 18:48, 9 December 2024
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	== Radio recording ==		== Radio recording ==
	~~<div class="audio">~~
	{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/3/37/Compressed_Radio_Week_8.mp3		{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/3/37/Compressed_Radio_Week_8.mp3
	\|style=width:100%; border-radius:25px;}}		\|style=width:100%; border-radius:25px;}}
	~~</div>~~

	[[File:68747470733a2f2f6d656469612e67697068792e636f6d2f6d656469612f5173676745594b463476306e6333314a464c2f67697068792e676966.gif\|thumb\|alt=she really does says hi\|Britney says hi]]		[[File:68747470733a2f2f6d656469612e67697068792e636f6d2f6d656469612f5173676745594b463476306e6333314a464c2f67697068792e676966.gif\|thumb\|alt=she really does says hi\|Britney says hi]]

Charlie: Charlie moved page Week 8 Radio - Protocol to Free Britney to SI25 Broadcast 6: Protocol to Free Britney

2024-12-09T14:08:01Z

Charlie moved page Week 8 Radio - Protocol to Free Britney to SI25 Broadcast 6: Protocol to Free Britney

← Older revision	Revision as of 16:08, 9 December 2024
(No difference)

Charlie at 09:23, 6 December 2024

2024-12-06T09:23:14Z

← Older revision		Revision as of 11:23, 6 December 2024
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	=Setup=		==Setup==
	[[File:FreeBritneySetUp.png\|left\|306x306px]]		[[File:FreeBritneySetUp.png\|left\|306x306px]]

Charlie: /* Radio recording */

2024-12-06T09:22:19Z

Radio recording

← Older revision		Revision as of 11:22, 6 December 2024
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	== Radio recording ==		== Radio recording ==
	~~[[File:68747470733a2f2f6d656469612e67697068792e636f6d2f6d656469612f5173676745594b463476306e6333314a464c2f67697068792e676966.gif\|thumb\|alt=she really does says hi\|Britney says hi]]~~
	<span style="color:lightpink;text-shadow:2px 2px 2px lightpink;font-size:7vh;font-family:TimesNewRoman; text-align:center;">[https://hub.xpub.nl/cerealbox/~aksellr/WEEK_8_soundboard/ ''' ✶ Soundboard Week 8 ✶''']</span>

	<div class="audio">		<div class="audio">
	{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/3/37/Compressed_Radio_Week_8.mp3		{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/3/37/Compressed_Radio_Week_8.mp3
	\|style=width:100%; border-radius:25px;}}		\|style=width:100%; border-radius:25px;}}
	</div>		</div>

			[[File:68747470733a2f2f6d656469612e67697068792e636f6d2f6d656469612f5173676745594b463476306e6333314a464c2f67697068792e676966.gif\|thumb\|alt=she really does says hi\|Britney says hi]]
			<span style="color:lightpink;text-shadow:2px 2px 2px lightpink;font-size:7vh;font-family:TimesNewRoman; text-align:center;">[https://hub.xpub.nl/cerealbox/~aksellr/WEEK_8_soundboard/ ''' ✶ Soundboard Week 8 ✶''']</span>

	== Concept ==		== Concept ==

Charlie: /* Radio recording */

2024-12-06T09:21:06Z

Radio recording

← Older revision		Revision as of 11:21, 6 December 2024
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	== Radio recording ==		== Radio recording ==
			[[File:68747470733a2f2f6d656469612e67697068792e636f6d2f6d656469612f5173676745594b463476306e6333314a464c2f67697068792e676966.gif\|thumb\|alt=she really does says hi\|Britney says hi]]
			<span style="color:lightpink;text-shadow:2px 2px 2px lightpink;font-size:7vh;font-family:TimesNewRoman; text-align:center;">[https://hub.xpub.nl/cerealbox/~aksellr/WEEK_8_soundboard/ ''' ✶ Soundboard Week 8 ✶''']</span>

	<div class="audio">		<div class="audio">
	{{audio\|mp3=~~compressed audio link here~~\|style=width:100%; border-radius:25px;}}		{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/3/37/Compressed_Radio_Week_8.mp3
			\|style=width:100%; border-radius:25px;}}
	</div>		</div>


	~~https://pzwiki.wdka.nl/mw-mediadesign/images/3/37/Compressed_Radio_Week_8.mp3~~


	~~[[File:68747470733a2f2f6d656469612e67697068792e636f6d2f6d656469612f5173676745594b463476306e6333314a464c2f67697068792e676966.gif\|thumb\|alt=she really does says hi\|Britney says hi]]~~
	<span style="color:lightpink;text-shadow:2px 2px 2px lightpink;font-size:7vh;font-family:TimesNewRoman; text-align:center;">[https://hub.xpub.nl/cerealbox/~aksellr/WEEK_8_soundboard/ ''' ✶ Soundboard Week 8 ✶''']</span>

	== Concept ==		== Concept ==

Charlie at 09:20, 6 December 2024

2024-12-06T09:20:10Z

← Older revision		Revision as of 11:20, 6 December 2024
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	=Scripts =		==Scripts ==

	==Gimme Lore \| Charlie's script==		===Gimme Lore \| Charlie's script===
	'''A 'folkloresque' retelling of the history of the Princess of Pop Britney Spear's Gimme More'''		'''A 'folkloresque' retelling of the history of the Princess of Pop Britney Spear's Gimme More'''

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	And so she did happily ever after till the world end. And the rest is history.		And so she did happily ever after till the world end. And the rest is history.

	==Stolen and adapted from "Unlicensed: Bootlegging as a creative practice", Ben Schwartz, Valiz, [https://pad.xpub.nl/p/Cover_version_script \| Tessa's script]==		===Stolen and adapted from "Unlicensed: Bootlegging as a creative practice", Ben Schwartz, Valiz, [https://pad.xpub.nl/p/Cover_version_script \| Tessa's script]===

	'''Stolen and adapted from "Unlicensed, bootlegging as a creative practice"'''		'''Stolen and adapted from "Unlicensed, bootlegging as a creative practice"'''
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	The track demonstrates that even in repetition, there's always a "quality of difference". A cover is never just the same thing, but rather a progression or regression. If a mimetic cover repeats and a transformational cover shifts, then a transcendent cover stutters. Despite the necessity of a cover to work within the limitations of its predecessor (it said original but we've established before there's no such thing as an original piece of work), there remains a possibility for these structures to be manipulated.		The track demonstrates that even in repetition, there's always a "quality of difference". A cover is never just the same thing, but rather a progression or regression. If a mimetic cover repeats and a transformational cover shifts, then a transcendent cover stutters. Despite the necessity of a cover to work within the limitations of its predecessor (it said original but we've established before there's no such thing as an original piece of work), there remains a possibility for these structures to be manipulated.

	==Copyright \| Feline's Script==		===Copyright \| Feline's Script===
	Copyright is a legal concept that grants creators exclusive rights over their original works, such as books, music, art, films, software, and other intellectual property. These rights generally cover the ability to reproduce, distribute, display, perform, and adapt the work. Here’s a breakdown of some key aspects:		Copyright is a legal concept that grants creators exclusive rights over their original works, such as books, music, art, films, software, and other intellectual property. These rights generally cover the ability to reproduce, distribute, display, perform, and adapt the work. Here’s a breakdown of some key aspects:
	*'''Purpose'''		*'''Purpose'''
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	Copyright holders have the right to: Reproduce the work (make copies). Distribute copies		Copyright holders have the right to: Reproduce the work (make copies). Distribute copies

	===Copyright in Music ===		====Copyright in Music ====
	Copyright in music is a bit more complex than in other types of works because music usually involves multiple rights and rights holders. Here’s a breakdown of how it works:		Copyright in music is a bit more complex than in other types of works because music usually involves multiple rights and rights holders. Here’s a breakdown of how it works:
	*'''Types of Copyright in Music'''		*'''Types of Copyright in Music'''
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	In sum, music copyright involves layered rights and stakeholders, with various licenses needed to legally use songs in different ways.		In sum, music copyright involves layered rights and stakeholders, with various licenses needed to legally use songs in different ways.

	===Sampling===		====Sampling====
	Sampling in music is the act of taking a portion, or "sample," of an existing sound recording and reusing it in a new song or musical work. This sample can be a melody, rhythm, vocal phrase, or any sound that has been recorded. Sampling is popular in genres like hip-hop, electronic music, and pop, where artists often draw on existing works to create new, unique sounds. Here’s a closer look at the practice of sampling, its legal implications, and creative potential:		Sampling in music is the act of taking a portion, or "sample," of an existing sound recording and reusing it in a new song or musical work. This sample can be a melody, rhythm, vocal phrase, or any sound that has been recorded. Sampling is popular in genres like hip-hop, electronic music, and pop, where artists often draw on existing works to create new, unique sounds. Here’s a closer look at the practice of sampling, its legal implications, and creative potential:
	*'''Types of Sampling'''		*'''Types of Sampling'''
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	Sampling is a powerful tool for musical innovation, but it’s tightly regulated to protect original artists’ rights. The practice sits at the intersection of creativity, law, and ethics, and while it opens doors to endless creative possibilities, it requires careful navigation of copyright law.		Sampling is a powerful tool for musical innovation, but it’s tightly regulated to protect original artists’ rights. The practice sits at the intersection of creativity, law, and ethics, and while it opens doors to endless creative possibilities, it requires careful navigation of copyright law.

	===Copyleft in Music===		====Copyleft in Music====
	Copyleft in music is about allowing creators to share their work freely, granting others the right to use, modify, and distribute it, often with the requirement that derivative works remain open and available under similar terms. Here’s a closer look at how copyleft applies in music:		Copyleft in music is about allowing creators to share their work freely, granting others the right to use, modify, and distribute it, often with the requirement that derivative works remain open and available under similar terms. Here’s a closer look at how copyleft applies in music:
	*'''Creative Commons Licenses'''		*'''Creative Commons Licenses'''
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	'''In Summary''' Copyleft in music is about sharing and openness. Through Creative Commons and other open licensing models, musicians can allow their music to be freely accessed, remixed, and shared, sometimes with conditions that ensure derivatives remain free. This approach is particularly popular in genres that embrace remix culture and is supported by a growing number of platforms dedicated to open music.		'''In Summary''' Copyleft in music is about sharing and openness. Through Creative Commons and other open licensing models, musicians can allow their music to be freely accessed, remixed, and shared, sometimes with conditions that ensure derivatives remain free. This approach is particularly popular in genres that embrace remix culture and is supported by a growing number of platforms dedicated to open music.

	===Covers===		====Covers====
	Cover music refers to a new performance or recording of an existing song by someone other than the original artist. Unlike sampling, which uses portions of a previous recording, a cover song involves creating a new rendition of the song’s underlying composition—its melody, lyrics, and structure. Covering music is popular among musicians and fans and can introduce songs to new audiences. However, covering songs involves specific legal considerations. Here’s what to know about cover music:		Cover music refers to a new performance or recording of an existing song by someone other than the original artist. Unlike sampling, which uses portions of a previous recording, a cover song involves creating a new rendition of the song’s underlying composition—its melody, lyrics, and structure. Covering music is popular among musicians and fans and can introduce songs to new audiences. However, covering songs involves specific legal considerations. Here’s what to know about cover music:
	*'''Mechanical Licenses for Cover Songs'''		*'''Mechanical Licenses for Cover Songs'''
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	==Ownership of identity script \| Zuhui's Script==		===Ownership of identity script \| Zuhui's Script===
	https://pad.xpub.nl/p/ownership_of_identity		https://pad.xpub.nl/p/ownership_of_identity

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	==Immortalized Imprisonment and Transforming Identity \| İmre's Script==		===Immortalized Imprisonment and Transforming Identity \| İmre's Script===
	In cultures with oral history, folklore is how information is passed down, by elders after dinner surrounded by people drinking tea. The stories of creation, war love and redemption pass like biscuits shared and bitten.		In cultures with oral history, folklore is how information is passed down, by elders after dinner surrounded by people drinking tea. The stories of creation, war love and redemption pass like biscuits shared and bitten.
	They mark the identity of the people, not only their victory and loses but their morals, virtues and those that are valued. They didn't belong to anyone but the people, they weren't a property to be owned or created, they were neither original not unique.		They mark the identity of the people, not only their victory and loses but their morals, virtues and those that are valued. They didn't belong to anyone but the people, they weren't a property to be owned or created, they were neither original not unique.

Charlie: /* Radio recording */

2024-12-06T09:05:42Z

Radio recording

← Older revision		Revision as of 11:05, 6 December 2024
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	== Radio recording ==		== Radio recording ==
	{{audio\|mp3=~~https://pzwiki.wdka.nl/mw-mediadesign/images/3/37/Compressed_Radio_Week_8.mp3~~\|style=width:100%}}		<div class="audio">
			{{audio\|mp3=compressed audio link here\|style=width:100%; border-radius:25px;}}
			</div>

C3 at 11:22, 5 December 2024

2024-12-05T11:22:01Z

← Older revision		Revision as of 13:22, 5 December 2024
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	== Radio recording ==		== Radio recording ==
			{{audio\|mp3=https://pzwiki.wdka.nl/mw-mediadesign/images/3/37/Compressed_Radio_Week_8.mp3\|style=width:100%}}


			https://pzwiki.wdka.nl/mw-mediadesign/images/3/37/Compressed_Radio_Week_8.mp3