Mia/Captain's Log - Revision history

Mia: /* 14. 11. 2019 - David's tutorial */

2019-11-21T12:54:38Z

14. 11. 2019 - David's tutorial

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 *indexicality in the city, trace and mark as signs of past existence or non-existence
 *Forensic architecture: Every trace is a photograph.
 =='''18.11. 2019 -  Simon's tutorial'''==

Mia: /* 18.11. 2019 - Simon's tutorial */

2019-11-18T11:17:35Z

18.11. 2019 - Simon's tutorial

← Older revision		Revision as of 13:17, 18 November 2019
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	*Rosalind Krauss: William Kentridge (October Files - https://www.bol.com/nl/p/william-kentridge/9200000064766035/?bltgh=vXHL4r3A6I1hjQeQvABAOg.1_4.5.ProductPage) or [https://www.jstor.org/stable/pdf/779231.pdf?refreqid=excelsior%3A18e6b5aa9953a0463fd0326af70de468 pdf essay]		*Rosalind Krauss: William Kentridge (October Files - https://www.bol.com/nl/p/william-kentridge/9200000064766035/?bltgh=vXHL4r3A6I1hjQeQvABAOg.1_4.5.ProductPage) or [https://www.jstor.org/stable/pdf/779231.pdf?refreqid=excelsior%3A18e6b5aa9953a0463fd0326af70de468 pdf essay]
	*Bernice Rose: Thinking as Form (drawing of Joseph Beuys) - in the library		*Bernice Rose: Thinking as Form (drawing of Joseph Beuys) - in the library
			*[https://drawingroom.org.uk/ Drawing room in London]
			*[www.drawingcenter.org/en/drawingcenter/34/bookstore/ Drawing Center NY bookstore]

Mia: /* 18.11. 2019 - Simon's tutorial */

2019-11-18T11:15:47Z

18.11. 2019 - Simon's tutorial

← Older revision		Revision as of 13:15, 18 November 2019
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	=='''18.11. 2019 - Simon's tutorial'''==		=='''18.11. 2019 - Simon's tutorial'''==
	*D. Petherbridge: The primacy of drawing (first 2 chapters to read, until p. 210)		*D. Petherbridge: [http://lostritto.com/risd2013spring/wp-content/uploads/2013/02/petherbridge_The-Primacy-of-Drawing_Line-Mark-Linear-Codes-and-Touch.pdf The primacy of drawing] (first 2 chapters to read, until p. 210)
	*discussed other texts to read and artists to look into:		*discussed other texts to read and artists to look into:
	*[https://monoskop.org/images/0/0a/Barthes_Roland_Image-Music-Text.pdf Roland Barthes: Image Music Text]		*[https://monoskop.org/images/0/0a/Barthes_Roland_Image-Music-Text.pdf Roland Barthes: Image Music Text]

Mia: /* 2nd YEAR */

2019-11-18T11:05:56Z

2nd YEAR

← Older revision		Revision as of 13:05, 18 November 2019
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	*indexicality in the city, trace and mark as signs of past existence or non-existence		*indexicality in the city, trace and mark as signs of past existence or non-existence
	*Forensic architecture: Every trace is a photograph.		*Forensic architecture: Every trace is a photograph.

			=='''18.11. 2019 - Simon's tutorial'''==
			*D. Petherbridge: The primacy of drawing (first 2 chapters to read, until p. 210)
			*discussed other texts to read and artists to look into:
			*[https://monoskop.org/images/0/0a/Barthes_Roland_Image-Music-Text.pdf Roland Barthes: Image Music Text]
			*Arnol Glimcher: Je suis le cahier (Picasso sketches, available in DS)
			*E. Gombrich: Art and Illusion (library)
			*Rosalind Krauss: William Kentridge (October Files - https://www.bol.com/nl/p/william-kentridge/9200000064766035/?bltgh=vXHL4r3A6I1hjQeQvABAOg.1_4.5.ProductPage) or [https://www.jstor.org/stable/pdf/779231.pdf?refreqid=excelsior%3A18e6b5aa9953a0463fd0326af70de468 pdf essay]
			*Bernice Rose: Thinking as Form (drawing of Joseph Beuys) - in the library

Mia: /* 14. 11. 2019 - David's tutorial */

2019-11-14T14:41:19Z

14. 11. 2019 - David's tutorial

← Older revision		Revision as of 16:41, 14 November 2019
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	*painted, photographed and printed landscape (art-historical context)		*painted, photographed and printed landscape (art-historical context)
	*being destroyed and becoming a cityscape?		*being destroyed and becoming a cityscape?
			*have an opening scene e.g. hand-print with the paint to contextualise and give an anchor that the viewer always refers later in the film (morphing of the landscape)
	*abstracted - representational		*abstracted - representational
	*natural - man-made/urban		*natural - man-made/urban
			*still - moving image
	*indexicality in the city, trace and mark as signs of past existence or non-existence		*indexicality in the city, trace and mark as signs of past existence or non-existence
	*Forensic architecture: Every trace is a photograph.		*Forensic architecture: Every trace is a photograph.

Mia: /* 2nd YEAR */

2019-11-14T14:24:36Z

2nd YEAR

← Older revision		Revision as of 16:24, 14 November 2019
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	*possibly make a long (e.g. 10 min) composition, render at pro res, then cut it in premier and speed certain parts up - to achieve more dynamics in the flow		*possibly make a long (e.g. 10 min) composition, render at pro res, then cut it in premier and speed certain parts up - to achieve more dynamics in the flow
	*something to try out and tinker with to see if it produces any interesting results		*something to try out and tinker with to see if it produces any interesting results

			=='''14. 11. 2019 - David's tutorial'''==
			*indexicality in the city/your surroundings indexicality of your own
			*prints on fabric do not add anything new to the images
			*layering is already inherent in the images and presentation in the space only repeats what is already there
			*what is more valuable is in the pictures themselves and the decisions you make to take them the way you do
			*the photographic print brings the concept and questions of indexicality much more than the fabric which brings political, feminist, historical connotations etc.
			*consider making only 1 print and destroying the negative
			*to bring uniqueness (or even aura from painting) back to the photograph, to make the picture a unique mark which is not reproducible anymore
			*potential film for the EYE reality-illusion (which you can tweak or rephrase): reminds of Japanese landscape
			*painted, photographed and printed landscape (art-historical context)
			*being destroyed and becoming a cityscape?
			*abstracted - representational
			*natural - man-made/urban
			*indexicality in the city, trace and mark as signs of past existence or non-existence
			*Forensic architecture: Every trace is a photograph.

Mia: /* 23.9. 2019 - Ine's tutorial */

2019-11-11T11:52:37Z

23.9. 2019 - Ine's tutorial

← Older revision		Revision as of 13:52, 11 November 2019
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	*Even with collage, write down a small text on How you make decisions, why are you making these choices		*Even with collage, write down a small text on How you make decisions, why are you making these choices
	[[File:Wiki ines tutorial.jpg\|400px\|left]]		[[File:Wiki ines tutorial.jpg\|400px\|left]]

			=='''11.11. 2019 - Barend's tutorial'''==
			*talked about the exhibitions in Kranj and Pivka
			*printing on glass vs. on fabric
			*showed fibre based prints - potentially large size?
			*EYE film project - I wish to participate only if I can integrate it in my practice somehow
			*I do not wish to make an entirely new detached piece
			*discussed 2 options - prints in the corridor and moving image piece
			*moving image piece as the interpolated slideshow
			*prototype in after effects: import sequence of images, slow them down (reduce speed as in slo-mo), apply effects such as time warp, cc wide time etc.
			*possibly make a long (e.g. 10 min) composition, render at pro res, then cut it in premier and speed certain parts up - to achieve more dynamics in the flow
			*something to try out and tinker with to see if it produces any interesting results

Mia: /* 23.9. 2019 - Ine's tutorial */

2019-09-23T13:20:26Z

23.9. 2019 - Ine's tutorial

← Older revision		Revision as of 15:20, 23 September 2019
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	*showed Drawing Camera prints on fabric		*showed Drawing Camera prints on fabric
	*we discussed the preparations for the exhibition in Pivka		*we discussed the preparations for the exhibition in Pivka
	~~[[File:Wiki ines tutorial.jpg\|400px\|left]]~~
	*few tips: make as much as you can before, prepare and test, how many pictures do you actually need (how much space in-between is necessary)		*few tips: make as much as you can before, prepare and test, how many pictures do you actually need (how much space in-between is necessary)
	*play with light on the spot (maybe you can make slightly darker space, subtle diffuse light vs. spotlight etc.)		*play with light on the spot (maybe you can make slightly darker space, subtle diffuse light vs. spotlight etc.)
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	*think about the concept of the combination (which images you choose and why)		*think about the concept of the combination (which images you choose and why)
	*Even with collage, write down a small text on How you make decisions, why are you making these choices		*Even with collage, write down a small text on How you make decisions, why are you making these choices
			[[File:Wiki ines tutorial.jpg\|400px\|left]]

Mia: /* 23.9. 2019 - Ine's tutorial */

2019-09-23T13:20:09Z

23.9. 2019 - Ine's tutorial

← Older revision		Revision as of 15:20, 23 September 2019
Line 321:		Line 321:
	*showed Drawing Camera prints on fabric		*showed Drawing Camera prints on fabric
	*we discussed the preparations for the exhibition in Pivka		*we discussed the preparations for the exhibition in Pivka
	[[File:Wiki ines tutorial.jpg\|~~thumbnail~~]]		[[File:Wiki ines tutorial.jpg\|400px\|left]]
	*few tips: make as much as you can before, prepare and test, how many pictures do you actually need (how much space in-between is necessary)		*few tips: make as much as you can before, prepare and test, how many pictures do you actually need (how much space in-between is necessary)
	*play with light on the spot (maybe you can make slightly darker space, subtle diffuse light vs. spotlight etc.)		*play with light on the spot (maybe you can make slightly darker space, subtle diffuse light vs. spotlight etc.)

Mia: /* 2nd YEAR */

2019-09-23T13:18:18Z

2nd YEAR

← Older revision		Revision as of 15:18, 23 September 2019
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	*Question - What to read? READING: David Rawson: Drawing, John Berger: Berger on Drawing, Cy Twombly: Pompidou exhibition catalogue, Jackson Pollock: [https://www.moma.org/documents/moma_catalogue_2020_300062621.pdf Drawing into Painting], Jonas Storsve: Cy Twombly		*Question - What to read? READING: David Rawson: Drawing, John Berger: Berger on Drawing, Cy Twombly: Pompidou exhibition catalogue, Jackson Pollock: [https://www.moma.org/documents/moma_catalogue_2020_300062621.pdf Drawing into Painting], Jonas Storsve: Cy Twombly
	*MISC. talked about Anselm Kiefer in Voorlinden museum (monumental size, powerful images and objects etc.), about Rachael Whiteread (casting negative space), Do Ho Suh (rubbing, drawing, gesture, space)		*MISC. talked about Anselm Kiefer in Voorlinden museum (monumental size, powerful images and objects etc.), about Rachael Whiteread (casting negative space), Do Ho Suh (rubbing, drawing, gesture, space)

			=='''23.9. 2019 - Ine's tutorial'''==
			*showed Drawing Camera prints on fabric
			*we discussed the preparations for the exhibition in Pivka
			[[File:Wiki ines tutorial.jpg\|thumbnail]]
			*few tips: make as much as you can before, prepare and test, how many pictures do you actually need (how much space in-between is necessary)
			*play with light on the spot (maybe you can make slightly darker space, subtle diffuse light vs. spotlight etc.)
			*image 1 reminds me of a landscape, it is in-between, I cannot tell where photography ends and drawing begins, it is rich, seems old
			*another reminds me of Japanese (erotic) woodcuts, or landscape and Asian ink drawings or writing, like a print
			*polyester kills a bit the subtlety of the image, is too artificial
			*think about the concept of the combination (which images you choose and why)
			*Even with collage, write down a small text on How you make decisions, why are you making these choices