Jujube/watch-log - Revision history

Jujube at 19:41, 29 September 2019

2019-09-29T19:41:12Z

← Older revision		Revision as of 21:41, 29 September 2019
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	\| Tigers Are Not Afraid (2019) \|\| Issa López \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV		\| Tigers Are Not Afraid (2019) \|\| Issa López \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV
	\|-		\|-
	\| Jinpa (2018) \|\| Pema Tseden \|\| see [[Jujube/abstracts-non-text]] \|\| 9.19 \|\| LV		\| Matrix (1999) \|\| \|\| \|\| 9.19 \|\| cinerama
			\|-
			\| Jinpa (2018) \|\| Pema Tseden \|\| long takes (distracts rather than focuses the audience, no matter how well composed a frame is), relies heavily on dialogue \|\| 9.19 \|\| LV
			\|-
			\| Short Shorts Tokyo selection \|\| various \|\| cliche flashbacks; when plastics of image do not support narrative, the beauty of it is exactly what distracts; playful moments in a sad story is somehow the most moving part \|\| 9.19 \|\| LV
			\|-
			\| Solaris (1972) \|\| Andrei Tarchovsky \|\| see [[Jujube/abstracts-non-text]] \|\| 9.19 \|\| LV
			\|-
			\| Brokeback Mountain (2005) \|\| Ang Lee \|\| see [[Jujube/memoir2]] \|\| 9.19 \|\| home
	\|}		\|}

Jujube at 07:30, 16 September 2019

2019-09-16T07:30:10Z

← Older revision		Revision as of 09:30, 16 September 2019
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	\|-		\|-
	\| Tigers Are Not Afraid (2019) \|\| Issa López \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV		\| Tigers Are Not Afraid (2019) \|\| Issa López \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV
			\|-
			\| Jinpa (2018) \|\| Pema Tseden \|\| see [[Jujube/abstracts-non-text]] \|\| 9.19 \|\| LV
	\|}		\|}

Jujube at 09:10, 1 September 2019

2019-09-01T09:10:00Z

← Older revision		Revision as of 11:10, 1 September 2019
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	\| Three Identical Strangers (2019) \|\| Tim Wardle \|\| see [[Jujube/methods-session-3b#Documentary:_Three_Identical_Strangers]] \|\| 5.19 \|\| LV		\| Three Identical Strangers (2019) \|\| Tim Wardle \|\| see [[Jujube/methods-session-3b#Documentary:_Three_Identical_Strangers]] \|\| 5.19 \|\| LV
	\|-		\|-
	\| Red Joan (2019) \|\| - \|\| war-period drama lacking character depth, scene of death of the guy was gory, yet too rushed for what it was setting up for \|\| 6.19 \|\| cinarama		\| Red Joan (2019) \|\| Trevor Nunn \|\| war-period drama lacking character depth, scene of death of the guy was gory, yet too rushed for what it was setting up for \|\| 6.19 \|\| cinarama
	\|-		\|-
	\| Der Goldene Handschuh (2019) \|\| - \|\| production style: check, realistic murder and rape scene: for what??, traumatizing \|\| 6.19 \|\| kino		\| Der Goldene Handschuh (2019) \|\| Fatih Akin \|\| production style: check, realistic murder and rape scene: for what??, traumatizing \|\| 6.19 \|\| kino
	\|-		\|-
	\| Nebraska (2013) \|\| Alexander Payne \|\| will write more \|\| 6.19 \|\| home		\| Nebraska (2013) \|\| Alexander Payne \|\| will write more \|\| 6.19 \|\| home
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	\| Always Be My Maybe (2019) \|\| Nahnatchka Khan \|\| - \|\| 6.19 \|\| Netflix		\| Always Be My Maybe (2019) \|\| Nahnatchka Khan \|\| - \|\| 6.19 \|\| Netflix
	\|-		\|-
	\| The Biggest Little Farm (2019) \|\| - \|\| cheesy documentary, too much epic music for poor reason, reconstruction easily detected, where did they get the money to film? \|\| 7.19 \|\| movies AMS		\| The Biggest Little Farm (2019) \|\| John Chester \|\| cheesy documentary, too much epic music for poor reason, reconstruction easily detected, where did they get the money to film? \|\| 7.19 \|\| movies AMS
	\|-		\|-
	\| So Long, My Son (2019) \|\| Wang Xiao Shuai \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV		\| So Long, My Son (2019) \|\| Wang Xiao Shuai \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV
	\|-		\|-
	\| Good Boys (2019) \|\| - \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV		\| Good Boys (2019) \|\| Gene Stupnitsky \|\| see [[Jujube/summer]] \|\| 8.19 \|\| cinerama
	\|-		\|-
	\| Tadre para ~~morir joven~~ (2019) \|\| - \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV		\| Tadre para Morir Joven (2019) \|\| Dominga Sotomayor Castillo \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV
			\|-
			\| Tigers Are Not Afraid (2019) \|\| Issa López \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV
	\|}		\|}

Jujube at 21:09, 25 August 2019

2019-08-25T21:09:50Z

← Older revision		Revision as of 23:09, 25 August 2019
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	\|-		\|-
	\| Der Goldene Handschuh (2019) \|\| - \|\| production style: check, realistic murder and rape scene: for what??, traumatizing \|\| 6.19 \|\| kino		\| Der Goldene Handschuh (2019) \|\| - \|\| production style: check, realistic murder and rape scene: for what??, traumatizing \|\| 6.19 \|\| kino
			\|-
			\| Nebraska (2013) \|\| Alexander Payne \|\| will write more \|\| 6.19 \|\| home
			\|-
			\| Always Be My Maybe (2019) \|\| Nahnatchka Khan \|\| - \|\| 6.19 \|\| Netflix
	\|-		\|-
	\| The Biggest Little Farm (2019) \|\| - \|\| cheesy documentary, too much epic music for poor reason, reconstruction easily detected, where did they get the money to film? \|\| 7.19 \|\| movies AMS		\| The Biggest Little Farm (2019) \|\| - \|\| cheesy documentary, too much epic music for poor reason, reconstruction easily detected, where did they get the money to film? \|\| 7.19 \|\| movies AMS

Jujube at 21:07, 25 August 2019

2019-08-25T21:07:00Z

← Older revision		Revision as of 23:07, 25 August 2019
Line 64:		Line 64:
	\|-		\|-
	\| Three Identical Strangers (2019) \|\| Tim Wardle \|\| see [[Jujube/methods-session-3b#Documentary:_Three_Identical_Strangers]] \|\| 5.19 \|\| LV		\| Three Identical Strangers (2019) \|\| Tim Wardle \|\| see [[Jujube/methods-session-3b#Documentary:_Three_Identical_Strangers]] \|\| 5.19 \|\| LV
	\| -		\|-
	\| Red Joan (2019) \|\| - \|\| war-period drama lacking character depth, scene of death of the guy was gory, yet too rushed for what it was setting up for \|\| 6.19 \|\| cinarama		\| Red Joan (2019) \|\| - \|\| war-period drama lacking character depth, scene of death of the guy was gory, yet too rushed for what it was setting up for \|\| 6.19 \|\| cinarama
	\| -		\|-
	\| Der Goldene Handschuh (2019) \|\| - \|\| production style: check, realistic murder and rape scene: for what??, traumatizing \|\| 6.19 \|\| kino		\| Der Goldene Handschuh (2019) \|\| - \|\| production style: check, realistic murder and rape scene: for what??, traumatizing \|\| 6.19 \|\| kino
	\| -		\|-
	\| The Biggest Little Farm (2019) \|\| - \|\| cheesy documentary, too much epic music for poor reason, reconstruction easily detected, where did they get the money to film? \|\| 7.19 \|\| movies AMS		\| The Biggest Little Farm (2019) \|\| - \|\| cheesy documentary, too much epic music for poor reason, reconstruction easily detected, where did they get the money to film? \|\| 7.19 \|\| movies AMS
	\| -		\|-
	\| So Long, My Son (2019) \|\| Wang Xiao Shuai \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV		\| So Long, My Son (2019) \|\| Wang Xiao Shuai \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV
	\| -		\|-
	\| Good Boys (2019) \|\| - \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV		\| Good Boys (2019) \|\| - \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV
	\| -		\|-
	\| Tadre para morir joven (2019) \|\| - \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV		\| Tadre para morir joven (2019) \|\| - \|\| see [[Jujube/summer]] \|\| 8.19 \|\| LV
	\|}		\|}

Jujube at 21:05, 25 August 2019

2019-08-25T21:05:50Z

@@ Line 64: / Line 64: @@
 |-
 | Three Identical Strangers (2019) || Tim Wardle || see [[Jujube/methods-session-3b#Documentary:_Three_Identical_Strangers]] || 5.19 || LV
 |}

Jujube at 13:40, 25 May 2019

2019-05-25T13:40:35Z

← Older revision		Revision as of 15:40, 25 May 2019
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	\|-		\|-
	\| La Planète Sauvage (1973) \|\| René Laloux \|\| tbc \|\| 5.19 \|\| LV		\| La Planète Sauvage (1973) \|\| René Laloux \|\| tbc \|\| 5.19 \|\| LV
			\|-
			\| American Hustle (2013) \|\| David O. Russell \|\| Mamet-esque dialogue...period fiction...fast cuts \|\| 5.19 \|\| home
	\|-		\|-
	\| Three Identical Strangers (2019) \|\| Tim Wardle \|\| see [[Jujube/methods-session-3b#Documentary:_Three_Identical_Strangers]] \|\| 5.19 \|\| LV		\| Three Identical Strangers (2019) \|\| Tim Wardle \|\| see [[Jujube/methods-session-3b#Documentary:_Three_Identical_Strangers]] \|\| 5.19 \|\| LV
	\|}		\|}

Jujube at 13:38, 25 May 2019

2019-05-25T13:38:55Z

← Older revision		Revision as of 15:38, 25 May 2019
Line 48:		Line 48:
	\|-		\|-
	\| Green Book (2018) \|\| Peter Farrelly \|\| Long build-up, genuine moments \|\| 3.19 \|\| kino		\| Green Book (2018) \|\| Peter Farrelly \|\| Long build-up, genuine moments \|\| 3.19 \|\| kino
			\|-
			\| Vice (2018) \|\| Adam McKay\|\| tbc \|\| 3.19 \|\| kino
	\|-		\|-
	\| AGNÈS VARDA TRIBUTE: VISAGES, VILLAGES (2017)\|\| JR & Agnes Varda \|\| what was her relationship with Jean-Luc Godard? Much is left unsaid (brilliantly unplanned?) \|\| 4.19 \|\| kino		\| AGNÈS VARDA TRIBUTE: VISAGES, VILLAGES (2017)\|\| JR & Agnes Varda \|\| what was her relationship with Jean-Luc Godard? Much is left unsaid (brilliantly unplanned?) \|\| 4.19 \|\| kino
	\|-		\|-
	\| Yomeddine (2018) \|\| Abu Bakr Shawky \|\| "I am a human, too." I should watch Elephant Man... Scene of the legless man marching towards Beshay and Obama \|\| 4.19 \|\| LV		\| Yomeddine (2018) \|\| Abu Bakr Shawky \|\| "I am a human, too." I should watch Elephant Man... Scene of the legless man marching towards Beshay and Obama \|\| 4.19 \|\| LV
	\|-
	~~\| Vice (2018) \|\| - \|\| - \|\| 4.19 \|\| kino~~
	\|-		\|-
	\| Minding the Gap (2019) \|\| Bing Liu \|\| What strikes me is the director's capacity to hold back. See more at [[Jujube/methods-session-3a#Film:_Minding_the_Gap_by_Bing_Liu]] \|\| 4.19 \|\| LV		\| Minding the Gap (2019) \|\| Bing Liu \|\| What strikes me is the director's capacity to hold back. See more at [[Jujube/methods-session-3a#Film:_Minding_the_Gap_by_Bing_Liu]] \|\| 4.19 \|\| LV

Jujube at 13:37, 25 May 2019

2019-05-25T13:37:51Z

← Older revision		Revision as of 15:37, 25 May 2019
Line 52:		Line 52:
	\|-		\|-
	\| Yomeddine (2018) \|\| Abu Bakr Shawky \|\| "I am a human, too." I should watch Elephant Man... Scene of the legless man marching towards Beshay and Obama \|\| 4.19 \|\| LV		\| Yomeddine (2018) \|\| Abu Bakr Shawky \|\| "I am a human, too." I should watch Elephant Man... Scene of the legless man marching towards Beshay and Obama \|\| 4.19 \|\| LV
			\|-
			\| Vice (2018) \|\| - \|\| - \|\| 4.19 \|\| kino
	\|-		\|-
	\| Minding the Gap (2019) \|\| Bing Liu \|\| What strikes me is the director's capacity to hold back. See more at [[Jujube/methods-session-3a#Film:_Minding_the_Gap_by_Bing_Liu]] \|\| 4.19 \|\| LV		\| Minding the Gap (2019) \|\| Bing Liu \|\| What strikes me is the director's capacity to hold back. See more at [[Jujube/methods-session-3a#Film:_Minding_the_Gap_by_Bing_Liu]] \|\| 4.19 \|\| LV
			\|-
			\| Gloria Bell (2018) \|\| Sebastián Lelio \|\| character-driven, a bit generalizing/cliche and thus not touching \|\| 5.19 \|\| cinarama
			\|-
			\| La Planète Sauvage (1973) \|\| René Laloux \|\| tbc \|\| 5.19 \|\| LV
			\|-
			\| Three Identical Strangers (2019) \|\| Tim Wardle \|\| see [[Jujube/methods-session-3b#Documentary:_Three_Identical_Strangers]] \|\| 5.19 \|\| LV
	\|}		\|}

Jujube at 11:54, 30 April 2019

2019-04-30T11:54:32Z

← Older revision		Revision as of 13:54, 30 April 2019
Line 52:		Line 52:
	\|-		\|-
	\| Yomeddine (2018) \|\| Abu Bakr Shawky \|\| "I am a human, too." I should watch Elephant Man... Scene of the legless man marching towards Beshay and Obama \|\| 4.19 \|\| LV		\| Yomeddine (2018) \|\| Abu Bakr Shawky \|\| "I am a human, too." I should watch Elephant Man... Scene of the legless man marching towards Beshay and Obama \|\| 4.19 \|\| LV
			\|-
	\| Minding the Gap (2019) \|\| Bing Liu \|\| What strikes me is the director's capacity to hold back. See more at [[Jujube/methods-session-3a#Film:_Minding_the_Gap_by_Bing_Liu]] \|\| 4.19 \|\| LV		\| Minding the Gap (2019) \|\| Bing Liu \|\| What strikes me is the director's capacity to hold back. See more at [[Jujube/methods-session-3a#Film:_Minding_the_Gap_by_Bing_Liu]] \|\| 4.19 \|\| LV
	\|}		\|}