Jujube/thesis-references - Revision history

Jujube: /* Reflection */

2020-05-12T08:55:32Z

Reflection

← Older revision		Revision as of 10:55, 12 May 2020
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	:BERGER, J. P., & DYER, G. (2013). Understanding a photograph. New-York, Aperture.		:BERGER, J. P., & DYER, G. (2013). Understanding a photograph. New-York, Aperture.
	:CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).		:CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
			:Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
	:Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.		:Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.
	:Miall, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704		:Miall, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
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	:Mulvey, L. and Backman Rogers, A. (eds) (2015) Feminisms : diversity, difference and multiplicity in contemporary film cultures. Amsterdam: Amsterdam University Press (The key debates. Mutations and appropriations in European film studies, 5). doi: 10.5117/9789089646767.		:Mulvey, L. and Backman Rogers, A. (eds) (2015) Feminisms : diversity, difference and multiplicity in contemporary film cultures. Amsterdam: Amsterdam University Press (The key debates. Mutations and appropriations in European film studies, 5). doi: 10.5117/9789089646767.
	:Chateau, D., & Moure, J. (2016). Screens.		:Chateau, D., & Moure, J. (2016). Screens.
	~~:Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).~~
	:Sontag, S. (2002) Against interpretation: and other essays. Repr. and enl. edn. New York: Picador		:Sontag, S. (2002) Against interpretation: and other essays. Repr. and enl. edn. New York: Picador

Jujube: /* Practice */

2020-05-12T08:51:06Z

Practice

← Older revision		Revision as of 10:51, 12 May 2020
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	:SCHRADER, P. (2018). Transcendental style in film: Ozu, Bresson, Dreyer.		:SCHRADER, P. (2018). Transcendental style in film: Ozu, Bresson, Dreyer.
	:WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.		:WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.

			not used

	:Sontag, S. (1984) On photography. 6E dr edn. Harmondsworth: Penguin.		:Sontag, S. (1984) On photography. 6E dr edn. Harmondsworth: Penguin.
	:Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).		:Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).

Jujube: /* Reflection */

2020-03-08T12:03:34Z

Reflection

← Older revision		Revision as of 14:03, 8 March 2020
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	:BERGER, J. P., & DYER, G. (2013). Understanding a photograph. New-York, Aperture.		:BERGER, J. P., & DYER, G. (2013). Understanding a photograph. New-York, Aperture.
	:CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).		:CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
	~~:Chateau, D., & Moure, J. (2016). Screens.~~
	:Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.		:Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.
	~~:Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).~~
	:Miall, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704		:Miall, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
	:Mulvey, L. and Backman Rogers, A. (eds) (2015) Feminisms : diversity, difference and multiplicity in contemporary film cultures. Amsterdam: Amsterdam University Press (The key debates. Mutations and appropriations in European film studies, 5). doi: 10.5117/9789089646767.
	:Nussbaum, M. (1988) Narrative Emotions. Ethics, Vol. 98, No. 2., pp. 225-254.		:Nussbaum, M. (1988) Narrative Emotions. Ethics, Vol. 98, No. 2., pp. 225-254.
	:Shouse, E. (2005) Feeling, Emotion, Affect. M/C Journal 8.6. <http://journal.media-culture.org.au/0512/03-shouse.php>		:Shouse, E. (2005) Feeling, Emotion, Affect. M/C Journal 8.6. <http://journal.media-culture.org.au/0512/03-shouse.php>
			:Voìgt, Ellen Bryant. Image. New England Review, Vol. 13, No. 3/4, 1991, pp. 254–268. JSTOR, www.jstor.org/stable/40243421.

			no longer:
			:Mulvey, L. and Backman Rogers, A. (eds) (2015) Feminisms : diversity, difference and multiplicity in contemporary film cultures. Amsterdam: Amsterdam University Press (The key debates. Mutations and appropriations in European film studies, 5). doi: 10.5117/9789089646767.
			:Chateau, D., & Moure, J. (2016). Screens.
			:Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
	:Sontag, S. (2002) Against interpretation: and other essays. Repr. and enl. edn. New York: Picador		:Sontag, S. (2002) Against interpretation: and other essays. Repr. and enl. edn. New York: Picador
	~~:Voìgt, Ellen Bryant. Image. New England Review, Vol. 13, No. 3/4, 1991, pp. 254–268. JSTOR, www.jstor.org/stable/40243421.~~

	==from project proposal (methods for general reserach on image-making)==		==from project proposal (methods for general reserach on image-making)==

Jujube: /* Reflection */

2020-03-08T12:02:13Z

Reflection

← Older revision		Revision as of 14:02, 8 March 2020
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	:BAZIN, A., GRAY, H., TRUFFAUT, F., & ANDREW, D. (2005). What is cinema? Volume 1.		:BAZIN, A., GRAY, H., TRUFFAUT, F., & ANDREW, D. (2005). What is cinema? Volume 1.
	:BERGER, J. P., & DYER, G. (2013). Understanding a photograph. New-York, Aperture.		:BERGER, J. P., & DYER, G. (2013). Understanding a photograph. New-York, Aperture.
	~~:BROWN, B. (2004). Things. Chicago, University Of Chicago Press.~~
	:CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).		:CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
	:Chateau, D., & Moure, J. (2016). Screens.		:Chateau, D., & Moure, J. (2016). Screens.

Jujube: /* Memoir */

2020-03-08T12:00:13Z

Memoir

← Older revision		Revision as of 14:00, 8 March 2020
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	:CARRIÓN, U., & SCHRAENEN, G. (2016). Ulises Carrión: Dear reader, don't read.		:CARRIÓN, U., & SCHRAENEN, G. (2016). Ulises Carrión: Dear reader, don't read.
	:CHEE, A. (2018) How to write an autobiographical novel : essays.		:CHEE, A. (2018) How to write an autobiographical novel : essays.
			:FOX, D. (2019). Limbo.
	:HAN, K., & SMITH, D. (2019). The white book.		:HAN, K., & SMITH, D. (2019). The white book.
			:PATEL, S. (2014). Migritude. New York, Kaya Press.
			:Thompson, S. (2017). Salt. London.

			not used:

	:NELSON, M. (2016). The argonauts.		:NELSON, M. (2016). The argonauts.
	:PROULX, A. (2012). Bird cloud. London, Fourth Estate.		:PROULX, A. (2012). Bird cloud. London, Fourth Estate.
	~~:PATEL, S. (2014). Migritude. New York, Kaya Press.~~

	==Practice==		==Practice==

Jujube: /* Memoir */

2020-03-08T11:38:23Z

Memoir

← Older revision		Revision as of 13:38, 8 March 2020
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	==Memoir==		==Memoir==

	~~reading:~~
	~~:Garments Against Women, Anne Boyer~~
	~~:The White Book, Han Kang~~

	~~Suggested~~

	~~:The vertical interrogation of strangers, Bhanu Kapil~~
	~~:Xiaolu Guo~~

	~~read:~~
	:CARRIÓN, U., & SCHRAENEN, G. (2016). Ulises Carrión: Dear reader, don't read.		:CARRIÓN, U., & SCHRAENEN, G. (2016). Ulises Carrión: Dear reader, don't read.
	:CHEE, A. (2018) How to write an autobiographical novel : essays.		:CHEE, A. (2018) How to write an autobiographical novel : essays.
			:HAN, K., & SMITH, D. (2019). The white book.
	:NELSON, M. (2016). The argonauts.		:NELSON, M. (2016). The argonauts.
	:PROULX, A. (2012). Bird cloud. London, Fourth Estate.		:PROULX, A. (2012). Bird cloud. London, Fourth Estate.

Jujube: /* Memoir */

2020-01-04T13:22:06Z

Memoir

← Older revision		Revision as of 15:22, 4 January 2020
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	==Memoir==		==Memoir==

			reading:
			:Garments Against Women, Anne Boyer
			:The White Book, Han Kang

	~~Reading:~~		Suggested

	:~~PATEL, S. (2014). Migritude. New York, Kaya Press.~~		:The vertical interrogation of strangers, Bhanu Kapil
	~~:RIDER, B. K. (2010).~~ The vertical interrogation of strangers~~. Berkeley, Calif, Kelsey Street Press.~~		:Xiaolu Guo
	~~:Garments Against Women, Boyer~~, ~~Anne~~
	:~~The White Book, Han Kang~~

	read:		read:
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	:NELSON, M. (2016). The argonauts.		:NELSON, M. (2016). The argonauts.
	:PROULX, A. (2012). Bird cloud. London, Fourth Estate.		:PROULX, A. (2012). Bird cloud. London, Fourth Estate.
			:PATEL, S. (2014). Migritude. New York, Kaya Press.

	==Practice==		==Practice==

Jujube: /* Memoir */

2020-01-04T13:20:52Z

Memoir

← Older revision		Revision as of 15:20, 4 January 2020
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	:PATEL, S. (2014). Migritude. New York, Kaya Press.		:PATEL, S. (2014). Migritude. New York, Kaya Press.
	:RIDER, B. K. (2010). The vertical interrogation of strangers. Berkeley, Calif, Kelsey Street Press.		:RIDER, B. K. (2010). The vertical interrogation of strangers. Berkeley, Calif, Kelsey Street Press.
	~~:Migritude, Patel, Shailja~~
	:Garments Against Women, Boyer, Anne		:Garments Against Women, Boyer, Anne
	:The White Book, Han Kang		:The White Book, Han Kang

Jujube: /* Practice */

2019-12-06T10:47:10Z

Practice

← Older revision		Revision as of 12:47, 6 December 2019
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	:MAMET, D. (1992) On directing film. New York: Penguin Books.		:MAMET, D. (1992) On directing film. New York: Penguin Books.
	:SCHRADER, P. (2018). Transcendental style in film: Ozu, Bresson, Dreyer.		:SCHRADER, P. (2018). Transcendental style in film: Ozu, Bresson, Dreyer.
	~~<s>:SVENDSEN, L. F. H. (2017). A philosophy of loneliness.</s> N/A~~
	:WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.		:WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.
	:Sontag, S. (1984) On photography. 6E dr edn. Harmondsworth: Penguin.		:Sontag, S. (1984) On photography. 6E dr edn. Harmondsworth: Penguin.

Jujube: /* Memoir */

2019-12-05T20:54:13Z

Memoir

← Older revision		Revision as of 22:54, 5 December 2019
Line 6:		Line 6:


	New:		Reading:

			:PATEL, S. (2014). Migritude. New York, Kaya Press.
			:RIDER, B. K. (2010). The vertical interrogation of strangers. Berkeley, Calif, Kelsey Street Press.
	:Migritude, Patel, Shailja		:Migritude, Patel, Shailja
	:Garments Against Women, Boyer, Anne		:Garments Against Women, Boyer, Anne
	:The White Book, Han Kang		:The White Book, Han Kang

	~~already~~:		read:
	:CARRIÓN, U., & SCHRAENEN, G. (2016). Ulises Carrión: Dear reader, don't read.		:CARRIÓN, U., & SCHRAENEN, G. (2016). Ulises Carrión: Dear reader, don't read.
	:CHEE, A. (2018) How to write an autobiographical novel : essays.		:CHEE, A. (2018) How to write an autobiographical novel : essays.
			:NELSON, M. (2016). The argonauts.
	:PROULX, A. (2012). Bird cloud. London, Fourth Estate.		:PROULX, A. (2012). Bird cloud. London, Fourth Estate.