Michael Murtaugh: replaced quot entities with proper double quote chars

2013-02-19T11:57:44Z

replaced quot entities with proper double quote chars

Michael Murtaugh at 11:56, 19 February 2013

2013-02-19T11:56:37Z

← Older revision		Revision as of 13:56, 19 February 2013
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	{{essay\|author=Lev Manovich}}		{{essay\|author=Lev Manovich}}

	~~fall 2005-~~spring 2006		Published online, spring 2006

	During the heyday of debates on post-modern, at least one critic in America noticed the connection between post-modern pastiche and computerization. In his book ''After the Great Divide'' (1986), Andreas Huyssen writes: "All modern and avantgardist techniques, forms and images are now stored for instant recall in the computerized memory banks of our culture. But the same memory also stores all of pre-modernist art as well as the genres, codes, and image worlds of popular cultures and modern mass culture." <ref>Andreas Huyssen, "Mapping the Postmodern," in After the Great Divide (Bloomington and Indianapolis: Indiana University Press, 1986), 196.</ref> His analysis is accurate - except that these "computerized memory banks" did not really became commonplace for another fifteen years. Only when the Web absorbed enough of the media archives it became this universal cultural memory bank accessible to all cultural producers. But even for the professionals, the ability to easily integrate multiple media sources within the same project - multiple layers of video, scanned still images, animation, graphics, and typography - only came towards the end of the 1990s.		During the heyday of debates on post-modern, at least one critic in America noticed the connection between post-modern pastiche and computerization. In his book ''After the Great Divide'' (1986), Andreas Huyssen writes: "All modern and avantgardist techniques, forms and images are now stored for instant recall in the computerized memory banks of our culture. But the same memory also stores all of pre-modernist art as well as the genres, codes, and image worlds of popular cultures and modern mass culture." <ref>Andreas Huyssen, "Mapping the Postmodern," in After the Great Divide (Bloomington and Indianapolis: Indiana University Press, 1986), 196.</ref> His analysis is accurate - except that these "computerized memory banks" did not really became commonplace for another fifteen years. Only when the Web absorbed enough of the media archives it became this universal cultural memory bank accessible to all cultural producers. But even for the professionals, the ability to easily integrate multiple media sources within the same project - multiple layers of video, scanned still images, animation, graphics, and typography - only came towards the end of the 1990s.

Michael Murtaugh at 11:55, 19 February 2013

2013-02-19T11:55:56Z

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Michael Murtaugh at 11:52, 19 February 2013

2013-02-19T11:52:08Z

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Michael Murtaugh: Created page with "{{originalurl|http://pzwart.wdka.hro.nl/mdr/pubsfolder/manovichessay}} {{essay|author=Lev Manovich}} fall 2005-spring 2006 During the heyday of debates on post-modern, at l..."

2013-02-19T11:34:09Z

Created page with "{{originalurl|http://pzwart.wdka.hro.nl/mdr/pubsfolder/manovichessay}} {{essay|author=Lev Manovich}} fall 2005-spring 2006 During the heyday of debates on post-modern, at l..."

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Michael Murtaugh: replaced quot entities with proper double quote chars

Michael Murtaugh at 11:56, 19 February 2013

Michael Murtaugh at 11:55, 19 February 2013

Michael Murtaugh at 11:52, 19 February 2013

Michael Murtaugh: Created page with "{{originalurl|http://pzwart.wdka.hro.nl/mdr/pubsfolder/manovichessay}} {{essay|author=Lev Manovich}} fall 2005-spring 2006 During the heyday of debates on post-modern, at l..."