Commuters of Erasmusbrug - Revision history

Andreas: /* Outlook */

2018-12-03T16:13:09Z

Outlook

← Older revision		Revision as of 18:13, 3 December 2018
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	In the final presentation with Frits Gierstberg there have been various suggestions. For example it has been stated that we could go further into the topic by interviewing the commuters or by taking photos on other landmarks that are heavily frequented by commuters. Frits recommended to earlier give information on the location and concept of the photo series. He stated his concern of the book not gaining enough attention otherwise.		In the final presentation with Frits Gierstberg there have been various suggestions. For example it has been stated that we could go further into the topic by interviewing the commuters or by taking photos on other landmarks that are heavily frequented by commuters. Frits recommended to earlier give information on the location and concept of the photo series. He stated his concern of the book not gaining enough attention otherwise.

	[[File:Photobook Commuters 20181128 151051.gif~~\|frameless~~]]<br />		[[File:Photobook Commuters 20181128 151051.gif]]<br />

	[[File:Photobook Commuters 20181128 150332.jpg\|500px\|frameless]]		[[File:Photobook Commuters 20181128 150332.jpg\|500px\|frameless]]

	=References=		=References=

Andreas at 14:33, 3 December 2018

2018-12-03T14:33:36Z

← Older revision		Revision as of 16:33, 3 December 2018
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	[[File:Photobook Commuters 20181128 150332.jpg\|500px\|frameless]]		[[File:Photobook Commuters 20181128 150332.jpg\|500px\|frameless]]

			=References=

Andreas: /* Design */

2018-12-03T12:55:25Z

Design

← Older revision		Revision as of 14:55, 3 December 2018
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	The Headline is set in the font „Le Murmure“ by Jérémy Landes, which is a highly condensed Sans Serif. Due to the stability of its shapes it works perfect as a titling font. The calligraphic details are giving it a certain elegance, yet still keeping it legible.		The Headline is set in the font „Le Murmure“ by Jérémy Landes, which is a highly condensed Sans Serif. Due to the stability of its shapes it works perfect as a titling font. The calligraphic details are giving it a certain elegance, yet still keeping it legible.
	„Fengardo Neue“ by Loïc Sander was being used for the copy text. This Sans Serif font ~~is very legible with~~ a ~~bit~~ of softness and charm that makes it unique and fits the „Le Murmure“ quite well.		„Fengardo Neue“ by Loïc Sander was being used for the copy text. This Sans Serif font has a perfect legibility, while maintaining a kind of softness and charm that makes it unique and fits the „Le Murmure“ quite well.

	==Text==		==Text==

Andreas: /* Outlook */

2018-12-03T12:51:17Z

Outlook

← Older revision		Revision as of 14:51, 3 December 2018
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	This would mean that the facial expressions can be observed better with giving the photo more space in the book.		This would mean that the facial expressions can be observed better with giving the photo more space in the book.

	In the final presentation with Frits Gierstberg there have been various suggestions. For example it has been stated that we could go further into the topic by interviewing the commuters or by taking photos on other landmarks that are heavily frequented by commuters. Frits recommended to earlier give information on the location and concept of the photo series. He stated his concern of it the book not gaining enough attention otherwise.		In the final presentation with Frits Gierstberg there have been various suggestions. For example it has been stated that we could go further into the topic by interviewing the commuters or by taking photos on other landmarks that are heavily frequented by commuters. Frits recommended to earlier give information on the location and concept of the photo series. He stated his concern of the book not gaining enough attention otherwise.

	[[File:Photobook Commuters 20181128 151051.gif\|frameless]]<br />		[[File:Photobook Commuters 20181128 151051.gif\|frameless]]<br />

	[[File:Photobook Commuters 20181128 150332.jpg\|500px\|frameless]]		[[File:Photobook Commuters 20181128 150332.jpg\|500px\|frameless]]

Andreas: /* Outlook */

2018-12-03T12:50:57Z

Outlook

← Older revision		Revision as of 14:50, 3 December 2018
Line 143:		Line 143:
	This would mean that the facial expressions can be observed better with giving the photo more space in the book.		This would mean that the facial expressions can be observed better with giving the photo more space in the book.

	In the final presentation with Frits Gierstberg there have been various suggestions. For example it has been stated that we could go further into the topic by interviewing the commuters or taking photos on other landmarks that are heavily frequented by commuters. Frits recommended to earlier give information on the location and concept of the photo series. He stated his concern of it the book not gaining enough attention otherwise.		In the final presentation with Frits Gierstberg there have been various suggestions. For example it has been stated that we could go further into the topic by interviewing the commuters or by taking photos on other landmarks that are heavily frequented by commuters. Frits recommended to earlier give information on the location and concept of the photo series. He stated his concern of it the book not gaining enough attention otherwise.

	[[File:Photobook Commuters 20181128 151051.gif\|frameless]]<br />		[[File:Photobook Commuters 20181128 151051.gif\|frameless]]<br />

	[[File:Photobook Commuters 20181128 150332.jpg\|500px\|frameless]]		[[File:Photobook Commuters 20181128 150332.jpg\|500px\|frameless]]

Andreas: /* Outlook */

2018-12-03T12:50:34Z

Outlook

← Older revision		Revision as of 14:50, 3 December 2018
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	In terms of the photobook Susanna and I were also talking about giving each photo a whole page and placing a closeup of several spots of the bridge on the other page of each spread. The closeup shall for example show the concrete with its sometimes sparkling appearance, the cycle track or other spots. With this we would be able to create a juxtaposition between the commuters and the bridge itself.		In terms of the photobook Susanna and I were also talking about giving each photo a whole page and placing a closeup of several spots of the bridge on the other page of each spread. The closeup shall for example show the concrete with its sometimes sparkling appearance, the cycle track or other spots. With this we would be able to create a juxtaposition between the commuters and the bridge itself.
	This would mean that the facial expressions can be observed better with giving the photo more space in the book.		This would mean that the facial expressions can be observed better with giving the photo more space in the book.

			In the final presentation with Frits Gierstberg there have been various suggestions. For example it has been stated that we could go further into the topic by interviewing the commuters or taking photos on other landmarks that are heavily frequented by commuters. Frits recommended to earlier give information on the location and concept of the photo series. He stated his concern of it the book not gaining enough attention otherwise.

	[[File:Photobook Commuters 20181128 151051.gif\|frameless]]<br />		[[File:Photobook Commuters 20181128 151051.gif\|frameless]]<br />

	[[File:Photobook Commuters 20181128 150332.jpg\|500px\|frameless]]		[[File:Photobook Commuters 20181128 150332.jpg\|500px\|frameless]]

Andreas: /* Text */

2018-12-03T12:41:03Z

Text

← Older revision		Revision as of 14:41, 3 December 2018
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	==Text==		==Text==
	We experimented with text from medical papers depicting the facial muscles. The initial idea was to juxtapose the imagery with sentences that ~~depict how facial expressions occur or to~~ show interesting facts connected to ~~the topic~~. The text was supposed not to give away what the initial photo series is about. Eventually we scrapped this idea, because it was drawing attention away from the photos.		We experimented with text from medical papers depicting the facial muscles. The initial idea was to juxtapose the imagery with sentences that show interesting facts connected to facial musculature and how expressions are shaped. The text was supposed not to give away what the initial photo series is about. Eventually we scrapped this idea, because it was drawing attention away from the photos.

	The book has some kind of hidden „Foreword“. The first spread that can be opened has a short introduction text to help the reader understand what the book is about:		The book has some kind of hidden „Foreword“. The first spread that can be opened has a short introduction text to help the reader understand what the book is about:

Andreas: /* Text */

2018-12-03T12:39:51Z

Text

← Older revision		Revision as of 14:39, 3 December 2018
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	We experimented with text from medical papers depicting the facial muscles. The initial idea was to juxtapose the imagery with sentences that depict how facial expressions occur or to show interesting facts connected to the topic. The text was supposed not to give away what the initial photo series is about. Eventually we scrapped this idea, because it was drawing attention away from the photos.		We experimented with text from medical papers depicting the facial muscles. The initial idea was to juxtapose the imagery with sentences that depict how facial expressions occur or to show interesting facts connected to the topic. The text was supposed not to give away what the initial photo series is about. Eventually we scrapped this idea, because it was drawing attention away from the photos.

	The book has some kind of hidden „Foreword“. The first spread that can be opened has a short introduction text:		The book has some kind of hidden „Foreword“. The first spread that can be opened has a short introduction text to help the reader understand what the book is about:

	'''The purpose of the ride'''		'''The purpose of the ride'''

Andreas: /* Text */

2018-12-03T12:39:32Z

Text

← Older revision		Revision as of 14:39, 3 December 2018
Line 102:		Line 102:

	==Text==		==Text==
	The first opened ~~page~~ has a short introduction text:		We experimented with text from medical papers depicting the facial muscles. The initial idea was to juxtapose the imagery with sentences that depict how facial expressions occur or to show interesting facts connected to the topic. The text was supposed not to give away what the initial photo series is about. Eventually we scrapped this idea, because it was drawing attention away from the photos.

			The book has some kind of hidden „Foreword“. The first spread that can be opened has a short introduction text:

	'''The purpose of the ride'''		'''The purpose of the ride'''

Andreas: /* Zooming further in */

2018-12-03T12:35:07Z

Zooming further in

← Older revision		Revision as of 14:35, 3 December 2018
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	=Zooming further in=		=Zooming further in=

	After having several conversations (group crit, talking to David, personal talks) we decided to try cropping the images to just the faces under the working title „pain and ~~release“~~. The concept shall be to not show the bridge or the bicycles and just concentrate on the expressions.		After having several conversations (group crit, talking to David, personal talks) we decided to try cropping the images to just the faces under the working title „pain and relief“. The concept shall be to not show the bridge or the bicycles and just concentrate on the expressions.

	[[File:181113 commuters contact sheet.jpg\|1000px\|frameless]]		[[File:181113 commuters contact sheet.jpg\|1000px\|frameless]]


	=The Photobook=		=The Photobook=